Book list From Booklist, Copyright © American Library Association. Used with permission. 9781250178633 Frankie McGrath is just 20 when she enlists in the army to go to Vietnam as a nurse in 1965, planning to follow in the footsteps of her older brother, Finley. Frankie's parents are dismayed by her decision, even more so once they get the horrible news that Finley has been killed in action. Frankie deploys to Vietnam and is quickly overwhelmed by the horrors of war, but with the help of two new friends, Barb and Ethel, and a handsome doctor, Jamie, she adjusts to the rigors of nursing in a war zone. Her attraction to Jamie is stymied by complications, then she finds love with her brother's best friend, a charming pilot named Rye. When Frankie's service comes to an end, she is distressed when she returns to the States to find that Vietnam vets are not lauded as heroes and that many vets don't acknowledge the service of military women. As she grapples with PTSD and finds her place in antiwar protests, Frankie is dealt a terrible blow. Hannah (The Four Winds, 2021) continues her winning streak of compelling historical novels, capturing the tumultuous atmosphere of the 1960s and '70s in a moving, gripping tale that pays tribute to the under-appreciated skill and courage of combat nurses.HIGH-DEMAND BACKSTORY: Hannah's popularity ensures enormous interest in each new novel, and the unusual historical context and focus of this one will stir up additional curiosity.

Kirkus Copyright © Kirkus Reviews, used with permission. 9781250178633 A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life. When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away. A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War. Copyright © Kirkus Reviews, used with permission.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9781250178633 Hannah’s emotionally charged page-turner (after The Four Winds) centers on a young nurse whose life is changed by the Vietnam War. Before Frankie McGrath begins basic training for the Army in 1966, her older brother Finley is killed in action. Frankie excels as a surgical nurse in Vietnam and becomes close with fellow nurses Ethel and Barb. After Ethel’s tour ends, Frankie and Barb gets assigned to the base at Pleiku, near the Cambodian border, where some of the heaviest fighting occurs. There, she reunites with Navy officer Rye Walsh, Finley’s best friend, and they become lovers. When Frankie returns to the U.S., she’s met with indifference for her service from her parents, who are still grieving her brother’s death, and disdain from people who oppose the war. She leans on alcohol and drugs while struggling to acclimate to civilian life. Though the situations and dialogue can feel contrived (Rye, after announcing he’s re-upping, says to Frankie at the close of a chapter, “I’m not leaving my girl”), Hannah’s depictions of Frankie tending to wounded soldiers are urgent and eye-opening, and a reunion of the three nurses for Frankie’s benefit is poignantly told. Fans of women’s historicals will enjoy this magnetic wartime story. Agent: Andrea Cirillo, Jane Rotrosen Agency (Feb.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9781250884251 In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition. Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love. Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric. Copyright © Kirkus Reviews, used with permission.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9781250884251 Two people with magical powers and sketchy pasts plot their escape from the Spanish Inquisition in this poignant romantic fantasy from bestseller Bardugo (Hell Bent). After Luzia Cotado, a housemaid hiding her Jewish heritage, allows her ambitious employer a glimpse of her ability to cast spells using “refranes” (Hebrew-Spanish proverbs), he enters her into a competition for royal miracle workers. Sponsored by Víctor de Paredes, a wealthy social climber, Luzia is trained by his “familiar,” Guillén Santángel, an undying retainer who long ago traded away his luck and freedom for immortality. Despite being initially suspicious of each other, Luzia and Santángel find that among the competition’s fake psychics, dangerous real magicians, and even more deadly patrons, they can only rely on their own powers and their growing mutual attraction. Bardugo puts an earthy spin on heavenly miracles, with much attention given to the mundane drudgery of daily life that is not erased—even with magic that can unburn bread. Luzia’s pursuit of her powers, even at risk of burning at the stake, comes across as both empowering and practical compared to a life of unrewarding toil, making it easy to root for her through the competition. The sharp realism mixes with a genuine feeling of enchantment to create a top tier historical fantasy. Agent: Joanna Volpe, New Leaf Literary. (Apr.)Correction: An earlier version of this review misspelled the name of one of the characters.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781250884251 Servant Luzia Cotado hides her talent for milagritos (little miracles) in fear that their discovery would also uncover her Jewish roots and the Ladino spells she uses to fix burnt bread and broken glasses, bringing the Inquisition to her door. But when her magic is discovered, it attracts the attention of a patron who’s desperate for the favor of the king—and she’s quickly tossed into a contest of miracles that is at the center of the politics of a struggling Spain. As she begins lessons under the mysterious, dark force of nature Santángel, she realizes that survival is not enough for her; Luzia wants to show the world what she’s capable of. The Familiar highlights all of the things that make Bardugo (Hell Bent, 2023) so well loved: a romance with maddening chemistry, an artfully built world, side characters with their own deep backstories, and a plot full of dark twists and spiderweb connections. The Sephardic Jewish representation is intricate and lovely. Luzia is reminiscent of many favorite YA heroines—Katniss Everdeen comes to mind—and the historical fantasy built around her is vivid. Fans of historical fantasy, tortured love interests, and Bardugo’s Grishaverse will fall hard for this new novel. HIGH-DEMAND BACKSTORY: A new Bardugo is a major event for adult and teen readers alike, and this historical fantasy is sure to dazzle.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9781250884251 In Madrid, under the reigns of the king and the Catholic Church, during the time of the Inquisition, lives a scullion maid named Luzia who is hiding her ability to create little miracles such as restoring burned bread to new and stitching torn dresses. Luzia is hiding not only her abilities but also her Jewish lineage, both of which could get her executed for heresy. When Luzia's mistress discovers the scullion maid's abilities, she uses them to gain social power, only to have Luzia discovered by the wealthy Víctor de Paredes. Víctor is looking for someone to submit into a tournament for the king's holy champion, as being the patron of the king's champion would give him a chance to obtain even more power. Víctor provides Luzia with a mentor—his immortal familiar, Guillén Santángel—to improve her chances of winning the tournament. Santángel has been bonded with Víctor's family for generations, but Víctor offers to release him from service if Luzia succeeds. Soon, Santángel's feelings for Luzia complicate things. VERDICT Bardugo (Hell Bent) masterfully weaves magical realism with historical fiction and romance, which makes this book impossible to put down. Great for fans of Rebecca Ross, Heather Fawcett, and Holly Black.—Leigh Verburg

