Kirkus
Copyright © Kirkus Reviews, used with permission.

Equal parts detective story and sociocultural history, James’ new novel takes a deep, harrowing dive into the tragic consequences of violent homophobia. The “disappearers” of the title are Orrin Turner and Matt Chin, who dominate this decades-spanning saga without being seen or heard through most of it. They are two of the gay men—“battymen” in Jamaican idiom—who show up at a Kingston house on a June night in 1988 to rehearse for a production ofFortune and Men’s Eyes, a play set in a prison. The group is savagely attacked by a mob, leaving one of the actors dead, one blinded for life, and the rest bloodied and injured. Survivors of the attack spend most of the succeeding years recovering from both physical and psychic wounds, among them Jordan Brown, who describes himself as “full-time battyman, sometime prostitute. Occasional thorn in somebody’s backside,” and Eddy Porteous, who arrived too late at that fateful rehearsal to become a casualty but nonetheless is haunted, like Jordan, by the inexplicable disappearance of both Turner and Chin since the attack. Despite constant carping between them, Jordan and Eddy team up roughly six years after the attack in search of clues to their friends’ whereabouts. While the process yields few hints, their inquiries on the streets, in bars, and at other gathering places for Kingston’s battymen contribute to a grim but illuminating collective portrait of the country’s gay community at a time when the AIDS crisis was in its early, often frightening stages and of the alarmingly widespread homophobia leading to that brutal attack. As in his Booker Prize–winningA Brief History of Seven Killings (2014), James brings multilayered life to a troubling era in his homeland’s recent history. He engages with his landscapes and the diverse characters populating them with intensity, passion, and bountiful, often graphic detail. With the same affinity for Dickensian storytelling he’s shown in his sword-and-sorcery epics, James tells this searingly realistic tale through interview fragments, journal entries, letters, and, in recreating the horrific attack, with random, frantic voices that leave unsettling echoes. Even when it stress-tests your senses, this sprawling depiction of gay life in Jamaica is galvanizing. Copyright © Kirkus Reviews, used with permission.