Publishers Weekly In Older's (Half-Resurrection Blues) YA debut, Sierra Santiago is from Bedford-Stuyvesant, parties in Park Slope, and crashes Columbia University with ease. Sierra's roots in her neighborhood are three generations deep, but no part of the city is alien to her. She loves art, and painting a mural on an abandoned building is the focus of her summer. Abruptly, her stroke-disoriented grandfather urges her to hurry the project-and then she is attacked by what looks like a walking corpse. What follows is a well-executed plot of the exceptional child with a mysterious history standing forth to save her world, aided by a similarly gifted romantic interest. What makes Older's story exceptional is the way Sierra belongs in her world, grounded in family, friends, and an awareness of both history and change. Her goal is to go deeper into that history and, by so doing, effect change of her own. Sierra's masterful adaptability is most apparent in her language, which moves among English and Spanish, salsa and rap, formality and familiarity with an effortlessness that simultaneously demonstrates Older's mastery of his medium. Ages 14-up. Agent: Eddie Schneider, JABberwocky Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

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Book list *Starred Review* When Sierra's grandfather warns her to finish her mural because the paintings are fading, she is puzzled, but the only person willing to help her find answers is talented artist Robbie, and even he is reticent. Determined, Sierra finally learns the truth: her grandfather was a powerful shadowshaper, able to animate art with the spirit of a departed soul, and now an interloper, anthropologist Dr. Wick, is trying to steal these powers for himself. As Sierra investigates the shadowshapers, she discovers her own shockingly powerful role in the disappearing community. Apart from being an awesome power, shadowshaping becomes a resonant metaphor for the importance of cultural heritage, as Puerto Rican Sierra and Haitian Robbie draw on and amplify their ancestors' spirits, and their primary concern is keeping their honorable tradition alive in their community. Older's world building echoes that, too, weaving in timely commentary on gentrification, cultural appropriation, and even the shifting social mores of immigrant communities (especially evident in Sierra chafing against her grandfather's machismo). Even if readers don't recognize Older's crafty commentary, they will find plenty to like in the unique fantasy elements, entertainingly well-wrought characters, and cinematic pacing. Smart writing with a powerful message that never overwhelms the terrific storytelling.--Hunter, Sarah Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 7 Up-The 2015 SLJ Best Book follows Afro-Latina Sierra Santiago as she discovers that she's part of a long line of shadowshapers, people with the ability to infuse magic into their art in order to fight off demons. The Brooklyn teen embraces her Blackness and defends it against the critique of her family members-a powerful statement in YA lit. Fresh dialogue and exceptional world-building will have readers anticipating further adventures in the upcoming Shadowhouse Fall slated for September 2017. © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-Summer has just started, and Sierra plans to enjoy it, hanging out with her friends in their Brooklyn neighborhood and painting a mural at the local junklot. Then things start to get weird. While she is talking to fellow artist Robbie at the first party of the summer, a zombielike creature disrupts things, Robbie disappears, and she is left to discover that she lives in a world full of magic that she knows nothing about. As she slowly pieces together the mystery of her heritage, Sierra discovers her own powers of ancestral magic and battles the evil professor who is trying to steal them. Robbie is a clear love interest, but he isn't there to rescue Sierra. Sierra is a tough, confident, body-positive female protagonist of Puerto Rican descent, proud of her 'fro and curves. The fact that she and Robbie seem to be connecting romantically is portrayed as more of a happy coincidence than the culmination of a lifelong dream of romance. Dialogue is fast paced and authentic to Sierra's Brooklyn neighborhood, which is vividly described. Readers will find someone to whom they can relate in her diverse group of friends. VERDICT Excellent diverse genre fiction in an appealing package.-Kristin Anderson, Columbus Metropolitan Library System, OH © Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Fox thinks tigers are very cool, so he paints stripes on himself and "goes for a prowl." Soon Tiger meets Turtle, who wants to be a race car, and Rabbit, who wants to be a robot. But after rain washes away their costumes, Squirrel's admiration ("Wow! A fox!") helps Fox realize that foxes are pretty cool, too. Expressive illustrations further a highly readable text, and the plot will capture brand-new readers' interest. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Fox and friends play an imaginative game of pretend. While reading a book about tigers, Fox (Fox and the Bike Ride, 2017, etc.) wishes they were Tiger. "Tigers are big. / Tigers are fast. / Tigers are sneaky. // Tigers are the best," Fox reads. Paintbrush in hand, they paint their fur with stripes to transform into Tiger. Then, on a prowl, Tiger comes upon Turtle. Turtle initially mistakes Tiger for Fox before they are corrected. The exchange sparks an idea in Turtle, who disappears and comes back as Race Car: "I zip and zoom." Rabbit, a bystander, also gains inspiration. They disappear, return wearing a cardboard box, and reveal that they are now Robot: "I beep bop boop." The trio plays until a sudden rain washes away their disguises. But all is not lost: A passer-by, Squirrel, exclaims that Fox (as Fox) is "the best," no stripes needed. Using fewer than 60 words, Tabor creates a wonderful arc that includes an open ending (Squirrel paints themselves orange in the wordless final spread). The digitally rendered cartoon illustrationsoriginally created with pencil, watercolor, and crayonare energetic and expressive. The overarching message of self-love is a good one, but the no-fuss acceptance of changing identities in text and dialogue (even if they are just pretend) is even better. Feel-good, make-believe fun. (Early reader. 