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ALA Best Books for Young Adults
Click to search this book in our catalog Eleanor and Park
by Rainbow Rowell

School Library Journal Gr 9 Up-In this novel set in the 1980s, teenagers Eleanor and Park are outsiders; Eleanor, because she's new to the neighborhood, and Park, because he's half Asian. Although initially wary of each other, they quickly bond over their love of comics and 1980s alternative music. Eleanor's home life is difficult; her stepfather physically abuses her mother and emotionally abuses Eleanor and her siblings. At school, she is the victim of bullying, which escalates into defacement of her textbooks, her clothes, and crude displays on her locker. Although Park's mother, a Korean immigrant, is initially resistant to the strange girl due to her odd fashion choices, his father invites Eleanor to seek temporary refuge with them from her unstable home life. When Eleanor's stepfather's behavior grows even more menacing, Park assists in her escape, even though it means that they might not see each other again. The friendship between the teens is movingly believable, but the love relationship seems a bit rushed and underdeveloped. The revelation about the person behind the defacement of Eleanor's textbooks is stunning. Although the narrative points of view alternate between Eleanor and Park, the transitions are smooth. Crude language is realistic. Purchase for readers who are drawn to quirky love stories or 1980s pop culture.-Jennifer Schultz, Fauquier County Public Library, Warrenton, VA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Half-Korean sophomore Park Sheridan is getting through high school by lying low, listening to the Smiths (it's 1986), reading Alan Moore's Watchmen comics, never raising his hand in class, and avoiding the kids he grew up with. Then new girl Eleanor gets on the bus. Tall, with bright red hair and a dress code all her own, she's an instant target. Too nice not to let her sit next to him, Park is alternately resentful and guilty for not being kinder to her. When he realizes she's reading his comics over his shoulder, a silent friendship is born. And slowly, tantalizingly, something more. Adult author Rowell (Attachments), making her YA debut, has a gift for showing what Eleanor and Park, who tell the story in alternating segments, like and admire about each other. Their love is believable and thrilling, but it isn't simple: Eleanor's family is broke, and her stepfather abuses her mother. When the situation turns dangerous, Rowell keeps things surprising, and the solution-imperfect but believable-maintains the novel's delicate balance of light and dark. Ages 13-up. Agent: Christopher Schelling, Selectric Artists. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list *Starred Review* Right from the start of this tender debut, readers can almost hear the clock winding down on Eleanor and Park. After a less than auspicious start, the pair quietly builds a relationship while riding the bus to school every day, wordlessly sharing comics and eventually music on the commute. Their worlds couldn't be more different. Park's family is idyllic: his Vietnam vet father and Korean immigrant mother are genuinely loving. Meanwhile, Eleanor and her younger siblings live in poverty under the constant threat of Richie, their abusive and controlling stepfather, while their mother inexplicably caters to his whims. The couple's personal battles are also dark mirror images. Park struggles with the realities of falling for the school outcast; in one of the more subtle explorations of race and the other in recent YA fiction, he clashes with his father over the definition of manhood. Eleanor's fight is much more external, learning to trust her feelings about Park and navigating the sexual threat in Richie's watchful gaze. In rapidly alternating narrative voices, Eleanor and Park try to express their all-consuming love. You make me feel like a cannibal, Eleanor says. The pure, fear-laced, yet steadily maturing relationship they develop is urgent, moving, and, of course, heartbreaking, too.--Jones, Courtney Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

ALA Notable Books for Children
Click to search this book in our catalog Lets Scare Bear
by Yuko Katakawa.

School Library Journal PreS-Gr 1—Based on a form of Japanese storytelling, this visually engaging story loses a bit of logic in translation but retains a lot of appeal. Mouse, Fox, Spider, and Snake are about to feast on delicious manju cakes, when Bear passes by and they decide to scare him. Each animal tries and fails, until Bear reveals that his only fear is manju cakes. The animals throw their cakes into his cave and wait. Eventually, Bear emerges, stating "It's scary how much I love manju cake," leaving the animals to go make new cakes. The reasoning for scaring bear is flimsy at best, and his slick trick may be lost on young readers. Nevertheless, the text is brief and well paced, with a folklorish storytelling style that reads aloud well with nary a wasted word. The mixed-media, mostly full-bleed illustrations are reminiscent of Eric Rohmann's work, with heavy outlines, saturated backgrounds, and expressively faced animals. Bear is enormous and dominates the pages, and spider weaves commentary with her silk. Katakawa makes great use of perspective and movement, encouraging page turns and effectively drawing the eye. Fox and Bear each display some pretty scary toothy snarls, but the rest of the illustrations are in good fun. VERDICT While the story line is slim, the arresting visuals and nicely cadenced text make this an excellent candidate for storytimes. Most libraries will want to add it to their shelves.—Amy Lilien-Harper, Wilton Library, CT

