Reviews for The current A Novel. [electronic resource] :

Kirkus
Copyright © Kirkus Reviews, used with permission.

A young woman turns Nancy Drew after losing her friend and her father to accident and illness in Johnston's (The Descent, 2015, etc.) haunting novel.Though their relationship as roommates is fraught with tension and misunderstanding, Caroline and Audrey continue to be drawn together throughout their time at college. So when Audrey asks to borrow $150 for a bus ticket so she can visit her terminally ill father, Caroline spontaneously offers to drive her all the way home instead: " What the fuck,' Caroline says. Road trip.' " But a violent encounter at a gas station, followed by a car accident, leaves Audrey injuredand Caroline dead. Trying to come to terms with the tragedy, Audrey realizes that their accident had a lot in common with the death of another girl years ago; she begins to investigate on her own, and she finds that the people involvedthe girl's suffering father; a young man who fell under suspicion; his lonely motherare caught in the loose threads of the past and have been unable to move on. As she draws nearer to discovering the truth, Audrey realizes her own life may be in danger, yet she's driven inextricably on. If it sounds like a mystery, it is, but not in the traditional whodunit mode. This novel is careful layer upon careful layer, as deceptively thick yet brutally delicate as winter ice itself. Johnston's descriptions of people, places, grief, and loneliness are subtle and evocative; the minor plot about an aging dog becomes a rending portrait of the ravages of love. Indeed, for all its harsh observations about human nature, this novel has at its heart a strong belief that love, for all the pain it brings, is the one thing that truly saves us.An apt title that functions as a beautiful metaphor for all the secrets and emotions roiling beneath the surface of every human life. Copyright Kirkus Reviews, used with permission.


Publishers Weekly
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At the start of this outstanding thriller from bestseller Johnston (Descent), Audrey Sutter, a student at an unnamed Southern college, asks to borrow bus money from her friend Caroline Price so she can get home to see her father, Tom, who's dying of lung cancer in Minnesota. Instead, Caroline, a Georgia native, offers to drive Audrey the 700 miles north. A few miles from Audrey's hometown, Caroline's SUV plunges into the icy Black Root River, killing her; Audrey survives. Tom, the town's former sheriff, wonders if the vehicle was pushed. The case echoes back to the death of 19-year-old Holly Burke, whose body was found in the same river a decade earlier. Tom has never forgotten the unsolved case, and Holly's father, Gordon, still blames the ex-sheriff for not proving that a local teenager killed his daughter. Johnston imbues each character with believable motives. The nuanced plot delves deep into how a community-and surviving relatives-deal with the aftermath of a death. 100,000-copy announced first printing; 15-city author tour. Agent: Amy Berkower, Writers House. (Jan.) c Copyright PWxyz, LLC. All rights reserved.


Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Audrey and her Southern college roommate Caroline are on their way to Minnesota to visit Audrey's father when they have a frightening encounter with two men at a gas station, then get into an accident near a river. Relieved to be safe, the young women are shocked to feel a truck pushing their vehicle into the river. Caroline dies and Audrey just barely survives. The case is similar to the unsolved murder of a Holly Burke ten years earlier, even involving many of the same people. Johnston lingers with each protagonist: Audrey's father, the former sheriff who regrets not having solved the older case; the boy who was suspected of murdering Holly; and Holly's father, who is certain he knows who murdered his daughter. As Audrey works to solve the mystery of who killed Caroline and perhaps Holly, everyone's lives converge unexpectedly. Johnston's (Descent) writing builds suspense as he explores each character's emotions. Sarah Mollo-Christensen narrates in a passive, matter-of-fact style that allows listeners to truly hear the words. She is excellent at portraying both male and female characters. Her perfect pacing slowly increases the tension and listeners' concern for Audrey as she continues her dangerous investigation. VERDICT Recommended for most collections.—B. Allison Gray, Goleta Valley Lib., CA

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