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Here on Earth

by Alice Hoffman

Publishers Weekly Often, in her soulful novels, Hoffman (Practical Magic, etc.) lets mystical atmospherics-animals that take on superhuman qualities, intense colors and temperatures, minute vibrations in the air that signal ghosts or spirits-do all the work while her characters behave in strange and incredible ways under the influence of forces outside themselves. In this novel, the characters' behavior, while highly emotional, is initially at least traceable to psychological motivation. Unfortunately, Hoffman abandons psychological credibility halfway through, after which her protagonist, March Murray, behaves like an automaton. When March comes back to her childhood home in a small Massachusetts town after 19 years in California, she is swept with longing for Hollis, her former soul mate and lover who ran away in a fit of pique. March waited for him for three years, then married her next-door neighbor, Richard Cooper. When Hollis finally did return, he wed Richard's sister, who has since died. Hollis now determines to win March back, and she can't resist his single-minded pursuit. Hoffman conveys the mesmerizing lure of a lost love with haunting sensuality; but March's excuses for Hollis's violent personality and for his physical abuse of her and her teenaged daughter, Gwen, are well beyond the willed myopia of even obsessive love. Other love affairs?between the housekeeper who raised March and the man who was her father's law partner; and between rebellious teenager Gwen (the best character by far, drawn with delightful realism) and March's reclusive brother's son?are described with much more insight and plausibility. The high drama of this novel, and Hoffman's assured and lyrical prose, may carry the day for readers who can accept the premise that a passionate obsession can make sweet reason, maternal protectiveness and the instinct for self-preservation fly out the window. 100,000 first printing; $150,000 ad/promo; Literary Guild featured alternate; film rights to Douglas Reuther. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus From the author of Practical Magic (1995), among others, a kind of inside-out Bridges of Madison County in which the middle- aged mother of a teenager falls in love with a bad man, leaves her husband for him, and winds up abused and isolated. The results are predictably depressing. It might seem that March Murray has purely sentimental reasons for leaving her apparently happy life in California (nice house, professor husband) to attend her former housekeeper's funeral in Jenkintown, Mass., the bleak, suffocatingly tiny town where she grew up. After all, Mrs. Dale did help March's father raise her after the girl's mother died, and she remained a loyal friend until her death. But anyone who knew March in her teenage years must suspect that her real reason for returning with sullen teenage daughter in tow is for a reunion with Hollis, the bad boy March was once inseparable from. An abandoned child and the product of a series of detention homes, Hollis was brought to the Murray house as a charity-case boarder when he was in his teens. He kept his own counsel, except when sending smoldering glances March's way. The two became lovers until a misunderstanding split them apart--March to marry the rich boy next door, Hollis to amass a fortune, marry March's sister-in-law, and survive her to wait, brooding, for March's return. Their heated reunion leads to the breakup of March's marriage, and, despite the warnings of practically everyone in town, March moves into Hollis's gloomy mansion, puts up with his neurotic possessiveness, and watches him scare her daughter back to California before she realizes that the Hollis she lives with now is nothing but the evil, heartless relic of the wounded boy she once loved. A chilly, hopeless love story with an unhappy conclusion. Hard to see what readers will find to like in such a tale. (First printing of 100,000; Literary Guild featured alternate selection; $150,000 ad/promo; author tour)

Copyright © Kirkus Reviews, used with permission.

Library Journal From the magical Hoffman: a woman journeys home?and into her past. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal As this novel opens, March Murray Cooper returns to her hometown, ostensibly to bury the woman who raised her but needing to resolve the unfinished business of her youthful love for Hollis, from whom she has been separated for years. Hollis has now grown into a man embittered by loneliness. He has learned neither to forgive nor to forget, and March must discover whether he can ever learn to love. Hoffman (Practical Magic, LJ 12/94) takes great care here to examine the many facets of love and relationships, turning them like a prism to reflect on March and Hollis. Hoffman's evocative language and her lyrical descriptions of place contrast sharply with the emotional scars that her characters must uncover and bear. Her novel is a haunting tale of a woman lost in and to love; it will enthrall the reader from beginning to end. Highly recommended. [Previewed in Prepub Alert, LJ 5/1/97.]?Caroline M. Hallsworth, Cambrian Coll., Sudbury, Ontario (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.