Library Journal: This sixth entry in Harrison's popular Rachel Morgan series (For a Few Demons More) finds the witch/bounty hunter battling demons both figuratively and literally. Someone's been summoning the demon Algaliarept (you can call him Al) in an attempt to kill Rachel; and Rachel's trying to figure out who murdered her vampire boyfriend, Kisten. As Rachel closes in on a solution, she finds that the situation is more complex than she imagined. She also discovers that she has powers unusual for a witch, which leads her to question how the genetic cure she received as a child has shaped her powers as an adult. Though Harrison focuses more on the inner lives of her series characters here than in earlier books, there's still plenty of action, especially in the novel's last half when Rachel must use her magical skills and her intellect to extricate herself from yet another impossible situation. This is the strongest entry in the series so far, and based on the loose ends left at the book's conclusion, there's more of Rachel's story left to tell. Highly recommended for all libraries where urban fantasy is popular. [See Prepub Alert, LJ 11/15/07.]—Nanette Donohue, Champaign P.L., IL

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Publishers Weekly: Red-headed witch Rachel Morgan has a demon after her, but that's just one of her many troubles in this action-packed sixth installment of Harrison's Hollows series (after 2007's For a Few Demons More). A nice guy might be moving into Rachel's town and life, but she's still getting over her last boyfriend, whose murder she has yet to solve. Elf politician Trent Kalamack wants her to go to the ever-after on a dangerous mission. Rynn Cormel, Cincinnati's new master vampire and ex-leader of the free world, is interfering in her life. Her friend, former demon familiar Ceri, is unexpectedly pregnant, by an unexpected partner. On top of all this, Rachel worries she may have had a too close encounter with a vampire and soon becomes concerned about her own abilities with demon magic. With the help of her feisty mother, Alice, and her pixy partner, Jenks, Rachel boldly tackles every challenge amid a cascade of plot twists that will delight Harrison's fans. 9-city author tour.(Mar.)

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Library Journal : There are new changes and new angles in Harris's eighth Sookie Stackhouse paranormal mystery (after All Together Dead). Louisiana telepath and cocktail waitress Sookie barely escapes with her life when she becomes enmeshed in a struggle for control of the Louisiana vampires. At the same time, werewolf leaders begin a fight to the death, and Sookie is caught in the middle. Other changes have a more benign nature: she encounters a most charming man, Niall, who announces that he is a prince of the Fey as well as her great-grandfather. He offers her his considerable powers and gives hints into their strange family history. Sookie gets more good news when she discovers her deceased cousin Hadley had given birth to a baby boy four years ago. By the time Sookie meets him, it's obvious that they share a certain supernatural trait. Sookie's fans will love this addition to the "Southern Vampire Mysteries" series. Recommended for public libraries.—Patricia Altner, BiblioInfo.com, Columbia, MD

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Publishers Weekly : Starred Review. Harris outdoes herself in this pivotal eighth Sookie Stackhouse novel (after 2007's All Together Dead), packing the story full of romantic tension and supernatural action. Having barely survived a catastrophic vampire hotel explosion, Sookie's back at work in Bon Temps, La., serving vintage blood and waiting tables at Merlotte's, a vampire bar. Participating in a friend's wedding and fending off the advances of her vampire ex-lover, Bill, and her blood-bonded pal, Eric, leaves Sookie chafing over the recent lack of communication from Quinn, her weretiger boyfriend. When a violent Were power struggle erupts as Vegas vampires attempt to take over Louisiana from disgraced queen Sophie-Anne, Sookie dives into the middle of it, determined to help her shape-changing, blood-drinking friends. Harris provides many fun twists, most significantly Sookie's meeting with her fae great-grandfather, Niall Brigant, which paves the way for a shock ending that will delight longtime fans. (May)

