Publishers Weekly : Economist Levitt and journalist Dubner capitalize on their megaselling Freakonomics with another effort to make the dismal science go gonzo. Freaky topics include the oldest profession (hookers charge less nowadays because the sexual revolution has produced so much free competition), money-hungry monkeys (yep, that involves prostitution, too) and the dunderheadedness of Al Gore. There&'s not much substance to the authors&' project of applying economics to all of life. Their method is to notice some contrarian statistic (adult seat belts are as effective as child-safety seats in preventing car-crash fatalities in children older than two), turn it into economics by tacking on a perfunctory cost-benefit analysis (seat belts are cheaper and more convenient) and append a libertarian sermonette (governments tend to prefer the costly-and-cumbersome route). The point of these lessons is to bolster the economist&'s view of people as rational actors, altruism as an illusion and government regulation as a folly of unintended consequences. The intellectual content is pretty thin, but it&'s spiked with the crowd-pleasing provocations—'A pimp&'s services are considerably more valuable than a realtor&'s&' —that spell bestseller. (Nov.)

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Library Journal : It's been five years since Kingsolver's last novel (Pigs in Heaven, LJ 6/15/93), and she has used her time well. This intense family drama is set in an Africa on the verge of independence and upheaval. In 1959, evangelical preacher Nathan Price moves his wife and four daughters from Georgia to a village in the Belgian Congo, later Zaire. Their dysfunction and cultural arrogance proves disastrous as the family is nearly destroyed by war, Nathan's tyranny, and Africa itself. Told in the voices of the mother and daughters, the novel spans 30 years as the women seek to understand each other and the continent that tore them apart. Kingsolver has a keen understanding of the inevitable, often violent clashes between white and indigenous cultures, yet she lets the women tell their own stories without being judgmental. An excellent novel that was worth the wait and will win the author new fans. [Previewed in Prepub Alert, LJ 7/98.]--Ellen Flexman, Indianapolis-Marion Cty.

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Publishers Weekly : In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel. Agent, Frances Goldin; BOMC selection; major ad/promo; author tour.

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Publishers Weekly: The magnificent Caldecott Medalwinning book about a daring historic event. Ages 3-8.

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Publishers Weekly: In this hilarious and poignant sequel to A Long Way to Chicago, Peck once again shows that country life is anything but boring. Chicago-bred Mary Alice (who has previously weathered annual week-long visits with Grandma Dowdel) has been sentenced to a year-long stay in rural Illinois with her irrepressible, rough and gruff grandmother, while Joey heads west with the Civilian Conservation Corps, and her parents struggle to get back on their feet during the 1937 recession. Each season brings new adventures to 15-year-old Mary Alice as she becomes Grandma's partner in crime, helping to carry out madcap schemes to benefit friends and avenge enemies. Around Halloween, for example, the woman, armed with wire, a railroad spike and a bucket of glue, outsmarts a gang of pranksters bent on upturning her privy. Later on, she proves just as apt at squeezing change out of the pockets of skinflints, putting prim and proper DAR ladies in their place and arranging an unlikely match between a schoolmarm and a WPA artist of nude models. Between antic capers, Peck reveals a marshmallow heart inside Grandma's rock-hard exterior and adroitly exposes the mutual, unspoken affection she shares with her granddaughter. Like Mary Alice, audience members will breathe a sigh of regret when the eventful year "down yonder" draws to a close. Ages 10-up. (Oct.)

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School Library Journal: Gr 5-8-Peck charms readers once again with this entertaining sequel to A Long Way from Chicago (Dial, 1998). This time, 15-year-old Mary Alice visits Grandma Dowdel alone for a one-year stay, while her parents struggle through the recession of 1937 looking for jobs and better housing. With her older brother, Joey, working out west in a government program, Mary Alice takes a turn at recounting memorable and pivotal moments of her year with Grandma. Beneath the woman's fierce independence and nonconformity, Mary Alice discovers compassion, humor, and intuition. She watches her grandmother exact the perfect revenge on a classmate who bullies her on the first day of school, and she witnesses her "shameless" tactics to solicit donations from Veteran's Day "burgoo" eaters whose contributions are given to Mrs. Abernathy's blind, paralyzed, war-veteran son. From her energetic, eccentric, but devoted Grandma, she learns not only how to cook but also how to deal honestly and fairly with people. At story's end, Mary Alice returns several years later to wed the soldier, Royce McNabb, who was her classmate during the year spent with Grandma. Again, Peck has created a delightful, insightful tale that resounds with a storyteller's wit, humor, and vivid description. Mary Alice's memories capture the atmosphere, attitudes, and lifestyle of the times while shedding light on human strengths and weak- nesses.-Gerry Larson, Durham School of the Arts, NC

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