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781649374042 Basgiath War College trains healers, scribes, infantry, or dragon riders to protect Navarre from violent invasion attempts from the kingdom of Poromiel and their gryphon riders. Violet has trained her whole life to enter the Scribe Quadrant, just like her father did. Dedicating her life to recording the war history of Navarre, rather than participating in it, fits well with her intelligence, short stature, and overly flexible joints, which leave her prone to injury. But upon her father’s death, her mother, a decorated Navarrian officer, forces Violet to follow in her footsteps, and that of Violet’s siblings, and join the Riders Quadrant. Once bonded, riders channel powers through their dragons, greatly increasing the likelihood of success both in the college and at war. If that wasn’t challenging enough, Violet is being hunted by Xaden, a third-year cadet whose father was a rebellion leader executed at the hand of Violet’s mother. Hatred will draw him close to her, but will something more powerful and alluring make separating impossible? Suspenseful, sexy, and with incredibly entertaining storytelling, the first in Yarros' Empyrean series will delight fans of romantic, adventure-filled fantasy.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9781649374042 Violet Sorrengail wanted to be a scribe rather than join her siblings as dragon riders defending Navarre's borders, but her mother, a decorated general, had other ideas. She's forced Violet to enlist as a rider cadet in the Basgiath War College, even though Violet's hypermobility—a disorder that destabilizes her joints and leaves her easily injured—puts her at a disadvantage. To make matters worse, Violet has been assigned to the Fourth Wing, led by Xaden Riorson, the son of a rebel leader whom her mother executed. Surrounded by dangers in a school designed to weed out the weak, Violet must use her wits and skill to overcome brutal challenges and vicious opponents. The bonds Violet forms with her fellow cadets offset the college's constant violence, and her slowly developing enemies-to-lovers relationship with Xaden will appeal to fans of the trope. Violet's hypermobility gives her a unique way of moving through the world, and Yarros (The Things We Leave Unfinished) uses characters' reactions to thoughtfully explore the ways in which others respond to the lived realities of people with disabilities. VERDICT A good selection for fans of Naomi Novik's "Scholomance" series; will fly off the shelves.—Erin Niederberger

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9781649374042 Romance author Yarros (The Things We Leave Unfinished) blends the epic tale of a reluctant dragon rider’s coming-of-age with a sexy dark academia aesthetic in her astounding debut fantasy. Fearsome General Sorrengail demands that her children follow in her footsteps as dragon riders—even her youngest, Violet, who has trained her whole life to be a scribe like her late father. Forced to join a deadly war academy, Violet is unprepared to perform the fatal tasks all cadets must complete to become dragon riders. The odds are stacked against her due both to her delicate stature and to her mother’s reputation: it was Sorrengail who gave the order to execute all separatists in the last rebellion. The rebels’ orphaned children have all been conscripted to the academy, putting a target on Violet’s back. Worse, her own brooding but handsome wing leader, third-year student Xaden Riorson, is the son of the separatists’ leader. Meanwhile, the wards that protect the city are failing, but as danger draws nearer, clever Violet grows stronger, discovering that riding dragons may be her destiny after all. Yarros’s worldbuilding is intricate without being overbearing, setting the stage for Violet’s satisfying growth into a force to be reckoned with. Readers will be spellbound and eager for more. Agent: Louise Fury, Bent Agency. (May)

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9780593714492 When British tropical-and-infectious-disease expert Lionel Scott disappears from his job at Los Alamos, Letty Davenport, who works for Homeland Security, is sent to London to talk with his colleagues. She teams up with an MI5 agent, but after just three interviews, Letty asks Homeland Security to call in several U.S. Marshals, including her father, Lucas Davenport. It turns out that Scott has been obsessed with the Gaia hypothesis. Convinced that the Earth is dying, and the only way to save it is to kill half the population, he's developed a virus that is worse than COVID. Letty and Lucas lead a team that heads to New Mexico to find Scott before he releases his biological weapon. They find that a small group of fanatics have joined Scott and are willing to die to save the planet, and Letty knows that her team will need luck as well as manpower to stop them. VERDICT A believable, timely, edge-of-one's-seat thriller involving climate change and a virus. Whenever Letty Davenport is involved (as in previous outing Dark Angel), it's disaster on a grand scale.—Lesa Holstine

Kirkus Copyright © Kirkus Reviews, used with permission. 9781649374172 A young Navarrian woman faces even greater challenges in her second year at dragon-riding school. Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school. Unrelenting, and not in a good way. Copyright © Kirkus Reviews, used with permission.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780593296370 Bestseller Towles (The Lincoln Highway) returns with an enchanting collection of stories about fateful encounters. In “The Ballad of Timothy Touchett,” the young title character moves to New York City to become a novelist and works in a bookstore, where his boss pays him bonuses to forge the signatures of famous dead authors in first editions of their books. The scheme pays off for a while, until Paul Auster visits the shop and spies forgeries in two of his own works. Art and crime also dovetail in “The Bootlegger,” when a Carnegie Hall concert attendee has another man thrown out for making a bootleg recording, then feels remorse after learning the man had taken to recording the concerts for his late wife when she was too ill to attend, and continued recording them after she died in order to remember her. The standout novel-length “Eve in Hollywood,” a sequel to Towles’s debut Rules of Civility, follows Evelyn Ross from New York City to Los Angeles in 1938, where she befriends film star Olivia de Havilland and has-been Prentice Symmons, and comes to Olivia’s aid after Olivia is blackmailed with nude photos. The noirish tale is rife with double crosses, exciting chases, surprising reversals, and the vivid historical atmosphere Towles is known for. The author’s fans won’t want to miss this. (Apr.)

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780593296370 Towles (The Lincoln Highway, 2021) turns to short fiction in this collection of six expansive stories, ranging in setting from Russia to Manhattan, and a noir-tinged novella that takes place in late 1930s Hollywood. His captivating storytelling voice and sly sense of humor on full display, Towles tells the stories of a Russian man named Pushkin who transforms standing in line into a fine art, an aspiring novelist who discovers a gift for forgery, a larcenous retired art dealer, a father-in-law with a secret talent for disco-themed roller-skating, and more. Fans of Towles' first novel, Rules of Civility (2011), will recognize the spunky heroine of Eve in Hollywood, this collection's novella, which follows one of Rules' central characters as she moves on to a new life on the West Coast and, in a gracefully meandering tribute to the movies of the 1930s, gets wrapped up with gumshoes, evil producers, pool boys, paparazzi, has-been actors, and even the real-life Olivia de Havilland. While lighter weight than Towles' longer fictions, these short pieces are just as diverting.HIGH-DEMAND BACKSTORY: Best-selling Towles will delight his fans and short-fiction lovers as he follows his guest editorship for The Mysterious Bookshop Presents the Best Mystery Stories of the Year, 2023 with a collection of his own stories.

