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| ALA Best Books for Young Adults |  | | Freakboy by Kristin Elizabeth Clark
Publishers Weekly Debut novelist Clark uses free verse to write a gripping story about a complex topic: the challenges of growing up transgender or genderqueer. Brendan struggles with his occasional desires to be a girl; in her own series of poems, Brendan's devoted girlfriend, Vanessa, worries about why he is suddenly avoiding her. Meanwhile, transgendered Angel-whom Brendan meets near the teen center where Angel works-reveals her own painful journey; her intense story includes physical abuse and a hospital stay after being beaten up while working as a prostitute. Clark doesn't stray far from central theme (the back matter includes resources and further reading) as she empathically explores what it can be like to be a transgendered teen (for example, not every transitioning character considers sex-reassignment surgery to be important). The author emphasizes that there are no simple answers for her characters, especially Brendan, who wonders if the transgendered label even fits. At the same time, through Angel, she gives her story a current of hope: "Everyone feels like a freak/ until they make up their mind/ they're not." Ages 12-up. Agent: Tracey Adams, Adams Literary. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved. (c) Copyright PWxyz, LLC. All rights reserved Book list *Starred Review* When Brendan Chase types Want to be a girl into his Mac's search engine, one word pops up: transsexual. In Clark's raw, honest debut novel, told in verse, three voices capture a few experiences of teens on the transgender spectrum. Brendan is not one of those people / who's always wanted to wear a dress. / Who's always known / he should have been born female. Sex with girlfriend Vanessa, although confusing, feels good, and Brendan questions throughout whether or not he's trans. Fortunately, there's an angel in his life literally. Angel, trans without sex-reassignment surgery ( My junk doesn't dictate who I am ), fights against demons of her own and struggles to reconnect with her younger brother. She's a volunteer at Willows, a center for queer teens, and eventually introduces Brendan to terms like gender identity, gender attraction, genderqueer, and gender fluid. Meanwhile, the third voice belongs to Vanessa, a girl on the boy's wrestling team, who can't understand why her boyfriend, Brendan, is suddenly so distant. Unlike many novels that deal with one transgender character, this movingly explores so many gender identities, from the three main characters (each appears as a different font) to Angel's roommates. A must-have for library shelves, this will be popular with fans of Ellen Hopkins. Resources and further reading conclude.--Kelley, Ann Copyright 2010 Booklist From Booklist, Copyright © American Library Association. Used with permission. School Library Journal Gr 9 Up-Brandon, a high school wrestler, must face the fact that despite his best efforts he isn't as hyper-masculine as he feels he needs to be. Acceptance of his gender fluidity will prove to be his greatest challenge. Brandon's stepfather, a symphony conductor, appears to need regular validation of his manliness, and his mother undergoes breast enhancement surgery to appear, presumably, more womanly. Vanessa, Brandon's girlfriend, is also a wrestler; she feels she can only have a true win on the mat once her opponent lets go of the thought that she's a girl. When he's not aggressive enough in the ring, Brandon's coach calls him Brenda. Eventually, he meets Angel, an attractive young woman whose birth certificate reads "male." Angel-empowered, self-loving, and equipped to help others-can support Brandon to be at home in his body and in his craving for feminine expression. This book is a strong addition to LBGT and general collections as a compelling story for reluctant readers and an educational piece on a topic that needs discussion. The use of typography for emphasis is occasionally awkward and self-conscious, but overall this novel-in-verse presents a clear, realistic narrative in various voices. It succeeds in conveying the message that "you are not alone" to transgender youth while helping everyone else get a handle on these often-tortured teens. The author succeeds in her mission to foster "greater understanding and acceptance of gender's vast and lovely variation." -Teresa Pfeifer, The Springfield Renaissance School, Springfield, MA (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. |
| ALA Notable Books for Children |  | | Thinker: My Puppy Poet and Me. by Eloise Greenfield
Horn Book Greenfield presents poems from new puppy Thinker's and young owner Jace's points of view. The two philosophize about poetry and life while getting to know each other. The poems range from free verse, sometimes with well-paced internal rhyme, to more structured rhyming poems. Abdollahi's bright paper collages show a joyful, brown-skinned family, in a welcome addition to the too-small canon of lighthearted animal fantasy (and poetry) featuring children of color. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Publishers Weekly In a poetic narrative first published in the U.K., a boy's dog is much more than a friendly pooch-like his owner, Jace, he's a poet: "They named me Thinker, and I knew/ this was the place to be." Jace and Thinker communicate in non-rhymed verses. "When I recite my poems,/ I make music," Jace says. But even though Jace loves exchanging poems with Thinker at home, he fears how others might react if they heard him recite poetry. Abdollahi illustrates in evocative collage using handmade paper, capturing the feel of Jace's bustling community. Coretta Scott King Award-winner Greenfield sensitively conveys Jace's anxiety about being perceived as different, and his realization that being true to one's self is the best bet-for kids and dog poets, too. Ages 4-8. (Apr.) © Copyright PWxyz, LLC. All rights reserved. (c) Copyright PWxyz, LLC. All rights reserved Book list Sixteen narratively connected verses feature a poetic dog, Thinker, and his seven-year-old rhymester human, Jace. Thinker's poems explore how he got his name, the mysteries of the universe, his desire to go to school, and his difficulties remembering not to declaim in the presence of humans outside his family. The pooch mostly succeeds until Pets' Day, when he spontaneously recites a jingle for Jace's class, prompting all the other pets to demonstrate their own special talents as well. Greenfield's poems are short, varied (many are free verse, but some are haiku and others rap), and mostly delivered from the dog's perspective. Abdollahi's mixed-media collage artwork features handmade and hand-colored papers that are inspired by the environment. The papers are particularly adept at conveying textures and shading, and while figures are stylized, the art works well both close up and from a story hour distance. Jace and his family are African American, and his neighborhood is nicely diverse. Appended with a note about the poems from Greenfield, this should encourage young wordsmiths.--Kay Weisman Copyright 2019 Booklist From Booklist, Copyright © American Library Association. Used with permission. Kirkus A puppy gets a new home and a new family while learning to communicate.When 7-year-old Jace receives a new pet dog, he picks out the perfect name for a puppy who believes he is a poet. "We'll name you Thinker,' yes, I think / that that's the name for you." Jace, too, is a poet. "When I recite my poems, / I make music." Not permitted to attend school with Jace, Thinker spends time at home with Jace's little sister, Kimmy, and visits with his twin, who lives nearby. At last, it's "Pets' Day at school," but Jace doesn't want his poet puppy to speak. As Thinker knows, he's afraid "his friends will say / he's a weird kid, with a weird pet." Despite his best effort not to, Thinker recites a poembut all the other pets join in with their own special talents, to the delight of the teacher, students, and even Jace. Greenfield brings her vast experience to this delightful piece of poetic whimsy that celebrates the powers of poetry, family, and friendship. Jace's family is African-American while neighbors and schoolmates are pictured as diverse. The poems are primarily free verse, but there are haiku and rap as well. Iranian illustrator Abdollahi uses expressive handmade and -colored paper collages to complement the mood. The light and liveliness of the pictures are eye-catching and appealing, and the color palette is warm and rich, further enhancing the poetry. A good way to introduce the youngest readers to extended narratives in verse. (Picture book/poetry. 4-8) Copyright Kirkus Reviews, used with permission. Copyright © Kirkus Reviews, used with permission. School Library Journal Gr 1-2-What if your dog could speak human words? When Jace and his family want to name their new puppy "something cute," the dog objects. "Uh-uh! No way! No way!/I'm deep and I'm a poet. No!/A cute name's not OK." Naming him Thinker, Jace, who is a poet, shares his ideas about poetry with the pup. The improbable--even goofy--premise plays out as an entertaining, empathetic story and congenial poetry lesson through Greenfield's skilled writing. Abdollahi's fine use of cutting tools with hand-crafted papers produce simple, attractive characters and scenes. The title suggests that Jace will be the narrator, but Thinker takes center stage most of the time. Greenfield favors free verse that moves easily along, recounting Thinker's days and his eventual visit to Jace's school for Pets' Day. There is one haiku and a small rhymed verse along the way, and Thinker closes his stirring class visit and the book with a rap. Greenfield's short concluding commentary on poetry writing, free verse, and rap invites readers to also write their own poems. Modest in size, the narrative will work best with an early grade range for personal enjoyment, read-aloud, and discussion. It could also serve nicely in teaching both art and poetry writing in older classes. VERDICT A well-crafted title that is wide in appeal and possibilities for use.-Margaret Bush, Simmons College, Boston © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. |
| Caldecott Medal Winners |  | | So You Want to be President by David Small
Publishers Weekly
: HThis lighthearted, often humorous roundup of anecdotes and trivia is cast as a handbook of helpful hints to aspiring presidential candidates. St. George (Sacagawea; Crazy Horse) points out that it might boost your odds of being elected if your name is James (the moniker of six former presidents) or if your place of birth was a humble dwelling ("You probably weren't born in a log cabin. That's too bad. People are crazy about log-cabin Presidents. They elected eight"). She serves up diverse, occasionally tongue-in-cheek tidbits and spices the narrative with colorful quotes from her subjects. For instance, she notes that "Warren Harding was a handsome man, but he was one of our worst Presidents" due to his corrupt administration, and backs it up with one of his own quotes, "I am not fit for this office and never should have been here." Meanwhile, Small (The Gardener) shows Harding crowned king of a "Presidential Beauty Contest"; all the other presidents applaud him (except for a grimacing Nixon). The comical, caricatured artwork emphasizes some of the presidents' best known qualities and amplifies the playful tone of the text. For an illustration of family histories, Small depicts eight diminutive siblings crawling over a patient young George Washington; for another featuring pre-presidential occupations, Harry Truman stands at the cash register of his men's shop while Andrew Johnson (a former tailor) makes alterations on movie star Ronald Reagan's suit. The many clever, quirky asides may well send readers off on a presidential fact-finding missionDand spark many a discussion of additional anecdotes. A clever and engrossing approach to the men who have led America. Ages 7-up. (Aug.) Copyright 2000 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 4-8-Curious tidbits of personal information and national history combine with humorously drawn caricatures to give this tongue-in-cheek picture book a quirky appeal. "There are good things about being President and there are bad things about being President." So begins a walk through a brief history of facts, successes, oddities, and mishaps. For example, most readers won't know that William Howard Taft weighed over 300 pounds and ordered a specially made bathtub. Small's drawing of a naked Taft being lowered into a water-filled tub by means of a crane should help them remember. Another spread depicts a men's shop where Andrew Johnson (a tailor) fits Ronald Reagan (an actor) for a suit while Harry Truman (a haberdasher) stands behind the counter. While the text exposes the human side of the individuals, the office of the presidency is ultimately treated with respect and dignity. A list of presidents with terms of office, birthplace, date of birth and death, and a one-sentence summary of their accomplishments is provided. This title will add spark to any study of this popular subject.-Alicia Eames, New York City Public Schools Copyright 2000 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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| Newbery Medal Winners |  | | The Graveyard Book by Neil Gaiman
Publishers Weekly
: Starred Review. A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: There was a hand in the darkness, and it held a knife. Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Oprah's Book Club |  | | Daughter of Fortune by Isabel Allende
Publishers Weekly: Allende expands her geographical boundaries in this sprawling, engrossing historical novel flavored by four cultures--English, Chilean, Chinese and American--and set during the 1849 California Gold Rush. The alluring tale begins in Valpara so, Chile, with young Eliza Sommers, who was left as a baby on the doorstep of wealthy British importers Miss Rose Sommers and her prim brother, Jeremy. Now a 16-year-old, and newly pregnant, Eliza decides to follow her lover, fiery clerk Joaqu n Andieta, when he leaves for California to make his fortune in the gold rush. Enlisting the unlikely aid of Tao Chi'en, a Chinese shipboard cook, she stows away on a ship bound for San Francisco. Tao Chi'en's own story--richly textured and expansively told--begins when he is born into a peasant family and sold into slavery, where it is his good fortune to be trained as a master of acupuncture. Years later, while tending to a sailor in colonial Hong Kong, he is shanghaied and forced into service at sea. During the voyage with Eliza, Tao nurses her through a miscarriage. When they disembark, Eliza is disguised as a boy, and she spends the next four years in male attire so she may travel freely and safely. Eliza's search for Joaqu n (rumored to have become an outlaw) is disappointing, but through an eye-opening stint as a pianist in a traveling brothel and through her charged friendship with Tao, now a sought-after healer and champion of enslaved Chinese prostitutes, Eliza finds freedom, fulfillment and maturity. Effortlessly weaving in historical background, Allende (House of the Spirits; Paula) evokes in pungent prose the great melting pot of early California and the colorful societies of Valpara so and Canton. A gallery of secondary characters, developed early on, prove pivotal to the plot. In a book of this scope, the narrative is inevitably top-heavy in spots, and the plot wears thin toward the end, but this is storytelling at its most seductive, a brash historical adventure. Major ad/promo; BOMC dual main selection; 11-city author tour. (Oct.) FYI: This book will also be released in a HarperLibros Spanish edition, Hija del la Fortuna (ISBN 0-06-019492-8). Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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