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| Caldecott Medal Winners |  | | Joseph Had a Little Overcoat
by Simms Taback
Publishers Weekly
: As in his Caldecott Honor book, There Was an Old Lady Who Swallowed a Fly, Taback's inventive use of die-cut pages shows off his signature artwork, here newly created for his 1977 adaptation of a Yiddish folk song. This diverting, sequential story unravels as swiftly as the threads of Joseph's well-loved, patch-covered plaid coat. A flip of the page allows children to peek through to subsequent spreads as Joseph's tailoring produces items of decreasing size. The author puts a droll spin on his narrative when Joseph loses the last remnant of the coat--a button--and decides to make a book about it. "Which shows... you can always make something out of nothing," writes Taback, who wryly slips himself into his story by depicting Joseph creating a dummy for the book that readers are holding. Still, it's the bustling mixed-media artwork, highlighted by the strategically placed die-cuts, that steals the show. Taback works into his folk art a menagerie of wide-eyed animals witnessing the overcoat's transformation, miniature photographs superimposed on paintings and some clever asides reproduced in small print (a wall hanging declares, "Better to have an ugly patch than a beautiful hole"; a newspaper headline announces, "Fiddler on Roof Falls off Roof"). With its effective repetition and an abundance of visual humor, this is tailor-made for reading aloud. All ages. (Oct.) Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Pre-Gr 3-A book bursting at the seams with ingenuity and creative spirit. When Joseph's overcoat becomes "old and worn," he snips off the patches and turns it into a jacket. When his jacket is beyond repair, he makes a vest. Joseph recycles his garments until he has nothing left. But by trading in his scissors for a pen and paintbrush he creates a story, showing "you can always make something out of nothing." Clever die-cut holes provide clues as to what Joseph will make next: windowpanes in one scene become a scarf upon turning the page. Striking gouache, watercolor, and collage illustrations are chock-full of witty details-letters to read, proverbs on the walls, even a fiddler on the roof. Taback adapted this tale from a Yiddish folk song and the music and English lyrics are appended. The rhythm and repetition make it a perfect storytime read-aloud.-Linda Ludke, London Public Library, Ontario, Canada Copyright 2000 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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| New York Times Bestsellers |  | | Big Girl
by Danielle Steel
Publishers Weekly
: In the 35th novel to be set in the tiny British villages of Thrush Green and Fairacre, the characters and settings are as familiar and comfortable as old shoes. The pseudonymous Read has created an orderly universe in which people are kind and conscientious and cherish virtues and manners now considered antiquated elsewhere. But unwelcome changes are making themselves felt in the villages. Miss Read inherits Dolly Clare's little cottage at Thrush Green, her grief at the death of her old friend and mentor somewhat assuaged by the security of home ownership; the declining enrollment at Fairacre School, where Miss Read teaches, may lead to its closing. Improved highways, higher salaries and the ubiquity of the automobile have enabled many Fairacre inhabitants to shop in distant cities and educate their children at larger schools miles away. Bucolic life has given way to those of the busy, two-income commuter families who have scarcely en`? Book Review ![]("http://content.tlcdelivers.com/tlccontent?customerid=999&isbn=9780385343183&requesttype=bookjacket-sm") Distributed by Syndetic Solutions Inc. Terms
Publishers Weekly
: In the 35th novel to be set in the tiny British villages of Thrush Green and Fairacre, the characters and settings are as familiar and comfortable as old shoes. The pseudonymous Read has created an orderly universe in which people are kind and conscientious and cherish virtues and manners now considered antiquated elsewhere. But unwelcome changes are making themselves felt in the villages. Miss Read inherits Dolly Clare's little cottage at Thrush Green, her grief at the death of her old friend and mentor somewhat assuaged by the security of home ownership; the declining enrollment at Fairacre School, where Miss Read teaches, may lead to its closing. Improved highways, higher salaries and the ubiquity of the automobile have enabled many Fairacre inhabitants to shop in distant cities and educate their children at larger schools miles away. Bucolic life has given way to those of the busy, two-income commuter families who have scarcely enough time to plant a few flowers in their gardens. The novel's slight plot sometimes gets in the way of Read's wonderful descriptive abilities, but her characters, as always, fairly leap off the pages; the cantankerous, Cassandra-like Mrs. Pringle; her feekless daughter, Minnie; the crusty old factotum, Mr. Willet; and the young Joseph Coggs-are all completely believable. Read writes with deep affection about what she knows and never succumbs to the temptation of clich6s. An occasional visit to Fairacre offers a restful change from the frenetic pace of the contemporary world. Copyright 1992 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
