Library Journal: This second novel by Hamilton (The Book of Ruth, LJ 11/1/88) is a stunning exploration of how one careless moment can cause irrevocable and devastating change. Alice Goodwin is caring for her best friend's children when two-year-old Lizzy Collins wanders to the pond on the Goodwin farm and drowns. The consequences of this tragedy reverberate through a small Wisconsin community, which never accepted Howard and Alice Goodwin. Theresa Collins, bereft at losing a child and a dear friend, draws on her Catholic religion and finds forgiveness. Alice, immobilized by guilt and grief and unable to function as a wife or mother to her own two daughters, is charged with abusing children in her part-time job as a school nurse. Lizzy's death is ever present-especially in the bond growing between Theresa and Howard while Alice is in jail-and the pain of it is echoed in Alice's primary young accuser and in Alice as a child, drawing her own map of the world after her mother died. Reminiscent of Rosellen Brown's Tender Mercies (1978), this compelling, multilayered fiction belongs in all collections.-Michele Leber, Fairfax Cty. P.L., Va.

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Publishers Weekly: Booksellers should send up three cheers of greeting for this haunting second novel by the author of The Book of Ruth , a beautifully developed and written story reminiscent of the work of Sue Miller and Jane Smiley. A piercing picture of domestic relationships under the pressure of calamitous circumstances, it poignantly addresses the capricious turns of fate and the unyielding grip of regret. Alice and Howard Goodwin and their two young daughters live on the last remaining dairy farm on the outskirts of Racine, Wisc. The farm is Howard's dream, realized with infusions of money from his disapproving mother; but Alice, who is disorganized, skittery and emotionally volatile, is constitutionally unsuited to be a farmer's wife. Her solace is her best friend Theresa, who also has two little girls for whom they alternate days of babysitting. One hot, dry June morning, in the middle of a soul-parching drought, Alice daydreams for a few, crucial minutes while the four girls play. She has rediscovered the map of the world that she made after her own mother died when she was eight; it was an attempt to imagine a place where she would always feel safe and secure. In that short time, one of Theresa's daughters drowns in the Goodwins' pond. As outsiders from the city, the Goodwins have never been accepted in their small community, which now closes forces against them. Still grieving and filled with remorse, Alice, a school nurse, is accused by an opportunistic mother of sexually molesting her son. She is arrested, and since Howard cannot raise bail, she remains in jail, where she suffers but also learns a great deal about human frailty and solidarity. Meanwhile, Howard and the girls undergo their own crucible of fire. Among Hamilton's gifts is a perfect ear for the interchanges of domestic life. The voices of Alice and Howard, who narrate the tale, have an elegiac, yet compelling tone as they look back on the events that swept them into a horrifying nightmare. In counterpoint to the shocks that transform their existence, the drudgery of the daily routine of farm life has rarely been conveyed with such fidelity. Fittingly, however, the death of their hopes as a family coincides with Howard's realization that the farmer's way of life is disappearing as well. The last third of the book, detailing Alice's incarceration among mainly black inmates, is astonishingly perceptive and credible, opening new dimensions in the narrative. One wants to read this powerful novel at one sitting, mesmerized by a story that has universal implications. BOMC and QPB selection.

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School Library Journal : Gr 3-6-Two introductions distinguished by excellent, full-color photos and succinct texts. Both books briefly describe their respective topics and include a chapter on the ways people are affected by them. The bulk of the texts discusses how to collect and house the creatures and offers step-by-step instructions for conducting experiments and related activities. About a dozen species are depicted in each title. Appendixes offer the names and addresses of biological supply companies and short lists for further reading. The texts are clearly written and well organized, and the photographs are outstanding in their clarity and composition. One or two sharp images, many of which are close-ups, appear on almost every page. With its excellent visuals and simple experiments, Ants will be a useful supplement to other material about the topic. While the Silversteins' Fungi (21st Century, 1995) provides basic facts about fungi and their various methods of reproduction, it does not give as much detail on slime molds as Pascoe's book; also, it offers only a few close-up color photographs, and they are not of the same caliber as Kuhn's photos.-Karey Wehner, San Francisco Public Library