Kirkus Copyright © Kirkus Reviews, used with permission. 9780593296370 In his first collection, Towles sequel-izes his debut novel, Rules of Civility (2011), with a 200-page novella and adds six short fictions involving unlikely encounters and unexpected outcomes. Set in the late 1930s, the novella, Eve in Hollywood, extends the story of Evelyn Ross, nervy sidekick of Rules protagonist Katey Kontent. On a train from New York to Los Angeles, the flinty, facially scarred blond, impulsively rejecting a return to her home in Indiana, strikes up a friendship with widowed former homicide cop Charlie Granger. They meet months later in L.A. when Eve’s cutely met new friend, starlet Olivia de Havilland, is blackmailed over surreptitiously taken nude photos. In classic noir fashion, an untrustworthy man of significant girth is at the heart of the plot. The book’s other lively pairings include a used bookseller and a young would-be writer who finds his calling forging signatures of famous authors for him (Paul Auster plays a key role); a newly committed concertgoer and an older patron who drives him to distraction by secretly recording the music; and two travelers stranded at the airport who share a cab ride to a hotel, where one of them transforms from a harmless nice guy into a raging alcoholic and the other attempts to drag him away from the bar on desperately phoned orders from the man’s wife. Towles has fun leaping ahead with his narratives. In a cruel twist of fate, a peasant in late-czarist Russia pays a price for daring to profit from holding people’s places on excessively long food lines in Moscow. Towles sometimes lays on the philosophical wisdom and historical knowledge a bit, but the novella and all the stories are treated to his understated (and occasionally mischievous) irony. A sneakily entertaining assortment of tales. Copyright © Kirkus Reviews, used with permission.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780385550369 As in his classic novel Erasure, Everett portrays in this ingenious retelling of The Adventures of Huckleberry Finn a Black man who’s mastered the art of minstrelsy to get what he needs from gullible white people. Many of the same things happen as they do in Twain’s original: Jim escapes from enslavement on a Missouri farm and joins up with Huck, a white boy who’s faked his own death. Huck is fleeing from his abusive father, while Jim is hoping to find a way to free his wife and daughter. The main difference is in the telling. Jim narrates, not Huck, and in so doing he reveals how he employs “slave” talk (“correct incorrect grammar”) when white people can hear, to make them feel safe and superior. Everett also pares down the prose and adds humor in place of sentimentality. When Huck and Jim come upon a band of slave hunters, Huck claims Jim, who’s covered by a tarp, is a white man infected with smallpox (“We keep thinkin’ he gone die, then he just don’t”). Clever additions to the narrative include a tense episode in which Jim is fraudulently sold by a slaver to “Dixie” composer Daniel Decatur Emmett, who has Jim perform in blackface with his singing troupe. Jim’s wrenching odyssey concludes with remarkable revelations, violent showdowns, and insightful meditations on literature and philosophy. Everett has outdone himself. (Mar.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9780385550369 Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember. This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense. One of the noblest characters in American literature gets a novel worthy of him. Copyright © Kirkus Reviews, used with permission.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9780385550369 The rules of engagement for Black people encountering white people are brutally clear in 1830s Missouri, a state with enslavement. Don't ever make a white person think you know something he doesn't, or you'll pay. In this virtuoso reworking of Twain's Adventures of Huckleberry Finn, it's the enslaved Jim who tells the tale. Heard from Jim's perspective, events look different than they did to Huck, because Jim is living inside a mask: deliberately hiding who and what he is and whatever aspirations he may have. For example, with his wife and family, Jim speaks clearly, even as he teaches his children to only mumble around white people, in order to give them what they like, a moment of correction. As in Twain's original, the action is fast and furious. The characters grab readers' attention and, with Jim and Huck, their hearts too. A twist near the end of the tale changes the nature of Huck and Jim's relationship dramatically. VERDICT Everett (English, Univ. of Southern California), author of The Trees and Erasure, has written an even richer and penetrating Adventures than Twain's already rich masterpiece. It will fly off library shelves.—David Keymer

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780385550369 Huckleberry Finn, acclaimed by many as a great American novel, has also been sharply criticized for its racist portrayal of Jim, the childlike “Negro slave” Huck befriends on their riverboat journey. In an astounding riposte, the much-lauded Everett (Dr. No, 2022) rewrites the story as a liberation narrative, told from Jim (or rather James’) point of view. Erudite, a student of philosophy, and a calm strategic thinker, James is adept at code shifting from his normal dignified speech and behavior patterns to the shuffling, aw-shucks demeanor white folks expect, and even gives “speech translation" lessons to the plantation's enslaved children (disturbingly similar to “The Talk” modern Black parents give their children about police encounters). When he is accused of robbery and murder, James flees with an initially gleeful Huck, who only gradually understands the terrifying reality of being a Black man with a price on his head. As Huck comes to acknowledge the depth of his relationship with James, and the "slave's" profound gifts, the boy is forced to recognize the illogic of white supremacy and privilege. Meanwhile James, determined to return and rescue his wife and daughter, takes the story in a completely different direction than the original, exemplifying the relentless courage and moral clarity of an honorable man with nothing to lose. An absolutely essential read.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780593599839 This sizzling if sometimes silly romantasy kicks off Jensen’s Saga of the Unfated series (after the Bridge Kingdom series). The setting is a Norse mythology–inspired universe where a few “unfated” humans are gifted with one blood drop each from one of the fierce Nordic pantheon and are thus able to magically defy the destinies that would otherwise be set for them. Among the unfated is Freya, who leaves off fishgutting to pursue her dream of becoming a lusty shieldmaiden after she’s smitten by gorgeous Bjorn, a warrior from Nordeland now fighting to help ruler Jarl Snorri unite Skaland as its king. Both Freya and Bjorn, whom Snorri assigns to protect her, are torn between conflicting obligations: Freya’s swelling passion for Bjorn clashes with her duty to her family, and Bjorn’s desire for Freya distracts from his quest to avenge his mother. Jensen tries to have it both ways: making Freya a hard-drinking, saucy-mouthed New Woman, even as Bjorn’s face, body, and suggestive repartee continually befuddle her. Both characters’ inner angst feels insufficiently motivated, though heated battles and steamy interludes keep the pages turning. It’s entertaining historical fluff. Agent: Tamar Rydzinski, Context Literary. (Feb.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9780593599839 The mortal daughter of a god fights to become the mistress of her own fate in this tightly plotted series starter. Twenty-year-old Freya has spent her entire life hiding her ancestry. In her world—a take on medieval Scandinavia—the Norse pantheon blesses mortal babies with drops of the deities’ own blood, imbuing them with fractions of divine power. As the daughter of Hlin, Freya is the shield maiden prophesied to “unite the people of Skaland beneath the rule of the one who controlled her fate.” After her abusive first husband learns her true identity, he turns her over to the jarl, Snorri, who grants him a divorce so that Snorri may marry Freya himself. Snorri believes his new bride is his key to becoming Skaland’s king. So does his beloved and cunning first wife, Ylva, who desperately wants to see her own son on the throne, but it’s Bjorn—the jarl’s firstborn, Ylva’s stepson, and the child of Tyr—who’s in line to inherit. Snorri appoints his heir as Freya’s personal bodyguard, not knowing that his son happens to be the object of his new wife’s forbidden affections. As for the shield maiden, she barely has time to consider her hopelessly complicated position in Snorri’s court, with other jarls beginning to launch attacks on her people, determined to steal her away from her new husband. All these men are certain she’ll crown a king, thereby determining the fate of their entire nation, but they’ve forgotten one very important rule: The children of the gods aren’t bound by fate. Jensen offers a vibrant and perfectly paced novel that’s sure to delight readers of historical fantasy. Although some of the writing reads a little too contemporary at times—an early passage in which one character is dubbed a “narcissist” is a prime example—the tension among Freya, Bjorn, and the rest of Snorri’s court is simply irresistible. A captivating first installment in what promises to be a compelling, feminist Viking fantasy. Copyright © Kirkus Reviews, used with permission.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9780593599839 Freya, a woman with a magical secret, spends her days dreaming of being a warrior while tied down in a deeply unhappy marriage. When her husband betrays her secret and sells her out to the local warlord, Jarl Snorri, Freya is forced to fight the Jarl's son Bjorn, a celebrated warrior. To survive, she must reveal her identity as a shield maiden whose protective magic will repel any attack. Snorri believes Freya will be instrumental in a prophecy that sees him ruling all Skaland if he controls the shield maiden's fate. Blood oaths are sworn, training is done, sacrifices are made, and battles are fought while Freya's powers, and her attraction to Bjorn, grow. VERDICT Jensen ("Bridge Kingdom" series) has rooted the first entry in her "Saga of the Unfated" in Norse mythology, giving readers a glimpse into a cold, violent society, but she doesn't skimp on the heat. This reads like the love child of Genevieve Gornichec's The Witch's Heart and Sarah J. Maas's A Court of Silver Flames. Romantasy fans will be ravenous for more.—Lacey Tobias