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Publishers Weekly : The florid 16th Anita Blake novel (after 2007's The Harlequin) updates Anita's endlessly erotic adventures as a living vampire with many weird lovers. Anita serves her vampire sweetie Jean-Claude, Master of the City of St. Louis, obsessed with feeding him and her own need to leech off of others' sexual pleasure or ardeur while retaining her rep as vampire executioner (despite the seeming conflict of interest), U.S. marshal and necromancer. She's also accompanying her bed-buddy Jason Schuyler to visit his dying estranged father in North Carolina. After arriving, Jason's mistaken for his rich cousin Keith Summerland, who's ditched his bride-to-be to run off with the wife of a vampire Master, giving Anita a case to solve between wild orgies with wereanimals. Hamilton chronicles Anita's escapades with a growing air of ennui, which longtime readers can't help sharing as sex increasingly takes the place of plot and character development. (June)

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Publishers Weekly : Vampire hunter Riley Jenson (Embraced by Darkness) returns to take on two serial killers: one kills high society women and the men in their lives; the other is kills seemingly unrelated people, gruesomely. Riley has her own problems: she can't sense the spirits of the dead at the murder scenes, and she's nursing a broken heart. The more investigating Riley does, the more she realizes that her brother's lover may be in danger, and the reappearance of Quinn O'Connor, a vampire that she loved and lost, complicates matters further. The paranormal Australia that Arthur concocts works perfectly, and the plot speeds along at a breakneck pace. Riley fans won't be disappointed. (May)

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Publishers Weekly: Starred Review. Isabella Swan, 17, narrates this riveting first novel, propelled by suspense and romance in equal parts. The story opens with a cryptic scene of the heroine "facing death," then flashes back to Bella's departure from Phoenix, where her mother lives with her new husband, as the teen heads off to live with her father, the police chief in Forks, Wash. From the first day at her new high school, she finds herself magnetically drawn to Edward Cullen, whose behavior towards her is erratic ("I'd just explained my dreary life to this bizarre, beautiful boy who may or may not despise me"). Then she finds out why his interest in her runs hot and cold: he is a vampire—but of an unusual variety. Edward, his siblings and their adoptive parents have disciplined themselves to feed on animals rather than humans; and Edward is obsessed with Bella. Other elements factor into the plot, including a rival group of vampires who are not as disciplined as the Cullens. This plot twist (which includes a subplot about one of the Cullens' past life) contributes to a rushed denouement (much of it takes place offstage) that is perhaps the novel's only weakness. The main draw here is Bella's infatuation with outsider Edward, the sense of danger inherent in their love, and Edward's inner struggle—a perfect metaphor for the sexual tension that accompanies adolescence. These will be familiar to nearly every teen, and will keep readers madly flipping the pages of Meyer's tantalizing debut. Ages 12-up. (Oct.)

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School Library Journal: Starred Review. Gr 9 Up–Headstrong, sun-loving, 17-year-old Bella declines her mom's invitation to move to Florida, and instead reluctantly opts to move to her dad's cabin in the dreary, rainy town of Forks, WA. She becomes intrigued with Edward Cullen, a distant, stylish, and disarmingly handsome senior, who is also a vampire. When he reveals that his specific clan hunts wildlife instead of humans, Bella deduces that she is safe from his blood-sucking instincts and therefore free to fall hopelessly in love with him. The feeling is mutual, and the resulting volatile romance smolders as they attempt to hide Edward's identity from her family and the rest of the school. Meyer adds an eerie new twist to the mismatched, star-crossed lovers theme: predator falls for prey, human falls for vampire. This tension strips away any pretense readers may have about the everyday teen romance novel, and kissing, touching, and talking take on an entirely new meaning when one small mistake could be life-threatening. Bella and Edward's struggle to make their relationship work becomes a struggle for survival, especially when vampires from an outside clan infiltrate the Cullen territory and head straight for her. As a result, the novel's danger-factor skyrockets as the excitement of secret love and hushed affection morphs into a terrifying race to stay alive. Realistic, subtle, succinct, and easy to follow, Twilight will have readers dying to sink their teeth into it.–Hillias J. Martin, New York Public Library

