Kirkus A boarding school is the setting for life-changing experiences in this smart, wickedly funny work of realistic fiction from the author of The Marbury Lens (2010). Self-proclaimed loser Ryan Dean is a 14-year-old junior at Pine Mountain, where he plays wing for the tightknit rugby team. In a magnificently frenetic first-person narration that includes clever short comics, charts and diagrams, he relates the story of the first few months of the school term as he's forced to room with an intimidating senior on the restricted, euphemistic Opportunity Hall, due to transgressions from the previous year. He's completely head over heels for Annie, an older classmate who insists she can't be in love with him due to his age, and lives in fear of the "glacially unhot" teacher Mrs. Singer, who he's certain is a witch responsible for cursing him with a "catastrophic injury to [his] penis," among other ailments. He's also navigating letting go of some old friends and becoming closer to one of his teammates, Joey, who's gay. Smith deftly builds characters--readers will suddenly realize they've effortlessly fallen in love with them--and he laces meaning and poignantly real dialogue into uproariously funny scatological and hormonally charged humor, somehow creating a balance between the two that seems to intensify both extremes. Bawdily comic but ultimately devastating, this is unforgettable. (Fiction. 14 up)]] Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 9 Up-Smith takes readers inside the mind of Ryan Dean West, nicknamed Winger for his position on the rugby team of his tony private school. He's brilliant, immature (a 14-year-old junior), and anxious to prove himself to his teammates and especially to his crush, 16-year-old Annie. "You push things too far" advises his best friend and teammate Joey, who is gay and accepted for his honesty about it and his status as team captain. With only Joey, Annie, and the Tao of rugby to guide him, it's no wonder Ryan Dean has more than his share of missteps while trying to reinvent himself. Some are painfully awkward, and some are laugh-out-loud hysterical, especially his sponge bath by a hot nurse. The team's on-field camaraderie deteriorates into simmering hostility off the field, rife with drinking, crudeness, profanity, and constant verbal slurs. Still, readers will be shocked by a climactic violent act against Joey that leaves Ryan Dean changed forever. Smith's understanding of teen males is evident; nuances add depth and authenticity to characters that could have been cliches. However, Annie feels a bit idealized: one wonders what she sees in Ryan Dean. The pace moves quickly and holds readers' interest, punctuated by Bosma's charts and graphic-novel pages that cleverly depict the boy's hilarious inner turmoil. Readers don't need to know anything about rugby to appreciate this moving, funny coming-of-age novel.-M. Kozikowski, Sachem Public Library, Holbrook, NY (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 9 Up-Ryan Dean West is the smartest student in the junior class at Pine Mountain boarding school, a starter on the rugby team, and two years younger than the rest of his classmates. He is also hopelessly in love with his best friend, Annie, who sees him as just a little kid. When Ryan Dean moves into Opportunity Hall, the dorm for misbehaving students (owing to an illegal cell phone encounter the previous year), he finds himself at odds with his roommate, the meanest member of their rugby team. Mark Boyett does a wonderful job narrating, especially Ryan Dean's voice, which reveals his wild imagination, full-blown adolescent hormones, and self-deprecating humor. Other characters' voices are equally believable. Friend Seanny is rendered with a deadpan monotone, while Screaming Ned, an old man the boys offer a ride to, is cantankerous, confused, and done with a high-pitched, scratchy cackle. Ryan Dean's cartoons, doodles, and charts, which add such charm to the print version, are described so that the listener doesn't miss anything. The resulting audiobook is laugh-out-loud-funny at times and heartbreakingly serious at others. This is a terrific recording of an unforgettable book.-Julie Paladino, East Chapel Hill High School, Chapel Hill, NC (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Fourteen-year-old Ryan Dean plays rugby at Pine Mountain, "the best school around for the rich deviants of tomorrow." Though at first Ryan Dean seems like a nice kid, he ends up like the other boys--getting into fights, peeing in people's drinks. Jaded high schoolers may enjoy the messed-up vision of a school life even worse than their own. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* After he opened a vein in YA lit with The Marbury Lens (2010) and then went completely nutso in Passenger (2012), about the only thing that Smith could do to surprise would be a hornball boarding-school romantic romp. Surprise! Well, sort of. At 14, Ryan Dean West is a couple years younger (and scrawnier) than the rest of the juniors at Pine Mountain. He is a plucky kid despite a tendency to punctuate his every thought with I am such a loser who stars in the rugby team due to his speed and tenacity. The rail ties of his single-track mind, though, are his exploits (or lack thereof) with the opposite sex, particularly his best friend Annie, who thinks he is adorable. In short, Ryan Dean is a slightly pervy but likable teen. He rates the hotness of every female in sight but also drops surprising bombs of personal depth on a friend's homosexuality, the poisonous rivalries that can ruin friendships, and his own highly unstable mix of insecurity and evolving self-confidence. Much of the story seems preoccupied with the base-level joys and torments of being a teenager, content to float along with occasional bursts of levity from some nonessential but fun minicomics by Bosma. But at its heart, it is more in line with Dead Poets Society, and by the end this deceptively lightweight novel packs an unexpectedly ferocious punch.