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list With his sharp claws and ferocious teeth, Bear is known as the biggest, bravest animal in the forest. He scares the other woodland creatures, but is there anything that can frighten Bear himself? In her charming debut, author-illustrator Katakawa answers this question as four forest inhabitants Fox, Mouse, Snake, and Spider try to scare the unflappable bear. After several funny, failed attempts leave the smaller critters at wits' end, Bear admits the one thing that scares him very much: manju cake, a sweet treat that the other creatures have been enjoying without him. But can they actually scare him with this new information? The answer comes with a fun surprise, along with a lesson about friendship, bullying, and bravery. This lighthearted tale is a twist on a classic story from the Japanese oral tradition of rakugo, making for a delightful read-aloud. Mixed-media illustrations add energy to the excitement, and the delectable subject may have children demanding a manju cake before the end.--Emily Graham Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Katakawa makes a spirited debut, employing a panoply of visual styles. As she explains in her author's note, the story is based on "Manju Kowai" ("Scared of Buns") a classic from rakugo, the Japanese storytelling tradition. Mouse, Snake, Spider, and Fox are just sitting down for tea when Bear imperiously thumps through the forest. At Mouse's suggestion, the friends decide to "scare Bear," but they fail miserably (Mouse is a total washout at delivering a commanding "Boo!"). Then Bear reveals the one thing he fears: manju cake, the Japanese bun stuffed with sweet filling. "Don't even mention it!" Bear says, and as the smaller creatures look on in amazement, he covers his eyes and quakes with fear before skulking off to his cave. The smaller creatures promptly hurl all their manju cakes into the cave (Snake knocks one in with its head, soccer-style) and wait for the inevitable surrender. Bear emerges, patting his belly, smacking his lips, and looking anything but frightened. "It's scary how much I love manju cake," he says. Yes, the big guy wins this one, but readers should be tickled by Bear's willingness to play the fool for the sake of a yummy treat. Ages 4-8. Agent: Rachel Orr, Prospect Agency. (July) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book As they enjoy afternoon tea, including sweet manju cakes (steamed buns filled with red bean paste), four woodland-creature friends decide to scare a bear passing by. All their tactics fail--until the bear ‘admits’ his deepest fear: manju cake. The animals lob the cakes into the bear's cave and are surprised by the bear's pleased reaction. The mixed-media illustrations reward close inspection with clever details. Based on ‘Manju Kowai’ or ‘Scared of Buns,’ a story from the Japanese oral storytelling tradition of rakugo. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Four friends take turns trying to scare Bear.Mouse, Fox, Snake, and Spider love manju cake, a Japanese steamed bun with sweet filling. As they're about to enjoy a manju feast, Bear thumps by. Seeing as Bear is the biggest and bravest animal around, the four friends decide to scare him. Fox goes first, baring his sharp teeth, but Bear just flashes his teeth back. Spider, Snake, and Mouse follow with their tricks, but nothing can scare Bear. Finally, Bear says only one thing scares him: manju cakes. While Bear hides in his cave at the very thought, the four friends attempt to scare Bear one last timebut Bear plays the best trick of all. Katakawa's debut picture book is a funny tale of silly scare tactics and tricks. Based on a classic Japanese rakugo tale called "Manju Kowai," Katakawa's telling emphasizes cute animals and a one-line lesson that sharing may be better than scaring. The friendly, cartoon illustrations are bold and lively. Using digital drawing techniques, Katakawa adds movement and depth to the images as well as small details (Snake's spectacles, Mouse's overalls, Spider's web-written dialogue) that add fun and context to the short text. A fun twist on a tale from Japanese oral storytelling tradition, great for reading aloud. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Caldecott Medal Winners
Click to search this book in our catalog Flotsam
by David Wiesner

