Publishers Weekly : Starred Review. Schlitz (The Hero Schliemann) wrote these 22 brief monologues to be performed by students at the school where she is a librarian; here, bolstered by lively asides and unobtrusive notes, and illuminated by Byrd's (Leonard, Beautiful Dreamer) stunningly atmospheric watercolors, they bring to life a prototypical English village in 1255. Adopting both prose and verse, the speakers, all young, range from the half-wit to the lord's daughter, who explains her privileged status as the will of God. The doctor's son shows off his skills (Ordinary sores/ Will heal with comfrey, or the white of an egg,/ An eel skin takes the cramping from a leg); a runaway villein (whose life belongs to the lord of his manor) hopes for freedom after a year and a day in the village, if only he can calculate the passage of time; an eel-catcher describes her rough infancy: her starving poor [father] took me up to drown in a bucket of water. (He relents at the sight of her wee fingers grasping at the sides of the bucket.) Byrd, basing his work on a 13th-century German manuscript, supplies the first page of each speaker's text with a tone-on-tone patterned border overset with a square miniature. Larger watercolors, some with more intricate borders, accompany explanatory text for added verve. The artist does not channel a medieval style; rather, he mutes his palette and angles some lines to hint at the period, but his use of cross-hatching and his mostly realistic renderings specifically welcome a contemporary readership. Ages 10-up. (Aug.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Starred Review. Gr 4–8—Schlitz helps students step directly into the shoes—and lives—of medieval children in this outstanding collection of interrelated monologues. Designed for performance and excellent for use in interdisciplinary history classrooms, the book offers students an incredibly approachable format for learning about the Middle Ages that makes the period both realistic and relevant. The text, varying from dramatic to poetic, depending on the point of view, is accompanied by historical notes that shed light on societal roles, religion, and town life. Byrd's illustrations evoke the era and give dramatists ideas for appropriate costuming and props. Browsers interested in medieval life will gravitate toward this title, while history buffs will be thrilled by the chance to make history come alive through their own voices.—Alana Abbott, James Blackstone Memorial Library, Branford, CT

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

...More

Publishers Weekly : In the tradition of Sounder and Where the Red Fern Grows comes this boy-and-his-dog story set in rural West Virginia. When he finds a mistreated beagle pup, 11-year-old Marty knows that the animal should be returned to its rightful owner. But he also realizes that the dog will only be further abused. So he doesn't tell his parents about his discovery, sneaks food for the dog and gets himself into a moral dilemma in trying to do the right thing. Without breaking new ground, Marty's tale is well told, with a strong emphasis on family and religious values. This heartwarming novel should win new fans for the popular Naylor. Ages 8-12.

Copyright 1991 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 4-6-- Marty Preston, 11, is a country boy who learns that things are often not what they seem, and that adults are not always ``fair'' in their dealings with other people. Marty finds a stray dog that seems to be abused and is determined to keep it at all costs. Because his family is very poor, without money to feed another mouth, his parents don't want any pets. Subsequently, there is a lot of conflict over the animal within the family and between Marty and Judd Travers, the dog's owner. Honesty and personal relations are both mixed into the story. Naylor has again written a warm, appealing book. However, readers may have difficulty understanding some of the first-person narration as it is written in rural West Virginian dialect. Marty's father is a postman--usually one of the better paying positions in rural areas--yet the family is extremely poor. There seems to be an inconsistency here. This title is not up to Naylor's usual high quality. --Kenneth E. Kowen, Atascocita Middle School Library, Humble, TX

Copyright 1991 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

...More

Publishers Weekly : Johnson (13 Little Blue Envelopes) packs her latest with all the elements of a winning novel—a dramatic setting, offbeat characters, witty dialogue—but she leaves out the tension. Scarlett's family operates and lives in a rundown art deco hotel in Manhattan. It is nearly empty when strange, rich Amy checks in for the summer. Claiming to want to write a book about her life, she hires an ambivalent Scarlett as her assistant. But Scarlett's job changes when Amy decides instead to sponsor a production of Hamlet in which Scarlett's brother is acting. Soon Scarlett is clearing a rehearsal space, kissing her brother's co-star—and even helping Amy pull off an elaborate revenge scheme on a actress she thinks once wronged her. Between the play, the revenge, Scarlett's romance, the hotel and family messiness (Scarlett's sister's cancer treatments have drained the family's finances), the book lacks focus. Readers will also find some scenes hard to believe, such as the final face-off between Amy and her foe in which all is neatly resolved. Ages 12–up. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 8 Up—Johnson certainly seems to have the formula for good, clean, readable chick-lit down pat, and this title does not disappoint. According to tradition, when the Martin children turn 15, they inherit a suite in the family's small Manhattan hotel and a job: to take care of the rooms and their occupant. On Scarlett's 15th birthday, Amy Amberson sweeps into the suite that Scarlett has just inherited. The woman is demanding and brash, but she does have her charms (and large amounts of cash). In the beginning, Scarlett is overwhelmed, but then her role becomes that of Mrs. Amberson's assistant for her projects, which change on a whim. When Amy decides to help the theater troupe that Scarlett's brother is involved in put on Hamlet, the teen begins a romance with one of the actors. Then everything starts to go awry, and when things get tough, Amy abandons ship, and plucky Scarlett is left to step in and save what needs saving, something that she does with flair. Scarlett's brand of humor is particularly dry and well articulated. This novel blends sibling rivalry and the importance of family, friendship, and romance into a plot that is charming and well delivered.—Emily Garrett Cassady, North Garland High School, Garland, TX

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

...More

Publishers Weekly : Zelinsky (Swamp Angel) does a star turn with this breathtaking interpretation of a favorite fairy tale. Daringly--and effectively--mimicking the masters of Italian Renaissance painting, he creates a primarily Tuscan setting. His Rapunzel, for example, seems a relative of Botticelli's immortal red-haired beauties, while her tower appears an only partially fantastic exaggeration of a Florentine bell tower. For the most part, his bold experiment brilliantly succeeds: the almost otherworldly golden light with which he bathes his paintings has the effect of consecrating them, elevating them to a grandeur befitting their adoptive art-historical roots. If at times his compositions and their references to specific works seem a bit self-conscious, these cavils are easily outweighed by his overall achievement. The text, like the art, has a rare complexity, treating Rapunzel's imprisonment as her sorceress-adopted mother's attempt to preserve her from the effects of an awakening sexuality. Again like the art, this strategy may resonate best with mature readers. Young children may be at a loss, for example, when faced with the typically well-wrought but elliptical passage in which the sorceress discovers Rapunzel's liaisons with the prince when the girl asks for help fastening her dress (as her true mother did at the story's start): " `It is growing so tight around my waist, it doesn't want to fit me anymore.' Instantly the sorceress understood what Rapunzel did not." On the other hand, with his sophisticated treatment, Zelinsky demonstrates a point established in his unusually complete source notes: that timeless tales like Rapunzel belong to adults as well as children. Ages 5-up.

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : K-Gr 3--An elegant and sophisticated retelling that draws on early French and Italian versions of the tale. Masterful oil paintings capture the Renaissance setting and flesh out the tragic figures.

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

...More