--Chipman, Ian Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly This brutally honest coming-of-age novel from Smith (Passenger) unfolds through the eyes of Ryan Dean West, a 14-year-old, rugby-playing junior at the exclusive Pine Mountain school. He's two years younger than his classmates, hopelessly in love with his best friend Annie, and stuck in Opportunity Hall, the residence reserved for the worst rule-breakers. As Ryan Dean struggles with football-team bullies, late-night escapades, academic pressures, and girl troubles, he also discovers his own strengths. Like puberty itself, this tale is alternately hilarious and painful, awkward and enlightening; Bosma's occasional comics add another layer of whimsy and emotion, representing Ryan Dean's own artistic bent. The characters and situations are profane and crass, reveling in talk of bodily functions and sexual innuendo, and the story is a cross between the films Lucas and Porky's, with all the charm and gross-out moments that dichotomy suggests. That's what makes the tragedy near the very end all the more shocking and sudden, changing the entire mood and impact of Ryan Dean's journey. The last-minute twist may leave readers confused, angry, and heartbroken, but this remains an excellent, challenging read. Ages 12-up. Agent: Laura Rennert, Andrew Brown Literary Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal K-Gr 3-A picture book biography of one of the most significant and inspiring figures in library history. Pura Belpré, the first Puerto Rican librarian in New York City, initially arrived in Manhattan to attend her sister's wedding. Intrigued perhaps by the "hustle and bustle" of this "new island," she decided to stay, finding temporary work as a seamstress. Belpré truly found her calling when she took a position as a bilingual assistant (the text notes that was she was, in fact, trilingual) at a neighborhood library, and went on to transform library services through culturally diverse storytelling, published books, and targeted outreach. Denise sprinkles her lyrical verse with Spanish, and emphasizes Belpré's love of stories, plucking the title of the book from her desire "to be like Johnny Appleseed...plant my story seeds across the land." Escobar's warm illustrations enliven the subject and carry the motif by depicting Belpré in impeccably stylish outfits and accessories detailed with floral patterns. Because of the composition style, readers are given only brief depictions of significant moments in Belpré's personal and professional life, but Denise provides a detailed author's note, summarizing Belpré's lasting impact, and includes a great amount of back matter. VERDICT An appealing tribute and successful remedy to the lack of titles about the groundbreaking librarian. This book pairs nicely with Lucia Gonzalez's The -Storyteller's Candle, and is a must-have for all libraries.-Jessica Agudelo, New York Public Library © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A warm introduction to Pura Belpr, the first Puerto Rican librarian in the New York Public Library.In 1921, Belpr left her island home of Puerto Rico for New York City. There, she started work as a bilingual assistant in the public library. But where were the stories of her native land? "How lucky for the library that Pura has story seeds ready to plant and grow." Eventually, not only did Belpr hold a popular bilingual story program, but also, finding there were no books available for children in Spanish, she wrote them. Traveling "from branch to branch, classroom to classroom, to churches and community centers," Belpr planted "her story seeds in the hearts and minds of children new to this island who wish to remember la lengua y los colores of home." Belpr's story is told in rhythmic language with a good dose of (unitalicized) Spanish sprinkled throughout. Escobar's vibrant illustrations are filled with details that help bring to life the story of this remarkable librarian. Belpr is portrayed with light brown skin. A closing note explains that today, the American Library Association honors her by presenting an annual award that bears her name to a Latinx writer and illustrator whose works celebrate the Latino cultural experience. Read together with The Storyteller's Candle / La velita de los cuentos, by Luca Gonzlez and illustrated by Lulu Delacre (2008).In Belpr, children will find an affirmation of the importance of seeing their own culture in books. (bibliography, further reading) (Picture book/biography. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Denise and Escobar pay tribute to the legacy of librarian Pura Belpré in this vibrant picture-book biography. Adults familiar with Belpré's story will immediately compare this book to The Storyteller's Candle (2008), by Lucía González, but this version adds a contemporary feel through the brilliantly detailed, brightly colored, whimsical illustrations and smoothly integrated linguistic code-switching. Here readers watch as Pura arrives in New York in 1921, just for a visit, filled with the stories her abuela told her in Puerto Rico. She stays, however, and finds work as a seamstress but yearns to do something else. As luck would have it, her chance comes when the public library needs a bilingual assistant. Thus begins Pura Belpré's career as the storyteller with puppets and a candle, around whose feet children sat listening to stories of Puerto Rico, including ones Pura writes herself. Planting Stories is a glossy immigration tale of dreams coming true, and the lyrical language lends itself to being read aloud.