Publishers Weekly : Starred Review. Two-time Caldecott winner Wiesner (Tuesday; The Three Pigs) crafts another wordless mystery, this one set on an ordinary beach and under an enchanted sea. A saucerlike fish's eye stares from the exact center of the dust jacket, and the fish's scarlet skin provides a knockout background color. First-timers might not notice what's reflected in its eye, but return visitors will: it's a boxy camera, drifting underwater with a school of slim green fish. In the opening panels, Wiesner pictures another close-up eye, this one belonging to a blond boy viewing a crab through a magnifying glass. Visual devices—binoculars and a microscope in a plastic bag—rest on a nearby beach towel, suggesting the boy's optical curiosity. After being tossed by a wave, the studious boy finds a barnacle-covered apparatus on the sand (evocatively labeled the "Melville Underwater Camera"). He removes its roll of film and, when he gets the results, readers see another close-up of his wide-open, astonished eye: the photos depict bizarre undersea scenes (nautilus shells with cutout windows, walking starfish-islands, octopi in their living room à la Tuesday's frogs). A lesser fantasist would end the story here, but Wiesner provides a further surprise that connects the curious boy with others like him. Masterfully altering the pace with panel sequences and full-bleed spreads, he fills every inch of the pages with intricate, imaginative watercolor details. New details swim into focus with every rereading of this immensely satisfying excursion. Ages 5-8. (Sept.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Starred Review. K-Gr 4–A wave deposits an old-fashioned contraption at the feet of an inquisitive young beachcomber. Itâ??s a â??Melville underwater camera,â?? and the excited boy quickly develops the film he finds inside. The photos are amazing: a windup fish, with intricate gears and screwed-on panels, appears in a school with its living counterparts; a fully inflated puffer, outfitted as a hot-air balloon, sails above the water; miniature green aliens kowtow to dour-faced sea horses; and more. The last print depicts a girl, holding a photo of a boy, and so on. As the images become smaller, the protagonist views them through his magnifying glass and then his microscope. The chain of children continues back through time, ending with a sepia image of a turn-of-the-20th-century boy waving from a beach. After photographing himself holding the print, the youngster tosses the camera back into the ocean, where it makes its way to its next recipient. This wordless bookâ??s vivid watercolor paintings have a crisp realism that anchors the elements of fantasy. Shifting perspectives, from close-ups to landscape views, and a layout incorporating broad spreads and boxed sequences, add drama and motion to the storytelling and echo the photographic theme. Filled with inventive details and delightful twists, each snapshot is a tale waiting to be told. Pair this visual adventure with Wiesnerâ??s other works, Chris Van Allsburgâ??s titles, or Barbara Lehmanâ??s The Red Book (Houghton, 2004) for a mind-bending journey of imagination.–Joy Fleishhacker, School Library Journal

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

New York Times Bestsellers
Click to search this book in our catalog Oath And Honor
by Liz Cheney

Newbery Medal Winners
Click to search this book in our catalog Freewater
by Amina Luqman-Dawson

Kirkus Two youngsters escaping slavery find refuge.Twelve-year-old Homer and his little sister, Ada, become separated from their mother as they attempt to flee enslavement on the Southerland plantation. They are rescued by Suleman, who takes them deep into the Great Dismal Swamp, where they join Freewater, a community of people who successfully fled from slavery and children who were born there. They work together to remain free, support one another, and remember the history of their founding. Suleman is one of the men who patrols the swamp, watching for any who would seek to reenslave them. He and others raid neighboring plantations for supplies. Freeborn Sanzi, 12, is determined to be a hero like Sulemaneven if it gets her into troubleand when her efforts go badly wrong, it places their settlement in danger. Meanwhile, back at Southerland, Homers mother has been caught and severely whipped. This does not keep Homers friend Anna from plotting her own escape while Homer seeks a way to rescue his mother. Set in a fictional community but based on real stories of those who fled slavery and lived secretly in Southern swamps, this is detailed and well-researched historical fiction. The characters are varied, complex, and fully realized. Descriptions of the setting are so vivid that it becomes a key aspect of the narrative. The page-turning action will engage readers as the story reaches a satisfying conclusion.An exceptional addition to the resistance stories of enslaved people. (author's note) (Historical fiction. 8-12) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Kirkus Two youngsters escaping slavery find refuge. Twelve-year-old Homer and his little sister, Ada, become separated from their mother as they attempt to flee enslavement on the Southerland plantation. They are rescued by Suleman, who takes them deep into the Great Dismal Swamp, where they join Freewater, a community of people who successfully fled from slavery and children who were born there. They work together to remain free, support one another, and remember the history of their founding. Suleman is one of the men who patrols the swamp, watching for any who would seek to reenslave them. He and others raid neighboring plantations for supplies. Freeborn Sanzi, 12, is determined to be a hero like Suleman—even if it gets her into trouble—and when her efforts go badly wrong, it places their settlement in danger. Meanwhile, back at Southerland, Homer’s mother has been caught and severely whipped. This does not keep Homer’s friend Anna from plotting her own escape while Homer seeks a way to rescue his mother. Set in a fictional community but based on real stories of those who fled slavery and lived secretly in Southern swamps, this is detailed and well-researched historical fiction. The characters are varied, complex, and fully realized. Descriptions of the setting are so vivid that it becomes a key aspect of the narrative. The page-turning action will engage readers as the story reaches a satisfying conclusion. An exceptional addition to the resistance stories of enslaved people. (author's note) (Historical fiction. 8-12) Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Fleeing enslavement at Southland Plantation, 12-year-old Homer and his little sister, Ada, get separated from their mother but keep moving until they arrive at a wild, unknown area. Struggling forward and fearing capture, they are helped by a man who literally swings to their rescue from the trees! Suleman helps them make their way to a hidden community of formerly enslaved people and their freeborn children. The newcomers are in awe of how this hidden enclave—Freewater—-exists, but they also fear for their new home and friends after overhearing the plantation overseer Stokes and his minions planning to set the swamp ablaze to flush them out. Back at the plantation, their recaptured mother and others want to join the Freewater community, and a perfect plan comes together. Debut author Luqman-Dawson brings to life a lesser-known piece of Black history: the role of swamplands as safe areas for those making their way to freedom. She has imagined how people not only would survive but thrive in such places. Skillfully drawing memorable characters and moving them toward an exciting, heartfelt resolution, Luqman-Dawson does not shy away from the realities of slavery. This lyrical story of hope, strength, and ingenuity will be gobbled up by young history buffs and adventure lovers. Direct your Christopher Paul Curtis and Avi fans this way.