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780593599839 If a child is claimed by the gods at its conception, the child is marked and given unrivaled power—fire from Tyr, Thor’s lighting, control over the sea from Njord. On the night Freya was conceived, she was given a drop of Hlin’s blood. A seer foretold that the child of Hlin would unite the people of Skaland beneath the rule of the one who controlled the child’s fate. Freya’s father therefore insisted she keep her power hidden at all costs because she would be used as a pawn in men’s games. Desperate circumstances result in Freya revealing her power to Jarl Snorri, and she is forced to play her part in his quest for ultimate power. She finds solace only in the arms of Bjorn, Jarl’s heir. But their love is forbidden and complicated by Bjorn’s own secret plans for revenge. Impossible to put down, A Fate Inked in Blood is a fresh take on the shield-maiden myth and the romantasy genre. This series starter is sure to enrapture fans of Sarah J. Maas and Rebecca Yarros.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780593714416 Lamott (Dusk, Night, Dawn) brings her signature wit and warmth to these effervescent meditations on matters of the heart. Drawing from across her life, Lamott details how seemingly lost love can be transmuted into different forms, recalling how friends and family stepped in after she was broken up with while pregnant in her 30s: “Love pushed back its sleeves and took over.... We were provided with everything we needed and then some”—even if that love “was a little hard to take.” Elsewhere, Lamott explores the gap between the way one wants to give love and how another wants to receive it, illustrating the point with a humorous account of how she tried to foist a swag bag from her church onto a skeptical unhoused person. Turning to love that inflicts pain, Lamott delineates in wrenching detail how her parents’ stony marriage affected her childhood—“It was uncertain whether they cared for each other, so I took it upon myself to try to fill the holes this left them with.” A topic that might feel trite in the hands of a lesser writer takes on fresh meaning in Lamott’s, thanks to her ability to distill complex truths with a deceptive lightness. This rings true. (Apr.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9780593714416 The bestselling author follows the template of the most recent half-dozen of her loosely connected essay collections, this time focused on love. “What are we even talking about when we talk about love? What is it?” So asks Lamott on the first page of her latest book, and she goes on to answer the question in a similar manner to her many previous books: Love is Jesus, but also each other, and also, sometimes, chocolate. In these varying anecdotes, the author plumbs familiar ground, including family and her church community, the adorable malaprop-prone kids in her Sunday school class, and her unhoused neighbors near her Bay Area home. Newer topics include her still-recent marriage (her first, in her mid-60s) to the “lovely, steady” Neal and the upheaval caused by her son Sam’s drug addiction and her grandson’s arrival. With age, Lamott’s essays have become less acerbic and more attuned to the natural world; the scent of eucalyptus comes up often, as do the flowers and foliage, the fog and the forests of Northern California. In this book, she focuses less on vengeful thinking for comic effect and more on the joys of smelling the roses. In one essay, she recounts how she taught a reluctant young Cuban woman to swim; in another, she describes how she held a sharpened pencil to her son’s neck and told him not to come home until he was clean. (A month later, he did.) As always, a strong vein of spirituality runs throughout, with Lamott’s characteristic descriptions of an all-loving God who is often flummoxed and saddened by humanity, but hopeful anyway. This all comes across as much less twee than it might be, and the stories make up in warmth what they lack in novelty. Lamott newbies will find this a kind view of loving oneself and others despite our collective imperfections. Copyright © Kirkus Reviews, used with permission.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780593714416 ldquo;Even in the darkest and most devastating times, love is nearby if you know what to look for,” writes Lamott (Dusk Night Dawn, 2019). Lamott senses love in myriad ways, including sharing necessities with people who are unhoused, forgiving others, and finding yourself within your family. Lamott mulls over love as she digs through boxes of memories in the attic or walks the streets of Cuba with her husband. She finds love in the community, in solitude, in dreams, in her Sunday school students and her AA meetings. Her innate honesty allows her to share her vulnerabilities and laugh at her own sometimes over-the-top attempts to find and share love. Her journey to sobriety and that of her son are told painfully but candidly and with gratitude. Lamott freely admits her faults and isn’t afraid to call out others for their actions. But it is all done with such clarity, feeling, and goodness that readers will find themselves laughing out loud and fighting back tears. Ultimately, this is a testimony to love and hope in an often painful world. Lamott’s many readers are loyal, and this will be an easy sell. But pass it on, too, to people who may not even realize that they are searching for ways to connect with and love others.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9780593714416 Lamott returns with another hymnal of perambulating parables, this time ruminating on love. Her anecdotes are often repetitive from book to book—readers of her other nonfiction may experience déjà vu—but perhaps that is the point: love and faith are iterative, a cumulation of life experiences constantly refined by the passing years. Through all of these books and years, Lamott's theme remains: "I felt very exposed and a little unhinged, and it was good." Readers become Lamott fans because of her thematic constancy in balancing the sacred and the profane. This title follows the same pattern. Revisiting a transgression that bubbled back to the surface, her past multifaceted mea culpa, and what to do about it now, Lamott writes about how the past is just under the surface, waiting to be stirred up, held to the light, and reexamined; she is a master in doing exactly that. VERDICT Recommended. Readers already familiar with Lamott's nonfiction work will find comfort in her familiar touchstone topics of faith, family, and recovery viewed through the lens of love and aging. Readers new to Lamott might want to start with her earlier works such as Help Thanks Wow or Traveling Mercies: Some Thoughts on Faith.—Rita Baladad

