Library Journal
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Humorist Sedaris's first volume of diaries offers his unique point of view in snippets from the years 1977-2002. The entries are irregular in length and veer wildly from topic to topic. In them you will find funny snark; portraits of ugly racism, sexism, and homophobia; Sedaris's drug use; life as a teacher, writer, and odd-job man; reliance on his parents; watching his sister's (Amy Sedaris) success; and his own slow journey toward his own. There are usually no connections between the short entries, and the author himself suggests that this is the kind of material to dip into at random and just listen for a while. Sedaris reads the entries himself, giving them authenticity and the intended delivery. With its eclectic, disconnected, and brief pieces, this is the ideal library checkout. However much of the audio-book the listener is able to get to before it's due back, it will be a rewarding experience. VERDICT Recommended for aspiring authors, NPR listeners, people interested in late 20th-century experiences, and, of course, fans of snark. ["For Sedaris fans, this is a primary source not to miss, but even the more casual reader will be drawn in, as the author comes into his own as a writer and a person": LJ 4/15/17 review of the Little, Brown hc.]-Tristan Boyd, Austin, TX © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

*Starred Review* Sedaris' diaries are the wellspring for his cuttingly funny autobiographical essays, and he now presents a mesmerizing volume of deftly edited passages documenting 35 years of weird, disturbing, and hilarious experiences. Theft by Finding, Sedaris' latest riddling title, following Let's Explore Diabetes with Owls (2013), is a sly allusion to his artistic method: he is a champion eavesdropper and omnivorous observer, and this selective diary is basically a set of meticulous field notes cataloging atrocious human behavior. In 1977, college-dropout Sedaris is hitchhiking out West, picking fruit for pitiful wages, and getting high. He returns to Raleigh, his hometown, where he works odd jobs, makes art, and matter-of-factly records a litany of alarming encounters with enraged strangers, a theme that continues after he moves to Chicago, attends art school, and begins writing in earnest, and then in New York, where he ascends. People throw rocks and bottles at him, insult and threaten him, demand money and cigarettes. He records a constant barrage of racist, sexist, and anti-gay outbursts, and portrays an array of hustlers, eccentrics, bullies, and misfits. Sedaris is caustically witty about his bad habits and artistic floundering. Even when he cleans up his act, falls in love, and achieves raving success, Sedaris remains self-deprecating and focused on the bizarre and the disquieting. A candid, socially incisive, and sharply amusing chronicle of the evolution of an arresting comedic artist. HIGH-DEMAND BACKSTORY: Devotees of mega-best-selling Sedaris have been waiting for access to his diary, and a robust marketing plan will get the word out fast.--Seaman, Donna Copyright 2017 Booklist

Kirkus
Copyright © Kirkus Reviews, used with permission.

Raw glimpses of the humorist's personal life as he clambered from starving artist to household name.For years, Sedaris (Let's Explore Diabetes with Owls, 2013, etc.) has peppered his public readings with samples from his diaries, usually comic vignettes with a gently skewed view of humanity. Those are in abundance here. "Jews in concentration camps had shaved heads and tattoos," he writes after learning about a Chicago skinhead's arrest. "You'd think the anti-Semites would go for a different look." Forced to trim his toenails with poultry shears for lack of clippers, he writes, "that is exactly why you don't want people staying in your apartment when you're not there, or even when you are, really." The diaries also provide Ur-texts for some of the author's most famous stories, like his stint as a Macy's Christmas elf that led to his breakthrough radio piece, "The SantaLand Diaries," or the short-tempered, chalk-throwing French teacher in Me Talk Pretty One Day (2000). But though the mood is usually light, the book is also a more serious look into his travails as an artist and person: Sedaris is candid about his early ambitions to succeed as a writer, his imposter syndrome as a teacher, his squabbles with his never-satisfied dad and mentally ill sister, Tiffany, and his alcoholism. Even that last challenge, though, is framed as comic, or at least the stuff of non sequitur: "Today I saw a one-armed dwarf carrying a skateboard. It's been ninety days since I've had a drink." While Sedaris' career took flight during the period this book captures, success didn't change him much; it just introduced him to a broader swath of the world to observe and satirize. He can hardly believe his good luck, so he's charmed by the woman who, upon escorting him to a packed bookstore reading, exclaims, "goodness, they must be having a sale." A surprisingly poignant portrait of the artist as a young to middle-aged man. Copyright Kirkus Reviews, used with permission.

Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

For decades, Sedaris has engaged readers with artfully constructed essays of his and his family's experiences. His diaries have served as source material for those pieces, and this collection of selected diary entries provides new stories, vulgar jokes, and social commentary that have not previously appeared in his writing. While his essays are crafted to present a particular persona and possess a wry tone, reading the same situation in the diaries fills in the edges and makes Sedaris (and his family) more fully rounded people as we see the trajectory of their lives unfold over time. Of particular interest are details of his collaborations with his sister Amy. Here Sedaris is still a keen observer of the world, but he's also a man who must get to work, navigate sexual relationships, and consider the price of chicken. VERDICT For Sedaris fans, this is a primary source not to miss, but even the more casual reader will be drawn in, as the author comes into his own as a writer and a person.-Margaret Heller, Loyola Univ. Chicago Libs. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

This American Life and New Yorker humorist Sedaris (Naked) displays the raw material for his celebrated essays with these scintillating excerpts from his personal journals. Sedaris collects entries stretching back to his penniless salad days working odd jobs (apple picker, construction worker, house cleaner, a now-famous stint as a Christmas elf), hanging out at the International House of Pancakes and wrestling half-heartedly with drink and drugs. He moves on to his breakthrough as a memoirist and playwright and then to later embroilments and obsessions, including a fixation on feeding flies to pet spiders. Here as elsewhere, Sedaris is a latter-day Charlie Chaplin: droll, put-upon but not innocent, and besieged by all sorts of obstreperous or menacing folks. The frequent appearance of colorful weirdos spouting pithy dialogue may strike some readers as unlikely to be entirely true. But Sedaris's storytelling, even in diary jottings, is so consistently well-crafted and hilarious that few will care whether it's embroidered. (May) © Copyright PWxyz, LLC. All rights reserved.