3-6) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal PreS-Gr 1-Fox yearns to be a tiger. "Tigers are big. Tigers are fast.Tigers are the best." Fox and his friends, Turtle and Rabbit, spend the day pretending until a rainstorm washes away their disguises. Tabor uses pencil, watercolor, and crayon in a bright, but earthy palette. Most pages have a single illustration which provides context for one or two sentences. After Fox paints himself to look like a tiger, he admires his new stripes in a full-length mirror, can of paint nearby: "There. Now I am a tiger," says Tiger." The three friends have simple, but expressive cartoon features that add emotion to the story. Limited background details, creamy white pages, and an uncomplicated font are a perfect combination for an emerging reader. A humorous ending provides a positive message of self-acceptance that would have more power if Fox's epiphany came from within, rather than from the affirmation of others. VERDICT This is Fox's first appearance in an easy reader and it will surely be popular with children who enjoyed him in picture book format.-Lisa Taylor, Florida State College, Jacksonville © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus The Pulitzer Prize–winning journalist chronicles the formation and fortunes of social hierarchy. Caste is principally associated with India, which figures in the book—an impressive follow-up to her magisterial The Warmth of Other Suns—but Wilkerson focuses on the U.S. We tend to think of divisions as being racial rather than caste-based. However, as the author writes, “caste is the infrastructure of our divisions. It is the architecture of human hierarchy, the subconscious code of instructions for maintaining, in our case, a four-hundred-year-old social order.” That social order was imposed on Africans unwillingly brought to this country—but, notes Wilkerson, “caste and race are neither synonymous nor mutually exclusive.” If Africans ranked at the bottom of the scale, members of other ethnic orders, such as Irish indentured servants, also suffered discrimination even if they were categorized as white and thus hierarchically superior. Wilkerson writes that American caste structures were broadly influential for Nazi theorists when they formulated their racial and social classifications; they “knew that the United States was centuries ahead of them with its anti-miscegenation statutes and race-based immigration bans.” Indeed, the Nazi term “untermensch,” or “under-man,” owes to an American eugenicist whose writings became required reading in German schools under the Third Reich, and the distinction between Jew and Aryan owes to the one-drop rules of the American South. If race links closely to caste in much of Wilkerson’s account, it departs from it toward the end. As she notes, the U.S. is rapidly becoming a “majority minority” country whose demographics will more closely resemble South Africa’s than the norms of a half-century ago. What matters is what we do with the hierarchical divisions we inherit, which are not hewn in stone: “We are responsible for ourselves and our own deeds or misdeeds in our time and in our own space and will be judged accordingly by succeeding generations.” A memorable, provocative book that exposes an American history in which few can take pride. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly In this powerful and extraordinarily timely social history, Pulitzer winner Wilkerson (The Warmth of Other Suns) investigates the origins, evolution, and inner workings of America’s “shape-shifting, unspoken” caste system. Tracking the inception of the country’s race-based “ranking of human value” to the arrival of the first slave ship in 1619, Wilkerson draws on the works of anthropologists, geneticists, and social economists to uncover the arbitrariness of racial divisions, and finds startling parallels to the caste systems of India and Nazi Germany. The Nazis, Wilkerson notes, studied America’s restrictive immigration and anti-miscegenation laws to develop their own racial purity edicts, and were impressed by the “American custom of lynching” and “knack for maintaining an air of robust innocence in the wake of mass death.” While India abolished formal laws that defined its caste systems in the 1940s, and America passed civil rights measures in the ’60s, their respective hierarchies live on, Wilkerson writes, in “hearts and habits, institutions and infrastructures.” Wilkerson cites studies showing that black Americans have the highest rates of stress-induced chronic diseases of all ethnic groups in the U.S., and that a third of African Americans hold antiblack biases against themselves. Incisive autobiographical anecdotes and captivating portraits of black pioneers including baseball pitcher Satchel Paige and husband-and-wife anthropologists Allison and Elizabeth Davis reveal the steep price U.S. society pays for limiting the potential of black Americans. This enthralling exposé deserves a wide and impassioned readership. Agent: Amanda Urban, ICM Partners. (Aug.)