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780593655030 Portable telephones were originally celebrated as a way to stay connected to friends and family. But in the early 2010s, with the onset of smartphones and their easy access to the internet, children’s brains were being effectively rewired, shifting from "play-based" to "phone-based." Parents, who worked to keep their children safe from outdoor play and predators, now allowed their kids to stroll unfettered through the internet. Excessive phone use can lead to social deprivation, sleep deprivation, attention fragmentation, and addiction. For young women, Haidt writes, it can lead to depression; for young men, it can lead to existing in their own separate realities. The author admits to some benefits of online use for children, including lower rates of injury and alcohol use and a measure of intellectual stimulation, but the pluses are overshadowed by the loss of social interactions and life experiences. Academic Haidt (The Coddling of the American Mind, 2018) backs up his claims with scientific studies and graphics, and presents plans to limit the effects of smartphones by large tech companies, schools, and parents. This is a practical look at a vital topic.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781982185824 As a child actor, McCurdy tried to make herself fit her mother’s version of perfection. Bit by bit, she whittled herself down into her mother’s idea of how she should look, act, and perform, and eventually landed a recurring role on the Nickelodeon show iCarly. McCurdy brings us into her world of television sets and casting calls, shadowed by the ever-present weight of her mother’s approval. When her mother was diagnosed with a recurring cancer and had to leave for treatment, McCurdy found a semblance of freedom, until her newly acquired independence created even more tension, causing her mother to berate her for gaining weight and to attempt to control her from afar. After her mother succumbed to her disease, McCurdy struggled to find her own way. Describing the hoops she jumped through to survive in her own household, where she suffered psychological and physical abuse and coercion into disordered eating, McCurdy asks readers a question: When and how does one rid oneself of the cage created by others and walk freely? Her stunning debut offers fierce honesty, empathy for those that contributed to her grief, and insights into the hard-fought attachments and detachments of growing older.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781982185824 As a child actor, McCurdy tried to make herself fit her mother’s version of perfection. Bit by bit, she whittled herself down into her mother’s idea of how she should look, act, and perform, and eventually landed a recurring role on the Nickelodeon show iCarly. McCurdy brings us into her world of television sets and casting calls, shadowed by the ever-present weight of her mother’s approval. When her mother was diagnosed with a recurring cancer and had to leave for treatment, McCurdy found a semblance of freedom, until her newly acquired independence created even more tension, causing her mother to berate her for gaining weight and to attempt to control her from afar. After her mother succumbed to her disease, McCurdy struggled to find her own way. Describing the hoops she jumped through to survive in her own household, where she suffered psychological and physical abuse and coercion into disordered eating, McCurdy asks readers a question: When and how does one rid oneself of the cage created by others and walk freely? Her stunning debut offers fierce honesty, empathy for those that contributed to her grief, and insights into the hard-fought attachments and detachments of growing older.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9781982185824 In this explosive debut, former iCarly star McCurdy recounts a harrowing childhood directed by her emotionally abusive stage mother. A narcissist and “full-blown hoarder,” McCurdy’s mother, Debra, pushed her daughter into acting at age six in 1999, doling out her scarce affection in tandem with the jobs McCurdy booked (while weaponizing her breast cancer—which eventually killed her in 2013—for good measure). After McCurdy hit puberty around age 11, her mother steered her to anorexia via “calorie restriction,” and later began performing invasive breast and genital exams on McCurdy at age 17. As she recounts finding fame on Nickelodeon, beginning in 2007 with her role on iCarly, McCurdy chronicles her efforts to break free from her mother’s machinations, her struggles with bulimia and alcohol abuse, and a horrific stint dating a schizophrenic, codependent boyfriend. McCurdy’s recovery is hard-won and messy, and eventually leads her to step back from acting to pursue writing and directing. Despite the provocative title, McCurdy shows remarkable sympathy for her mother, even when she recalls discovering that the man she called Dad while growing up was not, in fact, her biological father. Insightful and incisive, heartbreaking and raw, McCurdy’s narrative reveals a strong woman who triumphs over unimaginable pressure to emerge whole on the other side. Fans will be rapt. (Aug.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9781982185824 The former iCarly star reflects on her difficult childhood. In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace. The heartbreaking story of an emotionally battered child delivered with captivating candor and grace. Copyright © Kirkus Reviews, used with permission.

Kirkus Copyright © Kirkus Reviews, used with permission. The former iCarly star reflects on her difficult childhood.In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the diseases recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how my mom emotionally, mentally, and physically abused me in ways that will forever impact me. Insistent on molding her only daughter into Mommys little actress, Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained desperate to impress Mom, while Debra became increasingly obsessive about her daughters physical appearance. She tinted her daughters eyelashes, whitened her teeth, enforced a tightly monitored regimen of calorie restriction, and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debras cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didnt emerge from her childhood unscathed, shes managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.The heartbreaking story of an emotionally battered child delivered with captivating candor and grace. Copyright Kirkus Reviews, used with permission.

Library Journal (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. 9781982157357 Currently president pro tempore of the U.S. Senate, Leahy gives us a sweeping view of U.S. politics as he tells his story as the country's longest-serving senator in The Road Taken (75,000-copy first printing). A leading light in film and television, also featured in four Broadway shows, Lewis (The Mother of Black Hollywood) recounts personal experiences encapsulating the vagaries of modern life while highlighting what she's learned about Walking in My Joy (125,00-copy first printing). In Deer Creek Drive, AWP Award-winning novelist/memoirist Lowry recalls the particularly vicious 1948 murder of society matron Idella Thompson near where she grew up in the solidly Jim Crow Mississippi Delta, with neighbors protesting the conviction of Thompson's daughter even though her claims about a fleeing Black man proved spurious. Proclaiming I'm Glad My Mom Died, actor/director McCurdy relates what it was like to be a child star (iCarly) wrestling with an eating disorder, addiction, and a controlling and aggressively ambitious mother (75,000-copy first printing). In a memoir rejecting the standard resilience trope, Nietfeld chronicles traversing a childhood encompassing a mother who put her on antipsychotics, icy foster care, Adderall addiction, and homelessness to arrive at Harvard, Big Tech, and Acceptance—crucially, of herself. Award-winning critic/novelist Tillman relates a life taken over by Mothercare after her mother was diagnosed with Normal Pressure Hydrocephalus (after several wrong assumptions), leading to seven surgeries, memory loss, and total dependence on her daughters.

