by Toni Morrison
Publishers Weekly
: Assembling more than 50 photographs depicting segregation, school scenes and events prior to and following the 1954 Supreme Court ruling on Brown v. Board of Education, Morrison (Who's Got Game?) writes that "because remembering is the mind's first step toward understanding," her book is designed to take readers "on a journey through a time in American life when there was as much hate as there was love." She adds, she has "imagined the thoughts and feelings of some of the people in the photographs to help tell this story." The photographs have a uniformly high impact. Some will be familiar: first-grader Ruby Bridges escorted by U.S. marshals from a newly integrated school; white adults' faces contorted with rage as they heckle black students. Against this disturbing backdrop, perhaps the most striking images are the rare moments of unguarded affection, as when a black girl and a white girl smile candidly at each other in a high school cafeteria. However, it's odd to see words invented for Ruby Bridges, who has told her own story elsewhere, and for other public figures; and not all the imagined words ring true (e.g., beneath a photo of three white teens wearing signs protesting the integration of their high school: "My buddies talked me into this.... These guys are my friends and friends are more important than strangers. Even if they're wrong. Aren't they?"). Odd, too, is the decision to put events that lead up to integration (the bus boycott, lunch counter protests) out of sequential order. In the end, the pairing of the fictional text with the historical photographs poses a problem: how much is the audience asked to "remember" and how much to "imagine"? All ages. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 3-8–This unusual blend of archival photographs, historical background, and fictional narrative brings to life the experiences and emotions of the African-American students who made the tumultuous journey to school integration. Dramatic, mostly full-page, black-and-white photographs make up the bulk of the book. An introduction sets the scene, and factual pages, consisting of several sentences, are scattered throughout. They explain the significance of the events, the trauma of racial conflict, the courage and determination of African Americans and their supporters, and the importance of remembering and understanding. With poignant simplicity and insight, Morrison imagines the thoughts and feelings of some of the people in the pictures. The wrenching, inspiring autobiographical school integration memoirs of first-grader Ruby Bridges (Through My Eyes [Scholastic, 1999]) and Little Rock Nine high school junior Melba Pettillo Beals (Warriors Don't Cry [Washington Square, 1995]) offer greater immediacy and convey a powerful message for future generations about the need for understanding, self-awareness, and self-respect. However, Morrison's reflective interpretation presents a gentler guide for younger readers. Appended are a chronology of "Key Events in Civil Rights and School Integration History"; "Photo Notes" that describe the actual date, location, and content of each picture; and a dedication that recalls the four young girls killed in the bombing of their Birmingham, AL, church in 1963. The provocative, candid images and conversational text should spark questions and discussion, a respect for past sacrifices, and inspiration for facing future challenges.–Gerry Larson, Durham School of the Arts, NC Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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