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Publishers Weekly: Fans of Meyer's debut novel, Twilight, may be disappointed in this second book in a planned trilogy. It begins with a bang, on Bella's 18th birthday, when Edward Cullen sweeps her off to his unorthodox family home (in the first book readers learn that the Cullens are vampires who hunt animals rather than humans) for a birthday celebration. But when Bella unwraps a gift and gets a paper cut, her drops of blood set off a chaos that culminates in the Cullens leaving town. Edward exits on page 73, and does not reappear for nearly 400 pages, except for his voice in Bella's head when she embarks on dangerous adventures, such as motorcycle riding and cliff diving. Instead, this book focuses on Jake, her friend from La Push, who has some unusual traits of his own. A Quileute legend that he confides in Bella in the first book comes to the fore here (and ties in with the title), and Bella is tracked down by the "bad" vampires from the first book, who seek revenge for Edward's murder of their friend James. Long stretches in the book may make readers feel as if they're treading water, but the pace quickens when Alice Cullen sees a vision of Bella cliff diving and mistakes it for suicide. Edward then heads to the all-powerful Volturi vampires in Italy, seeking his own death. Will Bella get to Italy in time to save Edward? Will she remain human? Meyer answers the first question but leaves the second for the third novel. Ages 12-up. (Sept.)

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School Library Journal: Gr 9 Up–Recovered from the vampire attack that hospitalized her in the conclusion of Twilight (Little, Brown, 2005), Bella celebrates her birthday with her boyfriend Edward and his family, a unique clan of vampires that has sworn off human blood. But the celebration abruptly ends when the teen accidentally cuts her arm on broken glass. The sight and smell of her blood trickling away forces the Cullen family to retreat lest they be tempted to make a meal of her. After all is mended, Edward, realizing the danger that he and his family create for Bella, sees no option for her safety but to leave. Mourning his departure, she slips into a downward spiral of depression that penetrates and lingers over her every step. Vampire fans will appreciate the subsequently dour mood that permeates the novel, and it’s not until Bella befriends Jacob, a sophomore from her school with a penchant for motorcycles, that both the pace and her disposition begin to take off. Their adventures are wild, dare-devilish, and teeter on the brink of romance, but memories of Edward pervade Bella’s emotions, and soon their fun quickly morphs into danger, especially when she uncovers the true identities of Jacob and his pack of friends. Less streamlined than Twilight yet just as exciting, New Moon will more than feed the bloodthirsty hankerings of fans of the first volume and leave them breathless for the third.–Hillias J. Martin, New York Public Library

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Publishers Weekly : It ought to seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy-but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. Everygirl Bella achieves her wishes quickly (marriage and sex, in that order, are two, and becoming an immortal is another), and once she becomes a vampire it's almost impossible to identify with her. But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily-in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12-up.

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School Library Journal : Gr 9 Up—Meyer closes her epic love story of a human, a vampire, and a werewolf in this, the final installment of the saga. The story opens with Bella and Edward's wedding, and relations between Jacob and Bella remain uneasy. On honeymoon and unshackled from any further concerns about premarital sex, Edward fulfills his promise to consummate their marriage before he changes Bella into a vampire. An unexpected conception throws their idyllic world back into chaos as factions (both wolf and vampire) battle over whether or not to destroy the potential monster that is killing Bella from within. The captivating angst, passions, and problems manage to satisfyingly fill pages where surprisingly little action takes place, even after the powerful child's birth brings the Cullen family under the scrutiny of the Volturi. The international cadre of vampires who come to the Cullens' aid are fascinating, but distract from the development of prime characters at a pivotal moment. The novel begins and ends with Bella's voice, while Jacob narrates the middle third of the tale, much like the final pages of Eclipse (Little, Brown 2007). While darker and more mature than the previous titles, Meyer's twists and turns are not out of character. Fans may distress as the happy ending for everyone, including a girl for Jacob, lessens the importance and pain of tough decisions and difficult self-sacrifices that caused great grief in previous books, but they will flock to it and enjoy it nonetheless.—Cara von Wrangel Kinsey, New York Public Library

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