Publishers Weekly
: In the 35th novel to be set in the tiny British villages of Thrush Green and Fairacre, the characters and settings are as familiar and comfortable as old shoes. The pseudonymous Read has created an orderly universe in which people are kind and conscientious and cherish virtues and manners now considered antiquated elsewhere. But unwelcome changes are making themselves felt in the villages. Miss Read inherits Dolly Clare's little cottage at Thrush Green, her grief at the death of her old friend and mentor somewhat assuaged by the security of home ownership; the declining enrollment at Fairacre School, where Miss Read teaches, may lead to its closing. Improved highways, higher salaries and the ubiquity of the automobile have enabled many Fairacre inhabitants to shop in distant cities and educate their children at larger schools miles away. Bucolic life has given way to those of the busy, two-income commuter families who have scarcely enough time to plant a few flowers in their gardens. The novel's slight plot sometimes gets in the way of Read's wonderful descriptive abilities, but her characters, as always, fairly leap off the pages; the cantankerous, Cassandra-like Mrs. Pringle; her feekless daughter, Minnie; the crusty old factotum, Mr. Willet; and the young Joseph Coggs-are all completely believable. Read writes with deep affection about what she knows and never succumbs to the temptation of clich6s. An occasional visit to Fairacre offers a restful change from the frenetic pace of the contemporary world. Copyright 1992 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
Publishers Weekly
: In the 35th novel to be set in the tiny British villages of Thrush Green and Fairacre, the characters and settings are as familiar and comfortable as old shoes. The pseudonymous Read has created an orderly universe in which people are kind and conscientious and cherish virtues and manners now considered antiquated elsewhere. But unwelcome changes are making themselves felt in the villages. Miss Read inherits Dolly Clare's little cottage at Thrush Green, her grief at the death of her old friend and mentor somewhat assuaged by the security of home ownership; the declining enrollment at Fairacre School, where Miss Read teaches, may lead to its closing. Improved highways, higher salaries and the ubiquity of the automobile have enabled many Fairacre inhabitants to shop in distant cities and educate their children at larger schools miles away. Bucolic life has given way to those of the busy, two-income commuter families who have scarcely enough time to plant a few flowers in their gardens. The novel's slight plot sometimes gets in the way of Read's wonderful descriptive abilities, but her characters, as always, fairly leap off the pages; the cantankerous, Cassandra-like Mrs. Pringle; her feekless daughter, Minnie; the crusty old factotum, Mr. Willet; and the young Joseph Coggs-are all completely believable. Read writes with deep affection about what she knows and never succumbs to the temptation of clich6s. An occasional visit to Fairacre offers a restful change from the frenetic pace of the contemporary world. Copyright 1992 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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| Newbery Medal Winners |  | | Kira-Kira
by Cynthia Kadohata
Publishers Weekly: Set in the 1950s and '60s, Kadohata's moving first novel is narrated by a first-generation Japanese-American girl who moves with her family from Iowa to Georgia when their "Oriental foods grocery store" goes out of business. There, Katie and her family face hardships, including discrimination (she is ignored by the girls at school, for example), and the harsh conditions at the poultry plant where her mother works ("thugs" make sure workers do not gather so that they cannot organize). Katie's father often sleeps at the hatchery between shifts, and when their babysitter goes away, Katie and her brother must stay in the hot car outside the plant while their mother works. But it's her doting older sister Lynn's struggle with lymphoma that really tests her family. Katie's narrative begins almost as stream-of-consciousness, reflecting a younger child's way of seeing the world. But as she matures through the challenges her family faces, so does the prose. Kadohata movingly captures the family's sustaining loveùLynn and