Reviews for These silent woods : a novel

Kirkus
Copyright © Kirkus Reviews, used with permission.

In a desperate move to keep his child, a father goes off the grid. Finch and her father, Cooper, (not their real names) have spent eight years—Finch’s entire childhood so far—occupying a remote cabin on a large swatch of forested land in an unidentified, presumably northern state. Grant’s second novel sets out to explore how they got there and how they might get out. This chronicle of life in a rustic dwelling with no indoor plumbing and no electricity is an engrossing lesson in survivalism. Cooper and Finch’s whereabouts are known to only two people: their reclusive neighbor, known as Scotland, and the cabin’s owner, Jake, Cooper’s buddy from a tour of duty in Afghanistan. (Jake was severely wounded by an IED but survived thanks to Cooper.) Once a year, Jake brings supplies, and when the novel opens, father and daughter await his imminent visit. They are fugitives from a system that would have taken Finch, then an infant, away from Cooper after Cindy, his wife-to-be and Finch's mother, died in a car crash. Cindy’s parents always considered Cooper beneath her. Effectively orphaned, Cooper was raised by a loving but eccentric aunt, and the Army was his sole hope of bettering himself. Finch's thoroughly unsympathetic maternal grandparents enlisted social services to remove her from Cooper's care. How Cooper managed to extract Finch is the major delayed reveal, while Jake’s failure to appear with his delivery is the plot’s inciting nonincident. A trip to a faraway Walmart is a huge risk but necessary—winter is coming. Scotland has had an unnerving habit of stealthily stopping by. Finch has bonded with Scotland (also a veteran, of Vietnam), but his motives seem suspect. With the arrival, separately, of two strangers, the challenge of disappearing in today’s world becomes starkly apparent, as does the flimsiness of the novel’s premise. Soulful, meditative, and sad—but marred by an improbable final twist. Copyright © Kirkus Reviews, used with permission.


Library Journal
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For eight years, Cooper has been on the run with a dark secret, living in the remote recesses of Appalachia with his young daughter, Finch. No one knows they are there but the somewhat intrusive hermit Scotland and Cooper's friend Jake, who brings supplies each winter. But one year Jake fails to arrive, even as Finch begins resisting their extreme isolation, and Cooper must decide whether he should finally confront his past. From an award-winning poet who has published fiction and memoir with small presses and is breaking out here with a 75,000-copy first printing.


Publishers Weekly
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Cooper, an Army veteran struggling with PTSD and the narrator of this grim and evocative novel of suspense from Grant (Fallen Mountains), is raising his eight-year-old daughter, Finch, in a remote cabin in the Appalachian Mountains. Their only contact with the outside world is an annual visit from Jake, a fellow veteran who brings them provisions for the winter. When Jake fails to appear on the appointed day one December, Cooper is forced to venture into the outside world and confront the violence that has driven him into the wilderness. When his tenuous sanctuary is further threatened by Finch’s growing fascination with a hiker who stumbles across them, tragedy ensues. Meanwhile, Cooper reflects on the brief happiness he enjoyed with his girlfriend Cindy, Finch’s mother, before Cindy died in a car accident shortly after Finch was born. It eventually emerges that Cooper kidnapped Finch from Cindy’s parents, who disapproved of him, and has been hiding from them since. Grant does a fine job of making Cooper sympathetic, despite his obvious faults. The beauty of the book’s prose as well as its deeply felt message of redemption and hope will please many. Grant is a writer to watch. Agent: Amy Cloughley, Kimberley Cameron & Assoc. (Oct.)


Kirkus
Copyright © Kirkus Reviews, used with permission.

In a desperate move to keep his child, a father goes off the grid.Finch and her father, Cooper, (not their real names) have spent eight yearsFinchs entire childhood so faroccupying a remote cabin on a large swatch of forested land in an unidentified, presumably northern state. Grants second novel sets out to explore how they got there and how they might get out. This chronicle of life in a rustic dwelling with no indoor plumbing and no electricity is an engrossing lesson in survivalism. Cooper and Finchs whereabouts are known to only two people: their reclusive neighbor, known as Scotland, and the cabins owner, Jake, Coopers buddy from a tour of duty in Afghanistan. (Jake was severely wounded by an IED but survived thanks to Cooper.) Once a year, Jake brings supplies, and when the novel opens, father and daughter await his imminent visit. They are fugitives from a system that would have taken Finch, then an infant, away from Cooper after Cindy, his wife-to-be and Finch's mother, died in a car crash. Cindys parents always considered Cooper beneath her. Effectively orphaned, Cooper was raised by a loving but eccentric aunt, and the Army was his sole hope of bettering himself. Finch's thoroughly unsympathetic maternal grandparents enlisted social services to remove her from Cooper's care. How Cooper managed to extract Finch is the major delayed reveal, while Jakes failure to appear with his delivery is the plots inciting nonincident. A trip to a faraway Walmart is a huge risk but necessarywinter is coming. Scotland has had an unnerving habit of stealthily stopping by. Finch has bonded with Scotland (also a veteran, of Vietnam), but his motives seem suspect. With the arrival, separately, of two strangers, the challenge of disappearing in todays world becomes starkly apparent, as does the flimsiness of the novels premise.Soulful, meditative, and sadbut marred by an improbable final twist. Copyright Kirkus Reviews, used with permission.

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