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Click to search this book in our catalog Sam and dave dig a hole.
by Mac Barnett

Book list Sam and Dave, each wearing baseball caps and wielding long-handled shovels, set out to dig a hole. How big a hole? We won't stop digging until we find something spectacular, says Dave, so off they go, digging ever deeper while their little dog follows their progress. A cross section of their dig reveals that Sam and Dave come awfully close to their prize, but they keep digging and missing treasure until they decide to take a nap, during which they tumble right through the earth. Their landing sets them right back on safe ground though, and that, of course, is pretty spectacular. Klassen's pebbly, earth-toned, colored-pencil and digital illustrations of Sam and Dave's dig are exaggerated to comic effect, especially when coupled with Barnett's dry, simple text. Subtle visual clues (the final absence of dirt on Sam's and Dave's clothes; a closing house that's just slightly different from the opening one) suggest there's more to the story than meets the eye, and canny little ones will likely be delighted by the beguiling ending. HIGH-DEMAND BACKSTORY: From I Want My Hat Back (2011) to The Dark (2013), New York Times best-selling Klassen's titles have made him a star of the moment.--Hunter, Sarah Copyright 2014 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Starred Review. Barnetts comic voice is at its driest as he recounts that quintessential American childhood activity-the digging of the giant hole. His deadpan prose mimics the declarative sentences of early readers: On Monday Sam and Dave dug a hole. When should we stop digging? asked Sam. We are on a mission, said Dave. Klassens boys, with identical poker faces and glassy expressions, hold their shovels American Gothic-style, considering their next move. Cross-sections of earth show them further and further down, and comic tension erupts as readers see gigantic diamonds buried at intervals underground while Sam and Dave tunnel on, missing every one: So Dave went one way, and Sam went another. But they didnt find anything spectacular. Meanwhile, their dogs pursuit of a small bone leads further downward, possibly through the Earth and out the other side. They land in their own backyard again-or do they? Barnett and Klassen (Extra Yarn) dangle the prospect of fantastic subterranean treasure before readers, but leave them with an even greater reward: a tantalizingly creepy and open-ended conclusion. Ages 4-8. Agent: Steven Malk, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal PreS-Gr 1-The winning picture book team that created Extra Yarn (HarperCollins, 2012) is back together in this understated, humorous, and charmingly perplexing tale. Sam and Dave, who are either identical twin boys or friends who look astonishingly alike and share a sartorial sensibility, set out to dig a hole in the hopes of finding "something spectacular." With shovels in hand, the boys (with an eager terrier looking on) begin to tunnel into the soil, but they just can't seem to find anything of interest. What works spectacularly is the clever play between words and pictures. As in Klassen's This Is Not My Hat (Candlewick, 2012), readers are in on a joke to which the characters are oblivious. Namely, that each time the boys change direction, they narrowly miss discovering increasingly enormous jewels hidden in the earth. The book progresses with each verso showing the boys' progress, while the recto features simple text, mostly dialogue between the practical but unlucky explorers. About halfway through, a spread reveals a diamond so large it can barely be contained on the page; it dwarfs the two boys and their trusty canine companion-but all for naught, since they decide to dig in a different direction. Exhausted and covered from head to toe in dirt, Sam and Dave decide to take a rest. Klassen's use of muted earth tones and uncomplicated compositions is paired well with Barnett's deadpan humor. As they nap in their hole, the dog continues to dig.until suddenly the trio is falling; they soon land in a place that looks an awful lot like home. Small details reveal that this house and its inhabitants are ever so slightly changed. Are they dreaming? On the other side of the world? In a different dimension? Readers will have to puzzle that one out for themselves.-Kiera Parrott, School Library Journal (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Newbery Medal Winners
Click to search this book in our catalog Last Stop on Market Street
by Matt De La Pena

Book list *Starred Review* Publishers say that historical fiction is a hard sell, and books with religion at their core are few and far between. Kudos, then, to Berry (All the Truth That's in Me, 2013) for creating a sweeping saga that not only deeply entwines both but also dissects its characters' humanity as it looks at the often troubling beliefs that underlay their actions. The story-within-a-story begins in 1290. A friar is gathering papers and testimonies that will show how the inquisitions here on the border of France and Spain were God's holy work. But one tale troubles him, so much so that he begins to stitch the strands together, and that is where the main story begins. Botille is a sassy teenager who makes money in her seaside village of Bajas by matchmaking. A disruptive childhood and a drunken father has bound Botille and her sisters closely together, but their lives are good: Plazensa runs the tavern, Botille makes her matches, and Sazia tells fortunes with uncanny accuracy. To the north, in Tolosos, there is another girl, Dolssa. Aristocratic by birth and a mystic by the grace of God, she spends her days with her beloved, Jesus, who wraps her in his murmurs and consumes her with his love. That much love cannot be contained, and Dolssa begins telling others how much her beloved cherishes all people. The simplicity of her message is seen by the inquisitors as a threat to the church, a devil's deception, and there is only one place it can end: in a public burning. Miraculously, Dolssa escapes the pyre. She wanders until she meets Botille, who saves and shelters her. This beautifully crafted plot would be enough on its own, but Berry does so much more. First, she establishes a convincing setting, in part by peppering the dialogue with Old Provençal language. Using many voices, some of which, including Botille and Dolssa, relate their own stories, she picks beneath words and actions to expose the motives of the heart, revealing how lofty ideas can turn into terrorizing actions, and how fear and self-preservation can make friends and neighbors turn on one another. Yet despite the book's gravity, Berry also manages to infuse her story with laughter and light welcome surprises. The final surprise awaiting readers at the book's conclusion adds yet another layer to the storytelling. Also at the book's end, Berry has included a wealth of back matter, a glossary, a list of characters (possibly of more help if placed at the book's beginning), and an author's note explaining the roots of the religious discord, inquisitions, and wars, and touching on such female mystics as Hildegard of Bingen, who is referenced in the novel. The beauty of historical fiction is that it brings to life long-ago times and places even as it shows how hopes, fears, and dreams remain constant across the ages. The strength of religious-centric novels is their revelation of the myriad ways people grapple with their faith and spirituality. The Passion of Dolssa's rich brew will leave readers thinking about all of these things, even as it profoundly influences their own struggles and questions.--Cooper, Ilene Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book A (fictional) Catholic mystic, Dolssa de Stigata, escapes being burned as a heretic in 1241 France; mostly, this is the story of Botille, an enterprising young matchmaker from a tiny fishing village who rescues Dolssa. Botille's spirited character, the heart-rending suspense of events, and the terrifying context of the Inquisition in medieval Europe all render the novel irresistibly compelling. Historical note appended. Bib., glos. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-This magnificent tale is set in post-Crusades 13th-century France. A pious young noblewoman blessed with the gift of healing, Dolssa de Stigata is judged a heretic by the Roman Catholic Church and sentenced to burn at the stake. Forced to watch her beloved mother burn first, Dolssa is surprised when someone cuts the ropes binding her hands and feet and implores her to run. Driven into hiding from the churchmen dispatched to track her down, Dolssa is found nearly dead from starvation and exhaustion by a young tavern keeper and matchmaker, Botille, who vows to protect the young heretic despite the danger posed to herself and her family. Unlikely allies, the girls unwittingly put an entire village at risk in their effort to stand up for their beliefs. The account is told in alternating voices by Dolssa, Botille, and Arnaut d'Avinhonet, a Dominican friar. This lush and compelling book is enhanced by brilliant narration by Jayne Entwistle, Allen Corduner, and Fiona Hardingham. Lucky listeners will be haunted by their voices long after the book concludes. VERDICT Highly recommended for all junior high and high school audio collections. ["An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries": SLJ 3/16 starred review of the Viking book.]-Lisa E. Hubler, Charles F. Brush High School, Lyndhurst, OH © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-Botille is a matchmaker in the small seaside town of Bajas in medieval France. She struggles to run the family's tavern and keep her sisters and herself afloat. Dolssa is a young woman with a secret that she can't help but share-her lover is God, and she speaks to him regularly. When the two young women cross paths, both deep friendship and mortal peril await them. A beautifully rendered portrait of a little-known portion of history, this work is a meticulously researched piece of fiction. Yet it is not just in the accurate details that the novel shines. The strength and humanity of the almost entirely female set of characters are inspiring and well drawn. The panic and suspicion of post-Inquisition France is omnipresent, giving the story of a supposed heretic a constant edge of danger. As the novel slips in and out of magical realism, readers will be transported into Dolssa and Botille's world. VERDICT An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries.-Erinn Black Salge, Saint Peter's Prep, Jersey City, NJ © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A girl matchmaker in 13th-century southern France meets a mystic on the run from the Inquisition. A generation after the horrors of the Albigensian Crusade, the elders are still broken by memories of entire towns put to the sword, but the younger folk, such as Botille and her sisters, focus on the present. After a childhood on the run, the sisters seek stability in poverty-stricken Bajas: brewing ale, telling fortunes, and helping their neighbors. Bajas is depicted through a scattering of third- and first-person viewpoints (but primarily Botille's) as a town where all look out for one other as a matter of course, where goodness is found in prostitutes, fishermen, hustlers, and drunks. Bajas' generosity is challenged when Botille discovers Dolssa, an injured, spirit-shattered girl on the run. Dolssa's a convicted heretic for speaking publicly of her intimate relationship with "her beloved...Senhor Jhesus." She trails miracles like bread crumbs, from a never-emptying ale jug to repeated uncanny cures. The villagers venerate her, but the arrival of the Inquisitionin a world where branding and burnings are mild punishments compared to recent historyputs their goodness to the test. The slow build reveals Botille as a compelling, admirable young woman in a gorgeously built world that accepts miracles without question. The medieval Languedoc countryside is so believably drawn there's no need for the too-frequent italicized interjections in Old Provenal that pepper the narrative. Immersive and mesmerizing. (character list, historical note, glossary, bibliography) (Historical fantasy. 14-17) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 7 Up-Two young women-Botille, a tavern wench, and Dolssa, a noblewoman possibly in communion with God-form a deep bond in a world that seeks to destroy them. Berry has reimagined 13th-century France with vigor, from the small intricacies of daily village life to the brutal ruthlessness of the Inquisition. Readers looking for a work steeped in female friendship, mysticism, and blood, with extensive back matter to boot, will be well rewarded. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly When Botille Flasucra finds Dolssa de Stigata lying on a riverside close to death, she takes the stranger to her family's tavern. Botille, a young matchmaker, and her sisters nurse Dolssa back to health in secret-a Dominican friar obsessively hunts Dolssa, whom he condemned as a heretic to be burned at the stake. The year is 1241 in Provensa (now Provence), where the aftereffects of the Albigensian Crusade have led to an inquisition meant to rid the Christian world of heretics. Dolssa, however, feels called to heal the sick in the name of her beloved Jhesus, and her miracles eventually bring danger to the small town of Bajas. Berry (All the Truth That's in Me) again delivers an utterly original and instantly engrossing story. Drawing from meticulous historical research (highlighted in extensive back matter), she weaves a tense, moving portrait of these two teenage girls and their struggle to survive against insurmountable odds. Love, faith, violence, and power intertwine in Berry's lyrical writing, but Botille's and Dolssa's indomitable spirits are the heart of her story. Ages 12-up. Agent: Alyssa Eisner Henkin, Trident Media Group. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

New York Times Bestsellers
Click to search this book in our catalog Desert Star
by Michael Connelly

Publishers Weekly In bestseller Connelly’s thrilling fifth outing for Renée Ballard and Harry Bosch (after 2021’s The Dark Hours), Ballard invites the retired Bosch to volunteer for the LAPD’s newly revived Open-Unsolved Unit, which she’s running, enticing him with the prospect of finding the man responsible for the 2013 slaying of an entire family. She also wants to reopen the 1994 murder of 16-year-old Sarah Pearlman, sister of the L.A. city councilman who helped resuscitate the cold case team. Ballard and Bosch work at the department’s new homicide archive where the unsolved murder books are stored: “hallowed ground to Bosch. The library of lost souls.” Both cases require deep dives into the past; both lead to great action scenes; and, as always, Connelly displays his encyclopedic knowledge of the latest forensics, such as “Investigative Genetic Genealogy.” Bosch, however, takes a low-tech approach and follows leads in the field with his trademark intensity, driven by his desire to restore order in a violent world (“The dark engine of murder would never run low on fuel. Not in his lifetime”). This entry, the 24th Bosch novel, may not be as expansive as The Dark Hours, but it ranks up there with Connelly’s best. Agent: Philip G. Spitzer, Philip G. Spitzer Literary. (Nov.)

(c) Copyright PWxyz, LLC. All rights reserved

Library Journal Another home run for Connelly as he brings Renée Ballard and Harry Bosch together again. Ballard left the LAPD because of its "good old boys" practices, but after a promise from the new chief that she'd have carte blanche reopening and manning the Open-Unsolved-Unit, she returns. Her first pick for the team is Bosch, but they did not part on good terms. So she offers Bosch the chance to reopen the case that still haunts him. He takes the bait even though the catch is that first they must reopen the unsolved murder of an L.A. councilman's sister. Bosch is older and wiser but still a jazz-loving rebel with a cause, and Renee still (unsuccessfully) tries to rein him in to be the team player he'll never be. The plot is an exceptional piece of crime drama, and the short chapters help keep the expectations high and the flow smooth. The narrative is unapologetic hard-edged cop-speak, and Bosch and Ballard rock every page. VERDICT Fans of police procedurals, dark cat-and-mouse mysteries, and Connelly's iconic characters will find this soon-to-be-best-seller absolutely unputdownable.—Debbie Haupt

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list Renée Ballard, who quit the LAPD after the events of The Dark Hours (2021), is back on the job, leading the department’s newly reconstituted Open Unsolved Unit. Naturally, she turns to her retired mentor, Harry Bosch, a veteran cold case investigator, for help. Bosch agrees to sign on as a volunteer, mainly for the chance to take another crack at the case that got away—the quadruple murder of an entire family. Bosch knows who did it, but the killer vanished before all the dots were connected. With the help of DNA and that legendary Boschian attention to even the smallest of details, Harry intends to close the case this time, nearly a decade after the fact. Meanwhile, though, there’s another cold case for which Ballard needs Bosch’s skills: the unsolved murder of a 16-year-old girl whose brother is now a city councilman and holds the purse strings to Ballard’s unit. Connelly has long been a master at demonstrating the meticulousness with which good cops make cases, and here he is able to generate genuine suspense through a careful recounting of the procedural process, whether it involves feet on the street or fingers on the keyboard. Eventually, though, the bad guys behind the DNA swabs need confronting, and that gives Connelly the chance to show his action-writing chops. Longtime Bosch followers will be taking deep breaths after this one’s superb finale, especially given its implications for the future. HIGH-DEMAND BACKSTORY: The runaway success of Connelly's characters in the streaming world—Amazon's Bosch and Netflix's The Lincoln Lawyer—continues to drive fans back to the books.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A snap of the yo-yo string yanks Harry Bosch out of retirement yet again. Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.” Not the best of Connelly’s procedurals, but nobody else does them better than his second-best. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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