Kirkus Copyright © Kirkus Reviews, used with permission. 9780385544764 An acclaimed historian takes to the sea in this rousing tale of exploration. Sides, author of Hellhound on His Trail and Ghost Soldiers, writes that James Cook’s (1728-1779) voyages “form a morally complicated tale that has left a lot for modern sensibilities to unravel and critique.” The author seeks to “describe what happened during his consequential, ambitious, and ultimately tragic final voyage,” with 180 people on two ships—the Discovery and the Resolution, captained by William Bligh—that embarked in July 1776. Along with a wide range of animals, leaving with Cook was Mai, a Tahitian whose “life story offered a poignant allegory of first contact between England and the people of Oceania.” The plan was to sail around the Cape of Good Hope, drop Mai off on an island, claim any new territories, and search for the Northwest Passage. Fortunately, Capt. Charles Clerke, released from debtor’s prison, joined the Discovery in Plymouth. Crew members were noticing changes in Cook’s demeanor. They reached Cape Town in October, rested, and repaired and restocked. After Clerke arrived, they set off in November. In late January, they reached Tasmania and then New Zealand. In August, they arrived at Tahiti, the “place of their wildest desires,” and removed most of the animals the king gave them. When a Native islander stole a goat, Cook began destroying canoes and setting fires on Moorea, “punishing the many for the misdeeds of an individual.” In December, Cook headed north, eventually reaching America’s western coast, Alaska, Asia, and the icy Arctic Circle, making contact with many Natives. His voyage ended in Hawaii when he was killed by angry Natives in a grisly fight. Sides draws on numerous contemporaneous sources to create a fascinating, immersive adventure story featuring just the right amount of historical context. Lusciously detailed and insightful history, masterfully told. Copyright © Kirkus Reviews, used with permission.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780385544764 The best-selling Sides (On Desperate Ground, 2018) tackles the somewhat controversial topic of contact between European explorers and Indigenous peoples through the life and exploits of the great British navigator and cartographer James Cook in this adventure of the high seas. Cook set sail from London in July 1776 with the objectives of returning a Polynesian man to his home islands after an extended stay in England and exploring the Pacific coast of North America in search of the fabled Northwest Passage. Sides has an impressive knack for immersing the reader in the realities of seafaring, from the miseries of vermin, disease, and accidental deaths to the need for supplies and repairs on Cook’s vessels—all expertly contrasted with the exhilaration of reaching new and different locales. Sides proceeds objectively, describing the voyage as it was while also providing an historical context and current scholarly arguments surrounding the effects of European exploration. Beautifully written and impeccably researched, The Wide Wide Sea will delight readers new to the topic as well as those versed in earlier looks at James Cook and his milieu.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780385544764 Bestseller Sides (On Desperate Ground) recreates in this propulsive account the final expedition of Captain James Cook (1728–1779), which culminated with his murder by native Hawaiians. Diving into the long-standing mystery of what went wrong, Sides spins an observation made by previous chroniclers—that “on his final voyage something wasn’t quite right with the famous captain... his personality had definitely changed”—into a sidelong indictment of imperialism. Tracing Cook’s transformation from toast of the Enlightenment, a heroic “mariner-scientist” who ferried naturalists around the world and made friends with Natives, to violent authoritarian who dispensed brutal punishments for minor infractions, like theft of supplies, against Indigenous communities as well as his crew, Sides eschews the conventional “medical” explanation of Cook’s “profoundly changed... outlook.” Instead, Sides insinuates, the “sinister force pulling at his psyche and his soul” was Cook’s growing conviction—heightened by increasingly frequent signs that Spanish vessels were exploring the same territories in the Pacific—that he must be more ruthless in claiming new land for Britain. With an admirably light touch, Sides teases out his convincing thesis amid a riveting day-by-day narrative of the voyage and fascinating asides on such matters as the fierce anthropological debate over whether the Hawaiians really considered Cook to be the god Lono. This exquisitely crafted and novelistic portrait of the mercurial captain enthralls. (Apr.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9780393239232 Of revolutions good and bad, born of intentions good and evil. In this wide-ranging historical survey, political commentator Zakaria, author of The Post-American World, considers the present era to be “revolutionary in the commonly used sense of the word,” involving fundamental changes marked not necessarily by advances but instead retreats into ideologies once overcome. Donald Trump, in this regard, is “part of a global trend,” the proponent of a politics of resentment against the other, whether nonwhite newcomers or members of the so-called urban elite. Some revolutions have had better angels at their hearts. The establishment of the Dutch Republic, for example, brought with it a “celebration of individual rights…[and] toleration of religious minorities,” along with an entrepreneurial spirit that made Holland the wealthiest nation on the planet. Similarly, the British government supported inventors and technological innovation after the Glorious Revolution, which introduced “parliamentary rule and market capitalism,” giving the nation a decided leg up on more hidebound neighbors. Throughout this intellectually stimulating book, Zakaria asks and answers large questions, such as why the U.S., alone among industrial nations, never developed a socialist movement. (One part of the answer is that the U.S. never experienced feudalism as such, and its ruling class “obscured the strict lines of class conflict that fed socialism.”) Absent socialism, the country instead developed a liberal democracy along the lines of the old Dutch Republic, for better and worse. Zakaria writes, “Liberalism’s great strength throughout history has been to free people from arbitrary constraints. Its great weakness has been the inability to fill the void when the old structures crumble.” That’s about where we are today, with old structures collapsing on every side and no fresh solutions in view—certainly, the author concludes, not from the right wing. A thought-provoking tour of recent history and its considerable discontents. Copyright © Kirkus Reviews, used with permission.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780393239232 A prominent journalist considers historical dramatic changes and twenty-first-century geopolitical trends in a search for perspective on our current “revolutionary age.” Concerned by Trumpism and the broader global trend away from liberal ideals (Enlightenment principles of personal liberty and laissez-faire economics, not left-of-center politics), Zakaria (Ten Lessons for a Post-Pandemic World, 2020) first turns to the past. Adopting new technologies and rejecting the prevailing Spanish model of top-down colonial governance in the 1600s, the Dutch destabilized and transformed Europe. Drawing on historian Eric Hobsbawm’s similarly titled 1962 work, The Age of Revolutions, Zakaria emphasizes the failure of the French Revolution relative to the transformative British Industrial Revolution. Returning to the present, Zakaria identifies economic globalization, information technology, and identity politics as intertwined factors driving today’s geopolitical turbulence. In part, this is a cautionary counterargument to those agitators who romanticize illiberal backlash and fan the flames of violent conflict. It’s also an earnest plea for a return to third-way political centrism informed by classical liberal values at a time when middle-ground stances are increasingly rejected by a polarized electorate.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781668007976 This seamless tie-in to Montell's Cultish (2021) and her podcast, Sounds Like a Cult, examines the recent upsurge in cults, conspiracies, extreme fandom, and distorted nostalgia. Refreshingly entertaining and informative, Montell links research and social science with humorous and touching anecdotes. The book reviews some common cognitive biases and fallacies that may be magnified by online culture and rampantly spread. Montell attributes the contagion of astronomical levels of hopelessness and alienation to this phenomenon, especially in those inclined to mistrust institutions of power. Research reflects how relentless exposure to information without weight, context, or veracity perpetuates the overconsumption of its sources, she finds. Credibility increases when a concept is embedded in a repetitious narrative that elicits strong emotion, condensed into a simplified form that encourages immediate response. Montell aims to inspire online users to identify and counter ingrained tendencies toward superstition, groupthink, and mental shortcuts. She exemplifies the power of compelling stories by employing her own memorable metaphors and disclosures as an invitation to consider more deeply what we choose to consume and share.

