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Featured Book Lists
New York Times Bestsellers
Click to search this book in our catalog Roses
by Leila Meacham

Library Journal : Starred Review. It's been almost 30 years since the heyday of giant epics in the grand tradition of Edna Ferber and Barbara Taylor Bradford, but Meacham's debut might bring them back. This story of two founding families in a small East Texas town spans the 20th century. When Mary Toliver inherits her family's cotton plantation, Somerset, in 1916, it tears apart her family; her mother turns to alcohol, and her brother leaves. Mary's obsession with Somerset even causes her to lose the love of her life, timber magnate Percy Warwick. By the time she's 85, Mary is determined that the family curse will not continue and, despite her grandniece's love of Somerset, plans for the plantation to be sold after her death. Mary Toliver and Percy Warwick can't share anything more than friendship, but Mary's actions might allow Rachel to see past Somerset to the man who loves her. VERDICT Readers who like an old-fashioned saga will devour this sprawling novel of passion and revenge. Highly recommended.—Lesa Holstine, Glendale P.L., AZ

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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Independent Booksellers List
Click to search this book in our catalog The Girl Who Played With Fire
by Stieg Larsson

Library Journal : Starred Review. Lisbeth Salander, the antisocial but brilliant computer hacker who helped journalist Mikael Blomkvist uncover a serial killer on a remote Swedish island in Larsson's acclaimed The Girl with the Dragon Tattoo, takes center stage in this second volume of his "Millenium" trilogy. Opening 18 months after the events of the first book, the novel finds our heroine lounging by the pool at a Caribbean hotel, reading a math textbook, and watching a woman who may be a victim of domestic abuse, while in Sweden, Blomkvist, bewildered by Salander's abrupt disappearance from his life, is set to publish a magazine exposé on the sex trade. Impatient readers may chafe at this seemingly irrelevant prolog, but like the mathematical puzzles Salander enjoys solving, there is a logic to the clues that Larsson carefully drops—integral to understanding his protagonist as we gradually learn her back story. The main plot takes off with the murders of Salander's legal guardian and the two writers of the article, and her fingerprints are found on the gun used in the killings. VERDICT Although the pace slows when the police investigation takes precedence and Salander briefly disappears from the action, we are well-rewarded in the exciting final section when she finally confronts her dark past. This is complex and compelling storytelling at its best, propelled by one of the most fascinating characters in recent crime fiction. Eager fans will placing library holds for the final volume, The Girl Who Kicked the Hornets' Nest, scheduled for a 2010 U. S. publication. [See Prepub Alert, LJ 4/1/09; see also the Q&A with Knopf editor in chief Sonny Mehta and executive director of publicity Paul Bogaards on p. 60.—Ed.]—Wilda Williams, Library Journal

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : Fans of intelligent page-turners will be more than satisfied by Larsson's second thriller, even though it falls short of the high standard set by its predecessor, The Girl with the Dragon Tattoo, which introduced crusading journalist Mikael Blomkvist and punk hacker savant Lisbeth Salander. A few weeks before Dag Svensson, a freelance journalist, plans to publish a story that exposes important people involved in Sweden's sex trafficking business based on research conducted by his girlfriend, Mia Johansson, a criminologist and gender studies scholar, the couple are shot to death in their Stockholm apartment. Salander, who has a history of violent tendencies, becomes the prime suspect after the police find her fingerprints on the murder weapon. While Blomkvist strives to clear Salander of the crime, some far-fetched twists help ensure her survival. Powerful prose and intriguing lead characters will carry most readers along. (Aug.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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Newbery Medal Winners
Click to search this book in our catalog Good Masters! Sweet Ladies! Voices from a Medieval Village
by Laura Amy Schlitz

Publishers Weekly : Starred Review. Schlitz (The Hero Schliemann) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills (Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her starving poor [father] took me up to drown in a bucket of water. (He relents at the sight of her wee fingers grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up. (Aug.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Starred Review. Gr 4–8—Schlitz helps students step directly into the shoes—and lives—of medieval children in this outstanding collection of interrelated monologues. Designed for performance and excellent for use in interdisciplinary history classrooms, the book offers students an incredibly approachable format for learning about the Middle Ages that makes the period both realistic and relevant. The text, varying from dramatic to poetic, depending on the point of view, is accompanied by historical notes that shed light on societal roles, religion, and town life. Byrd's illustrations evoke the era and give dramatists ideas for appropriate costuming and props. Browsers interested in medieval life will gravitate toward this title, while history buffs will be thrilled by the chance to make history come alive through their own voices.—Alana Abbott, James Blackstone Memorial Library, Branford, CT

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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ALA Best Books for Young Adults
Click to search this book in our catalog  Playing With Matches
by Katcher, Brian

