Reviews for Year One

by Nora Roberts

Book list
From Booklist, Copyright © American Library Association. Used with permission.

It began on a small farm in Scotland immediately after the New Year when members of the MacLeod family became mysteriously ill. As the family returned to their own homes, they spread the sickness. Within a month, 1 million people had been stricken, and within a year, more than 2 billion people would be dead. The virus became known as Doom, because once you were infected, you were, indeed, doomed. However, there were some exceptions. The people who seemed to be immune became known as the Uncanny, and they were rumored to have strange powers. With Year One, the first in a new trilogy, romance superstar Roberts heads off in a daring new direction as she begins a pandemic sf series with a far more dystopian atmosphere than her previous fantasy novels. Longtime Roberts fans, however, shouldn't fret too much since the core elements here, including a cast of engaging and empathic characters and a plot that focuses on the importance of family, friends, hope, and humanity, are quintessential Roberts ingredients. What Roberts has done, with her radical departure, is ensure that she will find new fans among readers attracted to apocalyptic sf and speculative fiction. HIGH-DEMAND BACKSTORY: With a million-copy lay down and a major marketing campaign announcing the launch of Roberts' intense new series,demand is bound to go viral.--Charles, John Copyright 2017 Booklist


Kirkus
Copyright © Kirkus Reviews, used with permission.

When the world as they know it ends, the survivors of a mysterious plague are faced with a new world in which both dark and light magic are rising."When Ross MacLeod pulled the trigger and brought down the pheasant, he had no way of knowing he'd killed himself. And billions of others." So begins the latest novel from publishing juggernaut Roberts, and the rest of the book is just as gripping. When a virus takes out nearly 80 percent of the Earth's human population, the survivors must figure out how to live in their new world, which includes the appearance of a varied set of magical abilities in a large part of the surviving population. Both the magick and un-magick people have violent factions which are trying to vanquish internal and external enemies, and good people from both groups have to band together in order to stay safe and establish a new order that honors life and decency. In one such community, witches Lana and Max are having a child, and from the moment of conception, it's obvious that the child will be magical. As her pregnancy advances, Lana begins to suspect that even in the context of the new magical paradigm, her child has a special destiny, an impression that becomes clearer when she realizes she and her unborn child are being hunted. Finding sanctuary on a remote farm, Lana ushers the child into the world, and soon both foes and allies begin to arrive at her doorstep, deepening Lana's belief that her daughter is meant for something great and dangerous. Roberts' new direction is electric and ground-breaking. In some ways, it's a synthesis of her past work: she's often written about magical elements, familyboth biological and emotionaland community. In this series launch, she's created a believable apocalypse that is obviously leading to a grand showdown between good and evil, but the story and the charactersthere are many, and she's made some choices that are going to stun her die-hard romance fansnavigate timely issues of tolerance and bigotry; fear of the Other; violence on behalf of perceived "purity" and misdirected religious zeal; and how good people combat evil.A fast-paced, mesmerizing, and thought-provoking novel that will no doubt add to Roberts' legions of fans. Copyright Kirkus Reviews, used with permission.


Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

No one fully understands how the illness started, or how it spread so fast. But now more than half of the world's population is gone. In the wake of science and technology's failure to stop the plague, survivors begin to use magic. For those like Lana Bingham and her lover Max, it brings a peace few have known in this postapocalyptic world; for others, it unlocks their darker nature. As governmental factions hunt down those responsible for applying these paranormal powers, Lana and Max leave New York and search for Max's brother and friends out west. Along the way, they meet other travelers, some seeking to thrive, others to destroy. But their ultimate purpose awaits as once the End arrives, the Beginning will follow. VERDICT Roberts's full step into a modern fantasy series is long overdue. Fascinating characters and a well-built dystopia combine with a riveting plot that will attract a whole new group of readers. [See Prepub Alert, 6/26/17.]-KC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.


Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

The entertaining latest from Roberts (Come Sundown), the first of a trilogy, concerns a magical blight that wipes out most of mankind and leaves some survivors with otherworldly powers. After what becomes known as the Doom is unwittingly unleashed by a hunter's bullet, Uncannys-people with magical inclinations, such as the witch Max Fallon and his lover, Lana Bingham-experience a surge in their abilities. Others discover newfound capabilities, like Little Fred, who realizes that she's a fairy. Then there are Uncannys like Max's bitter younger brother, Eric, who's long lived in Max's shadow and whose resentment darkens his inclinations. The world quickly divides into factions of good and evil as those immune to the Doom try to find one another and start over in communities. After dodging marauding gangs and evil Uncannys who want to kill her, Lana learns that she holds the key to saving this new world. Roberts knows how to write a page-turner, though her prose often relies on repetitive exposition and her attempts at depicting diversity can be cringeworthy ("I'm a good driver. No Asian driver cracks, black boy"). Characters are pretty much stock good or evil, but readers who are after a well-told apocalyptic story with magical touches will be satisfied. 1,000,000-copy announced first printing. (Dec.) © Copyright PWxyz, LLC. All rights reserved.