Kirkus Copyright © Kirkus Reviews, used with permission. 9781668007976 A leading social commentator puts the weird trends of our time under the microscope. Montell, author of Cultish and Wordslut, examines a profound, timely question: How do we get out of the constant cycle of confusion, obsession, second-guessing, and information overload? The author approaches the dilemmas of the 21st century with her tongue firmly in her cheek, although she recognizes the way that “magical thinking,” or the belief that internal thoughts and feelings can affect unrelated events in the external world, is slowly unraveling our society. The book is more a series of essays than a cohesive narrative, but Montell ably demonstrates the fundamental mismatch between the way our brains operate and a world defined by the internet, media saturation, and AI systems. It’s become almost impossible to separate truth from marketing ploys, so there’s a tendency to retreat into cynicism—or, even worse, conspiracy theories. Everything seems to be a crisis, pushed along by attention spans that continue to shrink. Montell covers a great deal of ground, from the “stans” (that is, stalker-fans) of celebrities, to mental health gurus selling “vibes,” to the allure of commercialized nostalgia. On the psychological side, the author leads us through the thickets of confirmation bias, the recency illusion, and the sunk-cost fallacy, and how such flawed thinking can undermine our attempts to make sense of the world. Montell is better at analysis than providing answers, but she believes that a good dose of considered self-awareness can go a long way. Getting away from the screen and doing something physical, even assembling furniture, can also be an antidote. The author presents an engaging package suitable for anyone who wants to better understand the chaos of our modern society. Montell’s take on how irrationality went mainstream is informed by erudite wit and an eye for telling images. Copyright © Kirkus Reviews, used with permission.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780385534260 A new account of the Wager Mutiny, in which a shipwrecked and starving British naval crew abandoned their captain on a desolate Patagonian island, emphasizes the extreme hardships routinely faced by eighteenth-century seafarers as well as the historical resonance of the dramatic 1741 event. On a secret mission to liberate Spanish galleons of their gold, the 28-gun HMS Wager was separated from the rest of its squadron rounding Cape Horn in a massive storm. Beset by typhus, scurvy, and navigational problems, the ship struck rocks, stranding its beleaguered crew on a remote island in Chilean Patagonia. In the months that followed, harsh conditions and meager provisions would test storied British naval discipline. Captain David Cheap, who had spent a lifetime at sea but was new in his rank, ruthlessly managed the group’s larder. A dispute with gunner John Bulkley over a risky plan to sail a makeshift craft back home through the Strait of Magellan turned violent. A few bedraggled sailors would find their way back to civilization, prompting high-stakes courts-martial and sensational accounts in the British press. Grann (Killers of the Flower Moon, 2017) vividly narrates a nearly forgotten incident with an eye for each character’s personal stakes while also reminding readers of the imperialist context prompting the misadventure.HIGH-DEMAND BACKSTORY: Best-selling Grann is a top nonfiction author, and the drama of this tale along with an in-the-works major film adaptation, reportedly to be directed by Martin Scorsese and starring Leonardo DiCaprio, will inspire even more interest.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780385534260 Bestseller Grann (Killers of the Flower Moon) delivers a concise and riveting account of the HMS Wager, a British man-of-war that ran aground on a barren island off the Chilean coast of Patagonia in 1741. Part of a squadron sent to capture a treasure-laden Spanish galleon during the War of Jenkins’ Ear, the Wager became separated from the other ships while rounding Cape Horn and wrecked several weeks later. The starving crew soon disintegrated into rival factions, including one led by gunner John Bulkeley, who became increasingly critical of Capt. David Cheap. Five months after they’d been marooned, Bulkeley and 80 other crew members commandeered the Wager’s longboat and two other small vessels and set sail for Brazil, abandoning Cheap and his few remaining loyalists to their fate. Fewer than half of Bulkeley’s group survived their nearly 3,000-mile journey through the Strait of Magellan and up the coast of Argentina, but he was treated as a hero, until Cheap miraculously appeared back in England and accused him of mutiny. Though the showdown between Cheap and Bulkeley is somewhat anticlimactic, Grann packs the narrative with fascinating details about life at sea—from scurvy-induced delirium to the mechanics of loading and firing a cannon—and makes excellent use of primary sources, including a firsthand account by 16-year-old midshipman John Byron, grandfather of the poet Lord Byron. Armchair adventurers will be enthralled. (Apr.)

Kirkus Copyright © Kirkus Reviews, used with permission. 9780385534260 The author of Killers of the Flower Moon and The Lost City of Z returns with a rousing story of a maritime scandal. In 1741, the British vessel the Wager, pressed into service during England’s war with Spain, was shipwrecked in a storm off the coast of Patagonia while chasing a silver-laden Spanish galleon. Though initially part of a fleet, by the time of the shipwreck, the Wager stood alone, and many of its 250 crew members already had succumbed to injury, illness, starvation, or drowning. More than half survived the wreckage only to find themselves stranded on a desolate island. Drawing on a trove of firsthand accounts—logbooks, correspondence, diaries, court-martial testimony, and Admiralty and government records—Grann mounts a chilling, vibrant narrative of a grim maritime tragedy and its dramatic aftermath. Central to his populous cast of seamen are David Cheap, who, through a twist of fate, became captain of the Wager; Commodore George Anson, who had made Cheap his protégé; formidable gunner John Bulkeley; and midshipman John Byron, grandfather of the poet. Life onboard an 18th-century ship was perilous, as Grann amply shows. Threats included wild weather, enemy fire, scurvy and typhus, insurrection, and even mutiny. On the island, Cheap struggled to maintain authority as factions developed and violence erupted, until a group of survivors left—without Cheap—in rude makeshift boats. Of that group, 29 castaways later washed up on the coast of Brazil, where they spent more than two years in Spanish captivity; and three castaways, including Cheap, landed on the shores of Chile, where they, too, were held for years by the Spanish. Each group of survivors eventually returned to England, where they offered vastly different versions of what had occurred; most disturbingly, each accused the other of mutiny, a crime punishable by hanging. Recounting the tumultuous events in tense detail, Grann sets the Wager episode in the context of European imperialism as much as the wrath of the sea. A brisk, absorbing history and a no-brainer for fans of the author’s suspenseful historical thrillers. Copyright © Kirkus Reviews, used with permission.

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780593236598 This rigorous debut by physician Attia dispenses guidance on living longer while staying healthier. “The odds are overwhelming that you will die as a result of... heart disease, cancer, neurodegenerative disease, or type 2 diabetes,” he writes, outlining strategies to stave off these four “chronic diseases of aging.” The author’s medical philosophy emphasizes prevention over treatment, recognizes that what works for one person might not work for the next, evaluates “risk versus reward versus cost” on a case-by-case basis, and prioritizes maintaining one’s “healthspan.” He strikes the delicate balance between providing scientific background and keeping his explanations accessible, as when he relates that long-distance running and biking help fend off neurodegenerative disease because they cause the body to generate a molecule that bolsters the health of brain structures implicated in storing memories. Attia’s acknowledgement that diets aren’t one-size-fits-all is a welcome departure from the overgeneralizations of similar volumes, and he provides recommendations on modulating protein, fat, and carbohydrate intake depending on one’s age, sex, and activity levels. The familiar suggestions to reduce stress, eat healthier, and exercise are elevated by the depth of detail and lucid prose that Attia brings to the table. This stands a notch above other fare aimed at boosting health and longevity. (Mar.)