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Based on the real-life Great Dismal Swamp, where enslaved people sought refuge from plantation life, Luqman-Dawson’s engrossing historical fiction novel follows enslaved Black siblings 12-year-old Homer and seven-year-old Ada after their escape from Southerland Plantation and its white overseer. An encounter with plantation raider Suleman results in the children being taken to swamp haven Freewater, a lush forest peopled with individuals who escaped slavery and who keep watch for possible invaders. Making her children’s debut, Luqman-Dawson populates the town with richly rendered characters, including Freewater-born Juna, who has never seen a white person, and her sister Sanzi, a tough but unseasoned fighter who looks up to Suleman and wants to do her part to help the people of Freewater. When the town’s inhabitants undertake a liberation effort, the characters must build courage and overcome their fears in this vividly written, wholly accessible novel of enslavement and resistance. Back matter includes an author’s note describing the true history behind Freewater. Ages 8–12. Agent: Emily Van Beek, Folio Jr. (Feb.)

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book Many accounts of the Underground Railroad mention that enslaved Blacks would stick close to swamps as they made their way North, as the topography proved problematic for slave catchers. A lesser-known fact is that from the 1700s through the Civil War, hundreds of African Americans remained in the swamp and established thriving communities. One such area, the Great Dismal Swamp, serves as the inspiration for Luqman-Dawson's engrossing, multi -- perspective debut novel. Twelve-year-old Homer is on the run with his seven-year-old sister, their mother having turned back to save his friend, Anna. Homer has no idea how to survive in the swamp; the answer arrives in Suleman, a Black man with knowledge of both the swamp and the surrounding plantations. Suleman leads them to Freewater, an established community with a whole generation of children who have only known freedom. Homer makes the hard choice to go back to his old plantation (accompanied by his new friends) to free his mother, but she and Anna have their own plans for freedom, supported by an unexpected source: Nora, the youngest daughter of the plantation owner. When they all converge on the night of a wedding, sacrifices from each of them bring the story to an explosive and cathartic conclusion. Every chapter begins with a character's name and records their journey, successfully developing a multidimensional cast. The author's note contains a brief history of these communities formed by both Indigenous and self-emancipated Black people. (c) Copyright 2023. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Oprah's Book Club
Click to search this book in our catalog The Poisonwood Bible
by Barbara Kingsolver

Library Journal: It's been five years since Kingsolver's last novel (Pigs in Heaven, LJ 6/15/93), and she has used her time well. This intense family drama is set in an Africa on the verge of independence and upheaval. In 1959, evangelical preacher Nathan Price moves his wife and four daughters from Georgia to a village in the Belgian Congo, later Zaire. Their dysfunction and cultural arrogance proves disastrous as the family is nearly destroyed by war, Nathan's tyranny, and Africa itself. Told in the voices of the mother and daughters, the novel spans 30 years as the women seek to understand each other and the continent that tore them apart. Kingsolver has a keen understanding of the inevitable, often violent clashes between white and indigenous cultures, yet she lets the women tell their own stories without being judgmental. An excellent novel that was worth the wait and will win the author new fans. [Previewed in Prepub Alert, LJ 7/98.]--Ellen Flexman, Indianapolis-Marion Cty.

Copyright 1998 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel. Agent, Frances Goldin; BOMC selection; major ad/promo; author tour.

Copyright 1998 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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