--Amina Chaudhri Copyright 2018 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Readers may know Pura BelprAc as the name of an award given to books about the Latin American cultural experience. But who was BelprAc herself? Denise (Starring Carmen!) celebrates the first Latina New York City librarian, born in 1899, who seeds the folktales of her native Puerto Rico in her new home. As a library assistant, BelprAc makes puppets to enhance her storytelling performances, which introduce the elegant cockroach Martina, the dashing mouse PAcrez, and other beloved characters from Puerto Rican folklore, then goes on to publish the tales for wider distribution. Colombian illustrator Escobar represents the biography's central image of "planting" story seeds in detailed, retro-style spreads with flowers that float around Belpre as she weaves her tales ("Her eyes dance! Her voice sings!"). Sepia tones contribute a feeling of age and a sense of warmth. Denise plants an idea of her own-that telling stories is a crucial activity for keeping culture alive. Ages 4-8. Author's agent: Emily van Beek, Folio Jr./Folio Literary Management. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book As a bilingual assistant at Nueva York's public library in 1921, Pura Belpri retells the folk stories of her native Puerto Rico at storytimes and eventually writes them down for publication. Descriptive language moves between English and Spanish seamlessly. Both text and expressive, warm illustrations carry the metaphor of planting seeds, so that readers see the seeds of Belpri's stories bloom as the biographical details unfold. Also available in Spanish. Reading list. Bib. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : K-Gr 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.-Wendy Lukehart, Washington DC Public Library

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly Immigration lawyer Burden traces the exhilarating start and excruciating dissolution of her two-decade marriage in this bruising debut. Dividing the narrative into five acts, Burden recounts how, during the Covid pandemic, her husband of 20 years abruptly walked out on her and their three children without explanation. After he left, Burden desperately searched for answers, blaming herself and relitigating their idyllic courtship, looking for signs of his unhappiness in his occasional coldness and passing moments of rigidity. As her husband’s communication grew less frequent and he refused to see their children, she came to accept that she may have never truly known him. Then he initiated vicious divorce proceedings, transforming from “a benign stranger wandering out of my life” to “an adversary, determined to win.” After the divorce was finalized, Burden published a “Modern Love” essay in the New York Times, breaking an emotional dam within her and allowing her to finally move on from her recursive cycle of self-blame. With unsparing emotional clarity, Burden examines the often-baffling ways relationships can fall apart, and charts a path for people looking to reassemble their own lives. It’s a gut punch. Agent: Bretne Bloom, Book Group. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved

Book list Burden’s debut memoir explores the emotional journey she embarked upon after her husband of two decades unexpectedly left her. Born into wealth and privilege, Burden’s charmed life seemed even more perfect after she met her future husband, James. The couple and their three children lived in a luxury Tribeca apartment and summered on Martha’s Vineyard, attending endless parties and joining an exclusive tennis club. But their idyllic life suddenly falls apart when Burden finds out that James is having an affair in the early days of the COVID-19 pandemic; shortly after, he announces he is leaving her. Left to pick up the pieces, she struggles to comprehend what went wrong and if she could be to blame. She no longer recognizes the man she bound her life to; he suddenly seems like a stranger. This detailed narrative of what happens after the end of a marriage recounts the many pathways Burden traveled to understand what happened and to begin building a new life.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The story of a woman’s surprising divorce and her attempt to build anew. After Burden’s husband of 20 years walked out during the Covid-19 pandemic lockdown, her stepmother tried to explain the checkered response of their wealthy community: “There is no script for divorce, especially one as dramatic as yours.” The author’s debut expands and fine-tunes the piece she submitted to “Modern Love,” theNew York Times column, tracing her ex-husband James’ transformation from reliable partner to detached stranger to legal adversary. This more complete narrative reveals the amplified stakes surrounding the collapse of Burden’s marriage: financial, familial, and societal. The latter half of Burden’s book, which describes grappling with the logistics of disentangling from James and finding new independence, strength, and compassion, lacks some of the raw emotional vulnerability that marked herTimes contribution. But these chapters do expose the reaction of her wider circle, both the cold comments and the surprisingly supportive ones, and the expectations of women of her social status. (The author is a descendant of the Vanderbilts, with media founders, international style icons, and hedge fund executives scattered through her family tree.) It is difficult to completely erase all hints of society-page voyeurism—this is, after all, the world of keyed beach access passed down through generations, where private club membership is an item negotiated in marital separation. However, if Burden’s privilege remains in the frame, so does its attendant social elegance. In reclaiming her voice and story, Burden refuses to keep the silence and make the excuses as implicitly expected by society and explicitly demanded by her ex, and she remains charitable and gracious even when she does not have to be. This balance imbues her story with a certain power as both the missing script for would-be commenters and a radical extension of kindness toward herself. A measured, empathetic, and modern response to an enraging callousness. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.