Katie secretly save their treat money for years so they can help their parents buy a house, and when ailing Lynn gets to pick the house, she chooses a sky blue one, because Katie as a "little girl,... had told her [she] wanted our first to be sky blue." The family's devotion to one another, and Lynn's ability to teach Katie to appreciate the "kira-kira," or glittering, in everyday life makes this novel shine. Ages 11-up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal: Gr 6-8–Katie's first word is "kira-kira," the Japanese word for "glittering," and she uses it to describe everything she likes. It was taught to her by her older sister, Lynn, whom Katie worships. Both girls have trouble adjusting when their parents move the family from Iowa to a small town in rural Georgia, where they are among only 31 Japanese-Americans. They seldom see their parents, who have grueling jobs in chicken-processing plants. Then Lynn becomes deathly ill, and Katie is often left to care for her, a difficult and emotionally devastating job. When her sister dies of lymphoma, Katie searches for ways to live up to her legacy and to fulfill the dreams she never had a chance to attain. Told from Katie's point of view and set in the 1950s, this beautifully written story tells of a girl struggling to find her own way in a family torn by illness and horrendous work conditions. Katie's parents can barely afford to pay their daughter's medical bills, yet they refuse to join the growing movement to unionize until after Lynn's death. All of the characters are believable and well developed, especially Katie, who acts as a careful observer of everything that happens in her family, even though there is a lot she doesn't understand. Especially heartbreaking are the weeks leading up to Lynn's death, when Katie is exhausted and frustrated by the demands of her sister's illness, yet willing to do anything to make her happy. Girls will relate to and empathize with the appealing protagonist.–Ashley Larsen, Woodside Library, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Oprah's Book Club |  | | Icy Sparks
by Gwyn Hyman Rubio
Library Journal: Kentucky writer Rubio's big-hearted first novel features Icy Sparks, a brave and lovable child with Tourette Syndrome. Her involuntary twitches, eye poppings, and repetitions isolate her from the life of her Appalachian community. She is hospitalized for several months and finally receives the correct diagnosis, and under the care of a kindly doctor she learns techniques to reduce the severity of her symptoms. Her loving grandparents and the friendship of the hugely fat Miss Emily, also isolated by her difference, sustain her for five years. During those years Miss Emily teaches her what she will need to know for college. By the end of those years Icy has learned to manage her disability and has used her pain and loneliness to grow into a wonderful young woman. In refusing defeat, she wins the love and respect of the reader. For all collections where there are tender hearts. Judith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY Distributed by Syndetic Solutions Inc. Terms
Publishers Weekly: The diagnosis of Tourette's Syndrome isn't mentioned until the last pages of Rubio's sensitive portrayal of a young girl with the disease. Instead, Rubio lets Icy Sparks tell her own story of growing up during the 1950s in a small Kentucky town where her uncontrollable outbursts make her an object of fright and scorn. "The Saturday after my [10th] birthday, the eye blinking and poppings began.... I could feel little invisible rubber bands fastened to my eyelids, pulled tight through my brain and attached to the back of my head," says Icy, who thinks of herself as the "frog child from Icy Creek." Orphaned and cared for by her loving grandparents, Icy weathers the taunts of a mean schoolteacher and, later, a crush on a boy that ends in disappointment. But she also finds real friendship with the enormously fat Miss Emily, who offers kindness and camaraderie. Rubio captures Icy's feelings of isolation and brings poignancy and drama to Icy's childhood experiences, to her temporary confinement in a mental institution and to her reluctant introduction--thanks to Miss Emily and Icy's grandmother--to the Pentecostal church through which she discovers her singing talent. If Rubio sometimes loses track of Icy's voice, indulges in unconvincing magical realism and takes unearned poetic license with the speech of her Appalachian grandparents ("`Your skin was as cold as fresh springwater, slippery and strangely soothing to touch'"), her first novel is remarkable for its often funny portrayal of a child's fears, loves and struggles with an affliction she doesn't know isn't her fault. Agent, Susan Golomb; editor, Jane von Mehren. Copyright 1998 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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