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Library Journal While researching her best-selling The Warmth of Other Suns, Pulitzer Prize-winning author Wilkerson realized the importance of social order. In this outstanding work of social history, she explains how a rigid social order, or caste, is about power. Beginning with the first caste system in the United States, which started with slavery in 1619, Wilkerson details how caste would become the cornerstone of U.S. social, political, and economic policy, with whites being dominant, African Americans subordinate, and Native Americans conquered. She shows how immigrants walk into a preexisting hierarchy as they try to integrate into American culture, and how constructing one's white racial identity often means defining oneself from its opposite: Black. Powerful chapters parallel three systems—slavery in the American South, the reign of Nazi Germany, and hierarchies in India—in order to explore how each relied on control, including dehumanization, endogamy, and purity via immigration laws. Wilkerson reminds us that, despite the passage of civil rights legislation, caste endures in infrastructures and institutions, and that the election of Barack Obama was the biggest departure from this system in U.S. history. Incidents of historical and contemporary violence against African Americans resonate throughout this incisive work. VERDICT Similar to her previous book, the latest by Wilkerson is destined to become a classic, and is urgent, essential reading for all.—Stephanie Sendaula, Library Journal

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Book list ldquo;Just as DNA is the code of instructions for cell development, caste is the operating system for economic, political, and social interaction in the United States from the time of its gestation,” asserts Wilkerson, author of The Warmth of Other Suns (2010), which garnered many honors, including the Anisfiled-Wolf Award. She explores slavery and the decimation of Native Americans, the “authoritarian regime” of Jim Crow, and the transformation of European immigrants into whites with caste status. She draws parallels between the U.S. and India, both colonized by Britain, both having achieved independence and developed democracy, yet both saddled with the legacy of severe social stratification. She also explores the history of the Third Reich for lessons on racial separation. Wilkerson details the eight pillars of caste, including divine will, heritability, enforcement by terror, and inherent superiority versus inferiority. Drawing on genetics, anthropology, religion, and economics, Wilkerson examines the history and structure of caste. But she also draws on her exceptional journalistic skills to relate stories of individuals who have suffered disadvantages and humiliation but have triumphed nonetheless. Finally, she offers the prospect for the elimination of a destructive system and recognition of a common humanity that allows us each to be who we are without judgment. This is a brilliant book, well timed in the face of a pandemic and police brutality that cleave along the lines of a caste system.HIGH-DEMAND BACKSTORY: The Warmth of Other Suns topped group read lists everywhere, and Caste will be the book to read in light of current discussions about systemic racism.

From Booklist, Copyright © American Library Association. Used with permission.

Judith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: The diagnosis of Tourette's Syndrome isn't mentioned until the last pages of Rubio's sensitive portrayal of a young girl with the disease. Instead, Rubio lets Icy Sparks tell her own story of growing up during the 1950s in a small Kentucky town where her uncontrollable outbursts make her an object of fright and scorn. "The Saturday after my [10th] birthday, the eye blinking and poppings began.... I could feel little invisible rubber bands fastened to my eyelids, pulled tight through my brain and attached to the back of my head," says Icy, who thinks of herself as the "frog child from Icy Creek." Orphaned and cared for by her loving grandparents, Icy weathers the taunts of a mean schoolteacher and, later, a crush on a boy that ends in disappointment. But she also finds real friendship with the enormously fat Miss Emily, who offers kindness and camaraderie. Rubio captures Icy's feelings of isolation and brings poignancy and drama to Icy's childhood experiences, to her temporary confinement in a mental institution and to her reluctant introduction--thanks to Miss Emily and Icy's grandmother--to the Pentecostal church through which she discovers her singing talent. If Rubio sometimes loses track of Icy's voice, indulges in unconvincing magical realism and takes unearned poetic license with the speech of her Appalachian grandparents ("`Your skin was as cold as fresh springwater, slippery and strangely soothing to touch'"), her first novel is remarkable for its often funny portrayal of a child's fears, loves and struggles with an affliction she doesn't know isn't her fault. Agent, Susan Golomb; editor, Jane von Mehren.

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