Publishers Weekly (c) Copyright PWxyz, LLC. All rights reserved 9780316567534 Bestseller Patterson and his frequent coauthor Eversmann follow up 2023’s Walk the Blue Line with a lighthearted compendium of first-person reflections from librarians and booksellers about their work and passion for literature. Most entries consist of easygoing odes to reading, as when one Texas Barnes & Noble inventory specialist discusses how she loves to get young children interested in books by reading aloud to them during story time. Alexis Sky, owner of two Albany-area bookstores, describes the satisfaction she derives from getting to know customers’ tastes, even going so far as to put aside new titles she thinks a regular might like until their next visit. A few more substantial entries tackle how a hostile political climate has made librarians’ jobs more difficult. For instance, Texas library consultant Carolyn Foote recounts how she organized a social media campaign to push back against Texas legislators’ attempts to remove books about racial diversity and gender from library shelves. However, such stories are the exception in a frothy volume largely focused on earnest if banal paeans to the written word (“Handing someone a book with the power to change their lives is magical because, oftentimes, it does,” opines a Florida reference librarian). Pleasant if somewhat trite, this will be comfort food for bookworms. Agent: Robert Barnett, Williams & Connolly. (Apr.)

Book list From Booklist, Copyright © American Library Association. Used with permission. 9780316567534 Not to spoil the secret promised in the title, but what unites all of the booksellers and librarians interviewed for this book is a love of books and reading and other people who love books and reading. Patterson and Eversmann include such luminaries as Judy Blume, who quit writing after 50 years and opened a book store in Key West, and a bookstore owner in Rehoboth, Delaware, who regularly rubs elbows with the Bidens. Several themes emerge: subjects grew up loving reading (there are a few mentions of favorite reads, like the Lord of the Rings series and even James Patterson); they love the community-hub aspect of where they work; and they relish a book-search challenge, like "the cover is blue." What they don't enjoy are challenges to books, with several entries devoted to those who are fighting for intellectual freedom, like the librarian in Texas who was fired for not taking down a pride display. With its bite-sized chapters, this collection of profiles doesn't go into much depth, but it will appeal to readers looking for some quick, bookish inspiration.HIGH-DEMAND BACKSTORY: Patterson is always in this category; add to that a topic that's a natural for all booklovers.

Kirkus Copyright © Kirkus Reviews, used with permission. 9780316567534 A celebration of the world of books. Patterson, Eversmann, and Mooney gather first-person testimonies from independent booksellers (including author Judy Blume, who started her Key West store when she was 78); booksellers at chain stores like Barnes & Noble; and school, college, private, and public librarians from around the U.S. and Canada. They reminisce about their early discovery of books, their passion to become a librarian, or the unexpected opportunities that gave them a chance to work in a bookstore and, for some, to own one. Despite the title, few of the contributors have had a secret life. Some, though, have unexpected backgrounds: One is the daughter of Holocaust survivors, who named her bookstore after a grandmother who perished in a concentration camp. Several are military veterans. Many became a librarian or bookstore owner after a different career—in real estate, as a newspaper reporter, or, in Blume’s case, after 50 years as a successful writer. All have upbeat, inspiring things to say about connecting books and readers, and they express real concerns about the “wildly dangerous” movement to ban books. Books, they know from firsthand observation, can change lives. A librarian in charge of jail and prison services at Rikers reveals, “[O]ne of my favorite programs is Daddy & Me, a workshop that gives incarcerated fathers the skills to encourage early literacy in their children.” The youth services program director of the Cleveland Public Library describes its system’s offerings: “Beyond organizing book and culture events, the youth services department is also a resource center for parents and educators, children and students, providing free lunches and after-school tutoring at all our branches.” The librarian at Houston’s Holocaust Museum runs a children’s story hour. All testify to the extraordinary camaraderie among bookstore owners and the deep satisfaction of creating a vibrant community for readers. A compendium of warm recollections. Copyright © Kirkus Reviews, used with permission.

Kirkus Copyright © Kirkus Reviews, used with permission. 9781982163891 An essential explanation of how tech has changed the world, from a truth-teller who has witnessed it at close range. Years ago, someone interviewing Swisher for an internship told her she was too confident. Her reply: “I’m not too confident, I’m fantastic. Or I will be.” It could be annoying, but most readers will agree with her. Swisher, who began as a journalist covering the rise of the internet and has since become a thought leader via conferences, publications, podcasts, and an opinion column in the New York Times, offers an account of her career that is fun to read, enlightening, and sometimes frightening. She’s been ahead of her time since the 1990s, when she supported a colleague in lodging a then-unheard-of sexual harassment complaint against talk show host John McLaughlin, and she has a clear talent for “scenario building, which is a fancy way of saying I’m a good guesser.” This is evident in her narration of the rise and fall of companies from AOL to Uber and the careers of “man-boys” like Sergey Brin, Mark Zuckerberg, Elon Musk, and many more. With regard to social media, Swisher writes that “engagement equals enragement,” and she predicted the Jan. 6 insurrection; in fact, she posed it as a hypothetical to see if Twitter would kick Trump off the platform. The tech world, she writes, is a “mirrortocracy, full of people who like their own reflection so much that they only saw value in those that looked the same,” people who “ignored issues of safety not because they were necessarily awful, but because they had never felt unsafe a day in their lives.” Though the book lives up to its title with scathing portraits of jerks and gross excesses, one of the most memorable aspects is Swisher’s deep respect for Steve Jobs, whom she laments as one of a kind. Swisher for president. Copyright © Kirkus Reviews, used with permission.

Book list From Booklist, Copyright © American Library Association. Used with permission. 9781982163891 Swisher, the bad-ass journalist and OG chronicler of Silicon Valley and its denizens (almost all of them male because, well, tech world), takes no prisoners in this highly readable look at the evolution of the digital world. She's covered all the boldfaced names, many from the early days of their careers: Gates, Thiel, Jobs, Zuckerberg, Sandberg, and Musk, as well as lesser-knowns who have still become billionaires thanks to their start-ups, successful or not. She spills so much tea that several napkins will be needed to mop it all up. But there is so much more here; Swisher takes a hard look at both current and future technology and how its impact on global society has escaped the hands of those who designed it and is certainly beyond the reach of those in power who (mostly don't) regulate it. Having studied propaganda in college, she is particularly wary about the ramifications of social media as it continues to eat the news. And while Swisher's story of her own rise sometimes feels like background, there are important lessons here for women looking for guideposts as they make their own way. Bawdy, brash, and compulsively thought-provoking, just like its author, Burn Book sizzles.