Library Journal : Starred Review. Set in Stockett's native Jackson, MS, in the early 1960s, this first novel adopts the complicated theme of blacks and whites living in a segregated South. A century after the Emancipation Proclamation, black maids raised white children and ran households but were paid poorly, often had to use separate toilets from the family, and watched the children they cared for commit bigotry. In Stockett's narrative, Miss Skeeter, a young white woman, is a naive, aspiring writer who wants to create a series of interviews with local black maids. Even if they're published anonymously, the risk is great; still, Aibileen and Minny agree to participate. Tension pervades the novel as its events are told by these three memorable women. Is this an easy book to read? No, but it is surely worth reading. It may even stir things up as readers in Jackson and beyond question their own discrimination and intolerance in the past and present. [See Prepub Alert, LJ 10/1/08.]—Rebecca Kelm, Northern Kentucky Univ. Lib., Highland Heights

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Publishers Weekly : Starred Review. What perfect timing for this optimistic, uplifting debut novel (and maiden publication of Amy Einhorn's new imprint) set during the nascent civil rights movement in Jackson, Miss., where black women were trusted to raise white children but not to polish the household silver. Eugenia Skeeter Phelan is just home from college in 1962, and, anxious to become a writer, is advised to hone her chops by writing about what disturbs you. The budding social activist begins to collect the stories of the black women on whom the country club sets relies and mistrusts enlisting the help of Aibileen, a maid who's raised 17 children, and Aibileen's best friend Minny, who's found herself unemployed more than a few times after mouthing off to her white employers. The book Skeeter puts together based on their stories is scathing and shocking, bringing pride and hope to the black community, while giving Skeeter the courage to break down her personal boundaries and pursue her dreams. Assured and layered, full of heart and history, this one has bestseller written all over it. (Feb.)

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Library Journal : Recently, there has been a resurgence of interest in the life, career, achievements, and trials of J. Robert Oppenheimer, the "father" of the atomic bomb. In 2004, there were two new biographies by significant science writers—Jeremy Bernstein's Oppenheimer: Portrait of an Enigma and David C. Cassidy's J. Robert Oppenheimer and the American Century. In addition to this current title, another is scheduled for publication in 2005, Abraham Pais and Robert Crease's Shatterer of Worlds: A Life of J. Robert Oppenheimer. This collaboration between writer Bird and English professor Sherwin is an expansive but fast-paced and engrossing work that draws its strength from the insights provided into Oppenheimer's thoughts and motives and the many anecdotes. The book's five parts cover his youth and education, his early career and dalliance with communism, the Manhattan Project, his return to academe and growing political influence, and, finally, his dealings with the FBI and eventual retreat from public life. The emphasis throughout is on Oppenheimer's personality and how he navigated the sociopolitical minefields of the era, with relatively less discussion of his scientific work. For a readable and well-researched biography of the man, this suffices quite well. However, with so many other biographies available, not to mention histories of the Manhattan Project, it provides little new information here. For general readers in larger public and academic libraries.—Gregg Sapp, Science Lib., SUNY at Albany

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Publishers Weekly : Starred Review. Though many recognize Oppenheimer (1904–1967) as the father of the atomic bomb, few are as familiar with his career before and after Los Alamos. Sherwin (A World Destroyed) has spent 25 years researching every facet of Oppenheimer's life, from his childhood on Manhattan's Upper West Side and his prewar years as a Berkeley physicist to his public humiliation when he was branded a security risk at the height of anticommunist hysteria in 1954. Teaming up with Bird, an acclaimed Cold War historian (The Color of Truth), Sherwin examines the evidence surrounding Oppenheimer's "hazy and vague" connections to the Communist Party in the 1930s—loose interactions consistent with the activities of contemporary progressives. But those politics, in combination with Oppenheimer's abrasive personality, were enough for conservatives, from fellow scientist Edward Teller to FBI director J. Edgar Hoover, to work at destroying Oppenheimer's postwar reputation and prevent him from swaying public opinion against the development of a hydrogen bomb. Bird and Sherwin identify Atomic Energy Commission head Lewis Strauss as the ringleader of a "conspiracy" that culminated in a security clearance hearing designed as a "show trial." Strauss's tactics included illegal wiretaps of Oppenheimer's attorney; those transcripts and other government documents are invaluable in debunking the charges against Oppenheimer. The political drama is enhanced by the close attention to Oppenheimer's personal life, and Bird and Sherwin do not conceal their occasional frustration with his arrogant stonewalling and panicky blunders, even as they shed light on the psychological roots for those failures, restoring human complexity to a man who had been both elevated and demonized. 32 pages of photos not seen by PW. (Apr. 10)

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