School Library Journal : Gr 8 Up—Leon Sanders, 17, a self-described geek, craves the attention of perfection-personified Amy Green, who consistently ignores him. Resigned to life on the fringes of his suburban high school, he takes comfort in knowing that another junior scores zero for popularity: Melody Hennon, whose severely burned face has made her an outcast. When Leon tells Melody a bad joke and gets a genuine laugh, he is surprised to find an actual person behind the scars, and soon discovers that she shares his interests and offbeat humor. When Melody confides the details of her childhood accident, he tells her about a humiliating encounter with a bully that left him emotionally scarred. As their friendship turns to romance, Leon worries about the opinions of others, but people are accepting of their relationship. Then Leon finally catches Amy's eye. Faced with a dilemma, he allows himself to be lured away from the devastated Melody, but is soon overwhelmed by the emotional consequences. Leon's self-deprecating, ironic humor keeps an authentic edge running through the story as he explores new relationships and roles, and wrestles with doing the right thing. Melody is a resilient young woman whose experience with Leon helps her develop self-confidence. This is a strong debut novel with a cast of quirky, multidimensional characters struggling with issues of acceptance, sexuality, identity, and self-worth.—Joyce Adams Burner, Hillcrest Library, Prairie Village, KS

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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Pulitzer Prize
Click to search this book in our catalog Independence Day
by Richard Ford

Publisher's Weekly : In this sequel to The Sportswriter, Ford follows his middle-aged American everyman, Frank Bascombe, through the transformative events of a Fourth of July weekend.

Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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Agatha Awards
Click to search this book in our catalog If I'd Killed Him When I Met Him
by Sharyn McCrumb

School Library Journal : Gr 9 Up—A lonely teen, Robert Smith finds himself involved in events totally out of his control. A foster kid with a stomachache, he arrives at the hospital alone for a routine endoscopy. Not fully anesthetized, he hears the doctors claim that his insides aren't human. Unidentified men with guns swarm in, Robert bolts, and finds himself on the front page of the newspaper accused of stabbing one of the doctors. His subsequent flight begins a grisly string of events where murder, alcohol, and fear abound. Conveniently the one person Robert runs to, Eddi, the ex-girl of an acquaintance's brother, not only takes him in but is an expert in creating fake IDs. With a duffle full of cash from her business, they escape England to her house in Spain. In Tejeda, the young people find love and begin a "normal" life together until the men in suits show up and destroy it all. Scattered throughout the novel are Robert's existential questions, "How do I know anything is real?" This is surreal science fiction with a dismal ending. Loose ends abound, so many that readers are left feeling cheated. Who or what Robert is are never made clear; nor is the identity of the men who are after him.—Kathy Lehman, Thomas Dale High School Library, Chester, VA

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 9 Up—A lonely teen, Robert Smith finds himself involved in events totally out of his control. A foster kid with a stomachache, he arrives at the hospital alone for a routine endoscopy. Not fully anesthetized, he hears the doctors claim that his insides aren't human. Unidentified men with guns swarm in, Robert bolts, and finds himself on the front page of the newspaper accused of stabbing one of the doctors. His subsequent flight begins a grisly string of events where murder, alcohol, and fear abound. Conveniently the one person Robert runs to, Eddi, the ex-girl of an acquaintance's brother, not only takes him in but is an expert in creating fake IDs. With a duffle full of cash from her business, they escape England to her house in Spain. In Tejeda, the young people find love and begin a "normal" life together until the men in suits show up and destroy it all. Scattered throughout the novel are Robert's existential questions, "How do I know anything is real?" This is surreal science fiction with a dismal ending. Loose ends abound, so many that readers are left feeling cheated. Who or what Robert is are never made clear; nor is the identity of the men who are after him.—Kathy Lehman, Thomas Dale High School Library, Chester, VA

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 9 Up—A lonely teen, Robert Smith finds himself involved in events totally out of his control. A foster kid with a stomachache, he arrives at the hospital alone for a routine endoscopy. Not fully anesthetized, he hears the doctors claim that his insides aren't human. Unidentified men with guns swarm in, Robert bolts, and finds himself on the front page of the newspaper accused of stabbing one of the doctors. His subsequent flight begins a grisly string of events where murder, alcohol, and fear abound. Conveniently the one person Robert runs to, Eddi, the ex-girl of an acquaintance's brother, not only takes him in but is an expert in creating fake IDs. With a duffle full of cash from her business, they escape England to her house in Spain. In Tejeda, the young people find love and begin a "normal" life together until the men in suits show up and destroy it all. Scattered throughout the novel are Robert's existential questions, "How do I know anything is real?" This is surreal science fiction with a dismal ending. Loose ends abound, so many that readers are left feeling cheated. Who or what Robert is are never made clear; nor is the identity of the men who are after him.—Kathy Lehman, Thomas Dale High School Library, Chester, VA

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 9 Up—A lonely teen, Robert Smith finds himself involved in events totally out of his control. A foster kid with a stomachache, he arrives at the hospital alone for a routine endoscopy. Not fully anesthetized, he hears the doctors claim that his insides aren't human. Unidentified men with guns swarm in, Robert bolts, and finds himself on the front page of the newspaper accused of stabbing one of the doctors. His subsequent flight begins a grisly string of events where murder, alcohol, and fear abound. Conveniently the one person Robert runs to, Eddi, the ex-girl of an acquaintance's brother, not only takes him in but is an expert in creating fake IDs. With a duffle full of cash from her business, they escape England to her house in Spain. In Tejeda, the young people find love and begin a "normal" life together until the men in suits show up and destroy it all. Scattered throughout the novel are Robert's existential questions, "How do I know anything is real?" This is surreal science fiction with a dismal ending. Loose ends abound, so many that readers are left feeling cheated. Who or what Robert is are never made clear; nor is the identity of the men who are after him.—Kathy Lehman, Thomas Dale High School Library, Chester, VA

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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