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Skim.
by Tamaki, Mariko and Jillian Tamaki

Publishers Weekly : This auspicious graphic novel debut by cousins Mariko and Jillian Tamaki tells the story of "Skim," aka Kimberly Keiko Cameron, a goth girl in an all-girls school in Toronto, circa the early '90s. Skim is an articulate, angsty teenager, the classic outsider yearning for some form of acceptance. She begins a fanciful romance with her English teacher, Ms. Archer, while nursing her best friend through a period of mourning. The particulars of the story may not be its strong suit, though. It's Jillian's artwork that sets it apart from the coming-of-age pack. Jillian has a swooping, gorgeous pen line-expressive, vibrant and precise all at once. Her renderings of Skim and her friends, Skim alone or just the teenage environment in which the story is steeped are evocative and wondrous. Like Craig Thompson's Blankets, the inky art lifts the story into a more poetic, elegiac realm. It complements Mariko's fine ear for dialogue and the incidentals and events of adolescent life. Skim is an unusually strong graphic novel-rich in visuals and observations, and rewarding of repeated readings. (Feb.)

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School Library Journal : Gr 10 Up–Kimberly Keiko Cameron–aka Skim–is a mixed-race high school student struggling with identity, friendships, and romantic yearning. After her parents' divorce, she turns to tarot cards and Wicca to make sense of life but finds herself disappointed with the lack of answers they provide. She finds herself increasingly intrigued by Ms. Archer, her free-spirited English teacher. Her interest becomes obsessive and it begins to drive a wedge between her and her best friend, Lisa. Although Skim originally makes light of the half-hearted suicide attempts of popular Katie, whose ex-boyfriend committed suicide, the two of them begin to open up to one another. Skim soon realizes that perfect Katie is far funnier, more genuine, and more traumatized than she originally thought–particularly when it comes to light that John shot himself due to his homosexuality. Drawn in an expressive, fluid style and with realistic dialogue, this work accurately depicts the confusion of teenage years, with its rejection of previous identity and past relationships and search for a newer and truer identity; additionally, insider/outsider status is a reoccurring theme. Skim's internal monologue is diarylike, with an interesting use of scratched-out words. This is a good but somewhat standard work.–Dave Inabnitt, Brooklyn Public Library, NY

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms