Library Journal : Let's cut to the chase and say that all libraries should buy this book, if only because people will be asking for it. Gladwell, New Yorker staff writer, TEDTalks (Technology, Entertainment, Design) personality, and author of the best sellers The Tipping Point and Blink, has, well, reached a tipping point in the consciousness of observers of popular culture. Following a format similar to his previous books, Gladwell gloms onto an apparent phenomenon—in this case people who seem significantly different from other people, whether for good or for ill—and offers what we're all apparently supposed to believe are startlingly logical explanations for why they stand out. Gladwell's reasons have largely to do with things like where they come from and what month they were born in. It's all very readable, but not particularly surprising. No matter, libraries will need to acquire it. [See Prepub Alert, LJ 7/08.]—Ellen Gilbert, Princeton, NJ

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Publishers Weekly : SignatureReviewed by Leslie ChangIn Outliers, Gladwell (The Tipping Point) once again proves masterful in a genre he essentially pioneered—the book that illuminates secret patterns behind everyday phenomena. His gift for spotting an intriguing mystery, luring the reader in, then gradually revealing his lessons in lucid prose, is on vivid display. Outliers begins with a provocative look at why certain five-year-old boys enjoy an advantage in ice hockey, and how these advantages accumulate over time. We learn what Bill Gates, the Beatles and Mozart had in common: along with talent and ambition, each enjoyed an unusual opportunity to intensively cultivate a skill that allowed them to rise above their peers. A detailed investigation of the unique culture and skills of Eastern European Jewish immigrants persuasively explains their rise in 20th-century New York, first in the garment trade and then in the legal profession. Through case studies ranging from Canadian junior hockey champions to the robber barons of the Gilded Age, from Asian math whizzes to software entrepreneurs to the rise of his own family in Jamaica, Gladwell tears down the myth of individual merit to explore how culture, circumstance, timing, birth and luck account for success—and how historical legacies can hold others back despite ample individual gifts. Even as we know how many of these stories end, Gladwell restores the suspense and serendipity to these narratives that make them fresh and surprising.One hazard of this genre is glibness. In seeking to understand why Asian children score higher on math tests, Gladwell explores the persistence and painstaking labor required to cultivate rice as it has been done in East Asia for thousands of years; though fascinating in its details, the study does not prove that a rice-growing heritage explains math prowess, as Gladwell asserts. Another pitfall is the urge to state the obvious: No one, Gladwell concludes in a chapter comparing a high-IQ failure named Chris Langan with the brilliantly successful J. Robert Oppenheimer, not rock stars, not professional athletes, not software billionaires and not even geniuses—ever makes it alone. But who in this day and age believes that a high intelligence quotient in itself promises success? In structuring his book against that assumption, Gladwell has set up a decidedly flimsy straw man. In the end it is the seemingly airtight nature of Gladwell's arguments that works against him. His conclusions are built almost exclusively on the findings of others—sociologists, psychologists, economists, historians—yet he rarely delves into the methodology behind those studies. And he is free to cherry-pick those cases that best illustrate his points; one is always left wondering about the data he evaluated and rejected because it did not support his argument, or perhaps contradicted it altogether. Real life is seldom as neat as it appears in a Malcolm Gladwell book. (Nov.)Leslie T. Chang is the author of Factory Girls: From Village to City in a Changing China (Spiegel & Grau).

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Publishers Weekly : Bestseller Cornwell's solid 17th thriller to feature Dr. Kay Scarpetta (after Scarpetta) finds Scarpetta—who's the senior forensic analyst for CNN—probing the murder of a Central Park jogger as well as looking into the disappearance of Hannah Starr, a wealthy financial planner. Quizzed on-air about previously undisclosed details of the perplexing Starr case, Scarpetta realizes that the tentacles of the case reach further than she imagined. Her niece, forensic computer whiz Lucy Farinelli, has her own reasons for digging into Starr's disappearance, along with Lucy's girlfriend, New York County ADA Jaime Berger. NYPD Det. Pete Marino, another series staple, is also in the loop as a member of Berger's task force. But it's the dark past of Scarpetta's psychologist husband, Benton Wesley—particularly his presumed death in Point of Origin and shocking reappearance five years later in Blow Fly—that binds the disparate pieces together and make this one of Cornwell's stronger recent efforts. (Oct.)

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Publishers Weekly : A girl and her father go owling on a moonlit winter night near the farm where they live. Bundled tight in wool clothes, they trudge through snow ``whiter than the milk in a cereal bowl''; here and there, hidden in ink-blue shadows, a fox, raccoon, fieldmouse and deer watch them pass. An air of expectancy builds as Pa imitates the Great Horned Owl's call once without answer, then again. From out of the darkness ``an echo/ came threading its way/ through the trees.'' Schoenherr's watercolor washes depict a New England few readers see: the bold stare of a nocturnal owl, a bird's-eye view of a farmhouse. In harmony with the art, the melodious text brings to life an unusual countryside adventure. Ages 2-6.

Copyright 1987 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : A girl and her father go owling on a moonlit winter night near the farm where they live. Bundled tight in wool clothes, they trudge through snow ``whiter than the milk in a cereal bowl''; here and there, hidden in ink-blue shadows, a fox, raccoon, fieldmouse and deer watch them pass. An air of expectancy builds as Pa imitates the Great Horned Owl's call once without answer, then again. From out of the darkness ``an echo/ came threading its way/ through the trees.'' Schoenherr's watercolor washes depict a New England few readers see: the bold stare of a nocturnal owl, a bird's-eye view of a farmhouse. In harmony with the art, the melodious text brings to life an unusual countryside adventure. Ages 2-6.

Copyright 1987 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : A girl and her father go owling on a moonlit winter night near the farm where they live. Bundled tight in wool clothes, they trudge through snow ``whiter than the milk in a cereal bowl''; here and there, hidden in ink-blue shadows, a fox, raccoon, fieldmouse and deer watch them pass. An air of expectancy builds as Pa imitates the Great Horned Owl's call once without answer, then again. From out of the darkness ``an echo/ came threading its way/ through the trees.'' Schoenherr's watercolor washes depict a New England few readers see: the bold stare of a nocturnal owl, a bird's-eye view of a farmhouse. In harmony with the art, the melodious text brings to life an unusual countryside adventure. Ages 2-6.

Copyright 1987 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : A girl and her father go owling on a moonlit winter night near the farm where they live. Bundled tight in wool clothes, they trudge through snow ``whiter than the milk in a cereal bowl''; here and there, hidden in ink-blue shadows, a fox, raccoon, fieldmouse and deer watch them pass. An air of expectancy builds as Pa imitates the Great Horned Owl's call once without answer, then again. From out of the darkness ``an echo/ came threading its way/ through the trees.'' Schoenherr's watercolor washes depict a New England few readers see: the bold stare of a nocturnal owl, a bird's-eye view of a farmhouse. In harmony with the art, the melodious text brings to life an unusual countryside adventure. Ages 2-6.

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Publishers Weekly : Starred Review. In her second novel, Langan delivers a powerhouse creepfest that recalls, in the best way possible, the early work of Stephen King. Corpus Christi, Maine, was once a town of affluence, but since the mysterious paper mill fire in the neighboring town of Bedford (depicted in last year's well-received debut, The Keeper) released dense sulfuric clouds that killed the surrounding forest, Corpus Christi has been in steady decline. When fourth-grade teacher Lois Larkin takes her class on a field trip to the now-abandoned Bedford, they're exposed to a deadly virus that transforms the infected into ravenous, flesh-eating monsters. Rather than stick to zombie lit convention (mindless undead, endless chases), Langan invests her plague with a sinister intelligence of unknown origin, maintaining a skin-crawling tension as the vivid cast of characters succumb to murderous insanity, hunting down and tearing apart animals, neighbors and loved ones. Langan has the control of a pro, parsing just enough horrific details to allow the truly gruesome scenes to play out unbound in the imagination; this solid sophomore effort proves that The Keeper's disturbing ability to burrow into readers' heads and stay there was no fluke. (Oct.)

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Publishers Weekly : Parker (Red Light) lowers the volume from his usual roar and adds a subtle backbeat to this bittersweet thriller about a man's anguished search for his father's killer. Joe Trona is a dutiful son, but horrible facial scars have made him an outcast. He lived in an orphanage until he was adopted at five by Will Trona, a powerful politician in Southern California's Orange County. As a hulking teenager and later as a young man, Joe became Will's right-hand man running errands, extracting revenge on enemies, protecting his flank all the while living a lonely life because of his disfigurement. One night, Joe drops his guard for a moment, and Will is gunned down. Despite aggressive investigations by the FBI and sheriff's department, Joe seeks his own vengeance. He starts sifting through his father's life and gradually discovers that Will brokered secret deals, blackmailed enemies, had extramarital affairs and in his final days appeared to be involved in the kidnapping of an 11-year-old girl. Joe's investigation becomes a personal voyage, casting light on the dark corners of his own past and allowing him to start overcoming the crushing indignity that his injury has forced him to endure. Capped by a violent yet poignant finale, the plot is loaded with familiar Parker themes a faithless government, the heavy hand of big business and the corruption of the wealthy. Parker's tone, however, is more pensive this time. He crafts an intricately layered story reaching beyond his usual domain into more personal territory, at times evoking the work of Ross MacDonald. (Apr. 25)Forecast: A teaser chapter in the paperback of L.A. Times bestseller Red Light, a $150,000 marketing campaign and a five-city author tour will speak up for what is perhaps Parker's most ambitious work to date.

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Library Journal : A war between two rival civilizations over trading rights to the planet Arachna results in the virtual enslavement of the Qeng Ho by the victorious Emergent culture. As the Spider-folk of Arachna evolve in their customary cyclical pattern, unaware of the threat that lies in their near future, a few Qeng Ho rebels work desperately to free themselves and save Arachna from conquest. This prequel to A Fire Upon the Deep (Tor, 1992) demonstrates Vinge's capacity for meticulously detailed culture-building and grand-scale sf drama. Recommended for most sf collections.

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Publishers Weekly : In this prequel to his Hugo Award-winning space opera, A Fire upon the Deep (1992), Vinge takes us to an era some thousands of years in our future, when humanity has just begun its exploration of intergalactic space and has as yet no inkling of the complex physics that rules the galaxy. Although human beings have settled on dozens of worlds and created societies ancient enough to have achieved greatness and collapse several times over, only the most limited traces have been found of alien cultures. Now, however, the Qeng Ho, a band of human interstellar traders, have discovered the Spiders, an alien race poised to enter its own space age. Unfortunately, the Qeng Ho must compete with another, less beneficent spacefaring human culture, the Emergents, who are bent on conquest rather than trade. The Spiders have just come out of a two-century-long suspended animation made necessary by the fluctuations of their erratic sun. Their culture is entering a period of explosive growth that could end in tragedy, due in part to a dangerous nuclear arms race and in part to the Emergents' desire to enslave them. Vinge, a professor of mathematics and computer science (at San Diego State), is among the very best of the current crop of hard SF writers, producing work that is not only fast-paced and intellectually challenging, but also stylishly written and centered on carefully drawn characters. This long, action-packed novel should fully engage any SF reader's sense of wonder, and likely will win the author his sixth Hugo nomination.

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School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunitionâ€� and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

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School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunitionâ€� and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunitionâ€� and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal: Gr 6-10 –In 1860, Colton Wescott, 12, is determined to keep his Sacramento-bound family alive and heading west. His distraught white father abandons the family after accidentally shooting his son; the wagon master has ordered the mixed-race family to leave the wagon train; his freed-slave mother is sick from childbirth; and his two sisters cling to Colton in hopes of survival. When they finally arrive in Chinatown, 12 miles outside Carson City, NV, a sign for Pony Express riders captivates Colton, who lies about his age, passes for white, demonstrates his horse-handling skill, and is hired for the dangerous ride over the mountains. When he is injured in a fall, he loses his job but decides to take matters into his own hands. Eschewing the superintendent's orders and Pony Express protocol, he grabs the mail, rides his own temperamental horse, and heads for Sacramento, knowing he might be carrying news of two subversive plots “to blow up some forts and steal some ammunitionâ€� and to assassinate Presidential candidate Lincoln. Heroically, Colton delivers the mail, finds his mother's runaway sister, and gives her precious legal papers proving her freedom. Colton is determined, reflective, and courageous in his vivid, vernacular descriptions of moral dilemmas, treacherous trails, and exhaustion. Based on historical facts and footnotes, this fictional account offers an appealing, energetic, and provocative look at racial issues across America, the remarkable but short-lived scheme of Pony Express service, the fortitude of its riders, and the courage of one boy who stands up for family, himself, and his beliefs.–Gerry Larson, Durham School of the Arts, NC

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Library Journal : In her third novel, New York Times best-selling author Strout (Abide with Me) tracks Olive Kitteridge's adult life through 13 linked stories. Olive—a wife, mother, and retired teacher—lives in the small coastal town of Crosby, ME. A large, hulking woman with a relentlessly unpleasant personality, Olive intimidates generations of community members with her quick, cruel condemnations of those around her—including her gentle, optimistic, and devoted husband, Henry, and her son, Christopher, who, as an adult, flees the suffocating vortex of his mother's displeasure. Strout offers a fair amount of relief from Olive's mean cloud in her treatment of the lives of the other townsfolk. With the deft, piercing shorthand that is her short story—telling trademark, she takes readers below the surface of deceptive small-town ordinariness to expose the human condition in all its suffering and sadness. Even when Olive is kept in the background of some of the tales, her influence is apparent. Readers will have to decide for themselves whether it's worth the ride to the last few pages to witness Olive's slide into something resembling insight. For larger libraries. [See Prepub Alert, LJ 12/07.]—Beth E. Andersen, Ann Arbor Dist. Lib., MI

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Library Journal : This prequel to the classic Lonesome Dove (LJ 7/85) follows Woodrow Call and Augustus McCrae through their years as Texas Rangers as they create legends for themselves fighting the Comanche to open west Texas for settlement. For 15 years, the Rangers play cat-and-mouse games with Buffalo Hump, Kicking Wolf, and other chiefs as they pursue, attack, and retaliate their way through the Comanche wars. Ironically, Blue Duck, Gus McCrae's nemesis in Lonesome Dove, is Buffalo Hump's son, carrying on the tradition started by his father, even though father and son hated one another. Considered together, Dead Man's Walk (LJ 4/15/95), Comanche Moon, and Lonesome Dove create a monumental work that has few equals in current literature. Essential for all libraries. [Previewed in Prepub Alert, LJ 7/97; a Comanche Moon mini-series is in the works.]--Thomas L. Kilpatrick, Southern Illinois Univ. Lib., Carbondale

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Library Journal : The deathbed confession of Bon Agornin places his heirs in a quandary as the five siblings maneuver for position and power within the family. What makes Walton's tale of dynastic intrigue unique is that the individuals are all dragons, with their own customs and traditions-such as the practice of consuming the bodies of their dead and killing their weaker children. Walton (The King's Piece) combines delicacy and savagery in a finely told tale suitable for most fantasy collections.

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Publishers Weekly : Dragons ritually eat dragons in order to gain strength and power in Walton's enthralling new fantasy (after 2002's The Prize in the Game), set amid a hierarchical society that includes a noble ruling class, an established church, servants and retainers. On the death of the dragon Bon Agornin, his parson son Penn, one of five siblings (two male and three female), declares, "We must now partake of his remains, that we might grow strong with his strength, remembering him always." But Bon's greedy son-in-law, Illustrious Daverak, consumes more than his fair share of the departed dragon, setting off a chain of unexpected and, at times, calamitous events for each sibling. Avan, the younger son, decides to litigate for compensation. One unmarried daughter, on moving in with the married sister and Daverak, discovers a house filled with injustice, while the other unmarried daughter goes off with Penn and falls in love. Full of political intrigue and romance, this provocative read sets the stage for further adventures in a world that, as the author admits in her prefatory note, "owes a lot to Anthony Trollope's Framley Parsonage." FYI: In 2002, Walton received a John W. Campbell Award for Best New Writer.

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