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Click to search this book in our catalog The Lost Symbol
by Dan Brown

Publishers Weekly : Starred Review. After scores of Da Vinci Code knockoffs, spinoffs, copies and caricatures, Brown has had the stroke of brilliance to set his breakneck new thriller not in some far-off exotic locale, but right here in our own backyard. Everyone off the bus, and welcome to a Washington, D.C., they never told you about on your school trip when you were a kid, a place steeped in Masonic history that, once revealed, points to a dark, ancient conspiracy that threatens not only America but the world itself. Returning hero Robert Langdon comes to Washington to give a lecture at the behest of his old mentor, Peter Solomon. When he arrives at the U.S. Capitol for his lecture, he finds, instead of an audience, Peter's severed hand mounted on a wooden base, fingers pointing skyward to the Rotunda ceiling fresco of George Washington dressed in white robes, ascending to heaven. Langdon teases out a plethora of clues from the tattooed hand that point toward a secret portal through which an intrepid seeker will find the wisdom known as the Ancient Mysteries, or the lost wisdom of the ages. A villain known as Mal'akh, a steroid-swollen, fantastically tattooed, muscle-bodied madman, wants to locate the wisdom so he can rule the world. Mal'akh has captured Peter and promises to kill him if Langdon doesn't agree to help find the portal. Joining Langdon in his search is Peter's younger sister, Kathleen, who has been conducting experiments in a secret museum. This is just the kickoff for a deadly chase that careens back and forth, across, above and below the nation's capital, darting from revelation to revelation, pausing only to explain some piece of wondrous, historical esoterica. Jealous thriller writers will despair, doubters and nay-sayers will be proved wrong, and readers will rejoice: Dan Brown has done it again.

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Independent Booksellers List
Click to search this book in our catalog The Lacuna
by Barbara Kingsolver

Library Journal : Diego Rivera's mural in Mexico's Palacio Nationale was only half complete the day young Harrison Shepherd stood transfixed before it, but he would be forever captive to the extraordinary power of the imagination. A solitary child, a devourer of books, left to his own devices by a mother chasing unattainable men and a father pencil pushing for the government back in the States, Harrison observes and he writes. When a quirk of fate lands him in the home of Communist sympathizers Rivera and Frida Kahlo, Rivera's wife, Harrison becomes enmeshed in the turbulent history that will inform his life and work. Through the distinctive voices of Harrison and his insightful amanuensis, Violet Brown, Kingsolver paints a verbal panorama spanning three decades and two countries. World War I veterans protesting for benefits denied, the unleashing of the atomic bomb, the McCarthy hearings, censorship of the arts, and abuse by the press corps lend credence to the sentiment that the more things change, the more they remain the same. VERDICT As in The Poisonwood Bible, Kingsolver perfects the use of multiple points of view, even reprinting actual newspaper articles to blur the line between fact and fiction. This is her most ambitious, timely, and powerful novel yet. Well worth the wait.—Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : Starred Review. Kingsolver's ambitious new novel, her first in nine years (after the The Poisonwood Bible), focuses on Harrison William Shepherd, the product of a divorced American father and a Mexican mother. After getting kicked out of his American military academy, Harrison spends his formative years in Mexico in the 1930s in the household of Diego Rivera; his wife, Frida Kahlo; and their houseguest, Leon Trotsky, who is hiding from Soviet assassins. After Trotsky is assassinated, Harrison returns to the U.S., settling down in Asheville, N.C., where he becomes an author of historical potboilers (e.g., Vassals of Majesty) and is later investigated as a possible subversive. Narrated in the form of letters, diary entries and newspaper clippings, the novel takes a while to get going, but once it does, it achieves a rare dramatic power that reaches its emotional peak when Harrison wittily and eloquently defends himself before the House Un-American Activities Committee (on the panel is a young Dick Nixon). Employed by the American imagination, is how one character describes Harrison, a term that could apply equally to Kingsolver as she masterfully resurrects a dark period in American history with the assured hand of a true literary artist. (Nov.)

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Oprah's Book Club
Click to search this book in our catalog Sula
by Toni Morrison

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunition” and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunition” and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunition” and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunition” and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

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