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Publishers Weekly : Henry VIII's challenge to the church's power with his desire to divorce his queen and marry Anne Boleyn set off a tidal wave of religious, political and societal turmoil that reverberated throughout 16th-century Europe. Mantel boldly attempts to capture the sweeping internecine machinations of the times from the perspective of Thomas Cromwell, the lowborn man who became one of Henry's closest advisers. Cromwell's actual beginnings are historically ambiguous, and Mantel admirably fills in the blanks, portraying Cromwell as an oft-beaten son who fled his father's home, fought for the French, studied law and was fluent in French, Latin and Italian. Mixing fiction with fact, Mantel captures the atmosphere of the times and brings to life the important players: Henry VIII; his wife, Katherine of Aragon; the bewitching Boleyn sisters; and the difficult Thomas More, who opposes the king. Unfortunately, Mantel also includes a distracting abundance of dizzying detail and Henry's all too voluminous political defeats and triumphs, which overshadows the more winning story of Cromwell and his influence on the events that led to the creation of the Church of England. (Oct.)

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Publishers Weekly : Starred Review. Violence, in McCarthy's postapocalyptic tour de force, has been visited worldwide in the form of a "long shear of light and then a series of low concussions" that leaves cities and forests burned, birds and fish dead and the earth shrouded in gray clouds of ash. In this landscape, an unnamed man and his young son journey down a road to get to the sea. (The man's wife, who gave birth to the boy after calamity struck, has killed herself.) They carry blankets and scavenged food in a shopping cart, and the man is armed with a revolver loaded with his last two bullets. Beyond the ever-present possibility of starvation lies the threat of roving bands of cannibalistic thugs. The man assures the boy that the two of them are "good guys," but from the way his father treats other stray survivors the boy sees that his father has turned into an amoral survivalist, tenuously attached to the morality of the past by his fierce love for his son. McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out. 250,000 announced first printing; BOMC main selection.(Oct.)

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Publishers Weekly : An entertaining omnibus of opinionated essays previously published mostly in Details magazine spotlights novelist Chabon's (The Yiddish Policemen's Union) model of being an attentive, honest father and a fairly observant Jew. Living in Berkeley, Calif., raising four children with his wife, Ayelet Waldman, who has also just published a collection of parenting stories (Bad Mother), Chabon, at 45, revisits his own years growing up in the 1970s with a mixture of rue and relief. A child of the suburbs of Maryland and elsewhere, where children could still play in what he calls in one essay the Wilderness of Childhood, he enjoyed a freedom now lost to kids, endured the divorce of his parents, smoked a lot of pot, suffered a short early marriage and finally found his life's partner, who takes risks where he won't. The essays are tidily arranged around themes of manly affection (his first father-in-law, his younger brother); styles of manhood, such as faking at being a handyman; and patterns of early enchantment, such as his delight in comic books, sci-fi and stargazing. Candid, warm and humorous, Chabon's essays display his habitual attention to craft. (Oct.)