Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

In 1746, a man named Smith arrives in New York City, population 7,000, in his hand, a bill for 1,000 pounds payable in New York. No one can vouch for him, and he won't explain why he needs so much money. Why should New Yorkers trust him? Smith is forced to wait 60 days for the arrival of a ship from London to verify the transfer. Thus starts this wild adventure, in the rarest of commodities, the modern-day picaresque novel: the trickster or innocent wandering through the world, digging beneath convention to unearth hidden truths about how we behave toward one another. By the novel's end, Smith has escaped lynching, lingered in prison waiting for the noose, fought a duel, and been caught in congress with-well, someone. Along the way, there is an unorthodox courtship with a young woman who gives back to Smith as much as he gives to her. VERDICT Nonfiction author Spufford (Unapologetic) makes his fiction debut with this successful homage to the great master of the picaresque novel, Henry Fielding. Winner of the Costa First Novel Award, it's sure to have a wide readership. [See Prepub Alert, 12/19/16.]-David Keymer, Modesto, CA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

Spufford's first novel is set in colonial New York City, where-as new arrival from London Richard Smith discovers-things can get out of hand quickly, and often do. As soon as his ship docks on Allhallows 1746, Smith heads to merchant Gregory Lovell's Golden Hill home to cash a large bill of credit. Despite Smith's refusal to divulge exactly who he is or how he intends to use the money, Lovell gives him a variety of currency and coin and introduces the young man to his daughters, lovely Flora and sharp-tongued Tabitha. For two months rumors fly, as Smith exchanges flirtatious jibes with Tabitha, cautiously converses with the slave Zephyra, drinks coffee with the governor's secretary, is rescued from a Guy Fawkes Day brawl by the secretary and the slave Achilles, dines with the governor, plays whist with the chief justice, languishes in debtor's prison, performs in a stage play, gets caught trysting with the play's full-figured star, fights a duel, and stands trial for murder. On Christmas Day, Smith finally reveals his high-minded purpose for coming to America. Recounting this picaresque tale with serious undertones, Spufford adeptly captures 18th-century commercial practices and linguistic peculiarities as well as pre-Revolutionary Manhattan's cultural hodgepodge. His New York bursts with energy, danger, and potential. His ironic, sometimes bawdy sense of humor and coy storytelling may frustrate those who do not "cotton" to the "cant," but patient readers are rewarded with a feast of language, character, local color, and historical detail. (June) © Copyright PWxyz, LLC. All rights reserved.

Kirkus
Copyright © Kirkus Reviews, used with permission.

This sparkling first novel sends a young man through a gantlet of troubles and amusements in 18th-century Manhattan.Within minutes of deboarding from the brig Henrietta in New York harbor, anno Domini 1746, Richard Smith seems to attract trouble. First the 24-year-old Londoner presents a local merchant named Lovell with a bill demanding 1,000 pounds sterling. It's a huge sum for the time, and Smith's sharp tongue does little to smooth the transaction. Next day, his purse is stolen, and that night, invited to dine with the merchant, Smith is rude to his hosts and nettles the merchant's daughter Tabitha. Among other things, he abets her sister's taste in novels ("pabulum for the easily pleased"). Before the week is out he is mistaken for a papist and pursued by a drunken mob in a marvelous chase scene through Manhattan's much fewer mean streets. His rescuer that night, Septimus Oakeshott, secretary to the governor, will unwittingly embroil Smith in the city's chief political dispute. Spufford (Unapologetic, 2013, etc.), who writes in the Fielding-esque style of the period and displays a sure hand thereto, packs so many surprises into this sprightly picaresque that an extended precis would be full of spoiling answers to such queries as: why does Tabitha limp? Why do Smith and Septimus duel? Is it because of their dark secrets? Why is Smith really in New York? And who is the narrative's "true" author? Spufford suggests in an afterword that he was aiming for "a colonial counterpart to Joseph Andrews," but there's a touch here also of the Ian Fleming books that he warmly recalls in his autobiographical The Child That Books Built (2002). A first-rate entertainment with a rich historical feel and some delightful twists. Copyright Kirkus Reviews, used with permission.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

*Starred Review* Spufford's (Red Plenty, 2012) spirited novel of Old New York, playfully rendered in simulated eighteenth-century prose, pays homage to the literature of the colonial era. Young, charismatic Smith arrives from London to relatively small New York City in 1746 with a huge check to cash and only deflections for those who might inquire about his past or purposes. While waiting for his funds to clear, he rambles about, drinking lots of coffee and ordering large breakfasts on credit. Before long, however, he finds trouble by falling in love with his creditor's complicated daughter, bumbling into messy intrigues, and getting beat up. The New World turns out to be a violent place, and it's not clear Smith will survive the week, much less see the fortune he has come to collect. True to his inspiration, the novels of Henry Fielding and his ilk, Spufford's action is fast, and plot twists abound. Readers bounce through chases, courtrooms, brawls, debtors' prison, and a momentous steam-room sex scene, and it's all great fun. But most pleasurable is the prose itself, which is clever, silly, and perceptive, somehow managing to seem perfectly historically calibrated while poking fun at itself for such efforts. A virtuoso literary performance.--Driscoll, Brendan Copyright 2017 Booklist