Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

In this strange, uneven horror novel, Malerman (Unbury Carol) depicts a mad couple's experiment in trying to separate the sexes. Deep in the woods of Michigan sits a complex full of young boys. There used to be one for every letter of the alphabet, but when J was just two, A and Z were sent to the Corner. The Alphabet Boys don't know what that means, exactly, but they know it's bad. They also don't know that the world holds anything but men. Raised by D.A.D., also known as Richard, they have no idea that women exist; Richard hypothesizes that this will make them smarter and less distracted. Three miles away sits a similar complex full of girls who have no knowledge of men. As the kids reach puberty, K, a Letter Girl, starts becoming more curious about the world around her. The inevitable end is sudden and bloody. The story is narrated by J, K, and Warren Bratt, a man hired to write all the leisure books the boys read. There are parts of this book that require near-impossible suspension of disbelief; no thought is given to what would happen if one of the kids turns out to be queer or transgender, for example, and some premises go unexplained, such as why Warren has suddenly developed a guilt complex 13 years in. Fans of bad horror movies might find the story fun, but if Malerman intends it to be a serious exploration of gender or parenting, it falls far short. Agent: Kristin Nelson, Nelson Literary. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

Malerman's (Bird Box, 2014) latest has all of the claustrophobic tension his fans crave, but this time the monsters are 100 percent human. The 12-year-old Alphabet Boys live in a tower in the woods of northern Michigan. They have been raised by their D.A.D., Richard, in an isolated world where women don't exist, part of an experiment to see if separating the sexes will allow true genius to be cultivated. And if there is a boys' tower, there's probably a girls' tower too. Every narrator, including adults and kids of both sexes, is unreliable either a deliberate liar or raised in a false world so much so that readers can't rely on their own assumptions about rules of character and plot. Malerman makes the horror of this impossible experiment appear completely plausible while thoughtfully contemplating grand issues like nature versus nurture, gender roles, and scientific ethics all of that, plus he manages to create a satisfyingly oppressive atmosphere. And yet, for all of this serious intensity, Inspection feels effortless; the story flows easily and at a compelling pace: think Shirley Jackson writing Lord of the Flies (1954). Hand to fans of Margaret Atwood or Never Let Me Go, by Kazuo Ishiguro (2005).--Becky Spratford Copyright 2019 Booklist

Kirkus
Copyright © Kirkus Reviews, used with permission.

In a remote patch of forest, in old turreted towers, a group of 24 boys and another group of 25 girls, each assigned letters instead of names, are being raised as part of an experiment without knowledge of the outside world, each other, or the very existence of an opposite sex.The founder of this dark experiment, Richard (aka the boys' D.A.D.), is seeking to develop geniuses by eliminating the distractions of sex. The 12-year-old Alphabet Boys and 11-year-old Letter Girls have been taught that they grew on trees. The possible existence of God is omitted from their lessons and from the lesson-bearing novels that outside writers, including a tortured soul from Milwaukee, are paid to write. For Richard, "obedience trumped religion." Those who aren't obedient, notably boys A and Z and girl J, are taken to a mysterious basement room called the Corner, never to be seen again. But even at the risk of extreme punishment, the male J can't resist sneaking out to investigate his surroundings after the shattering discovery that things his adored D.A.D. is telling him are not true. J's fearless female counterpart, K, whose story converges with his, becomes even more determined to penetrate the lies and hold the so-called Parenthood behind them to account. Though one shocking plot turn is forced and the publisher needlessly gives away what would have been a beautifully orchestrated surprise, this unlikely cross between 1984 and Lord of the Flies tantalizes.Malerman, whose profile was significantly raised by the recent Netflix adaptation of his first novel, Bird Box (2014), delivers another freaky thriller. The book ultimately lacks real depth but still enhances his reputation as one of today's most unpredictable novelists. Copyright Kirkus Reviews, used with permission.