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School Library Journal : Gr 2–4—Markle surmises what the days immediately following two bushfires might have been like for a female koala and her joey. The story begins on a spring day when "the air smells of eucalyptus leaves and smoke." With her joey on her back, the mother koala climbs and escapes the fire but afterward finds her home destroyed and no food left for miles. Realistic watercolor illustrations depict the intensity of the fire and the skeletal trees that remain as the koala travels through moonlight for hours, sniffing for food. The trek leads to a swamp mahogany tree, an encounter with a pet dog, and more civilization than wild animals prefer. The language and illustrations throughout feel as gentle and reverent as the representation of the gathering suburban crowd, painted in muted colors that suggest respect for the koala survivors. Suitable for reading aloud or independently, this story of one female's risky journey makes a good choice for animal, survival, or Australian studies.—Julie R. Ranelli, Queen Anne's County Free Library, Stevensville, MD

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School Library Journal : Gr 6–9—Brett thinks she knows herself pretty well: star soccer player, vocabulary ace, and best friend to Diane. But in eighth grade, Diane is more interested in the cheerleading crowd and everything is changing. A telephone prank backfires and Jeanne Anne, a new girl, manages to shift the blame to Brett, even though four girls were involved. Feeling victimized and angry, she loses her temper at school and punches Jeanne Anne, resulting in suspension. Within a few days, her social status has changed drastically, and the upheaval is mirrored at home when Brett discovers that her fun-loving grandmother is battling cancer. Over the course of the story, she moves from anger and obstinacy to a tentative exploration of the characteristics that really define Brett McCarthy. Although her path to self-discovery has its bumps, she ultimately realizes that the way she has thought of herself in the past has been more limiting than liberating. Padian's portrayal of the relationship between Brett and her Nonna is poignant and honest, especially as the cancer progresses and the girl must begin to let go. Chapter titles consisting of vocabulary words that Brett uses to describe her various emotional states ("apoplectic," "foreboding," "unprecedented," "surreal") give hints of things to come, but it is Padian's fully developed characters and ear for teenage voices that make this a story that will resonate with anyone who has ever felt isolated in the middle of a crowd.—Kim Dare, Fairfax County Public Schools, VA

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School Library Journal : Starred Review. Gr 5–8—This book picks up where The Way a Door Closes (Holt, 2003) left off. Now that C.J.'s father, who had left the family, has returned, the teen notes that dinners are like "a roomful of strangers" and that he feels weighed down by "brick heavy" questions. Wise beyond his years, eldest son C.J. felt it was his role to "keep the night watch" during his father's absence. Now, he feels displaced in his own home and seethes with anger and resentment. Gradually, everyone starts to move on: C.J. experiences the awkward elation of first love, tries his hand at shaving, and argues and makes up with his best friend. His little sister sends love notes to each family member, and, at book's end, C.J. and his family come together: "We dance on our tears." As in the previous book, Smith masterfully brings her characters to life from the inside out in straightforward free verse. Lewis uses his brilliantly composed, watercolor-and-ink paintings to underscore the strong emotions of the text. This hopeful book celebrates the power of families to heal and overcome hard times. It will speak to the hearts of many readers.—Marilyn Taniguchi, Beverly Hills Public Library, CA

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Publishers Weekly : At first glance, this is a collection of four unrelated stories, each occupying a quarter of every two-page spread, and each a slight enough tale to seem barely worth a book--a boy on a train, parents in a funny mood, a convict's escape and a late commuter train. The magic of Black and White comes not from each story, however, but from the mysterious interactions between them that creates a fifth story. Several motifs linking the tales are immediately apparent, such as trains--real and toy--and newspapers. A second or third reading reveals suggestions of the title theme: Holstein cows, prison uniform stripes. Eventually, the stories begin to merge into a surrealistic tale spanning several levels of reality, e.g.: Are characters in one story traveling on the toy train in another? Answers are never provided--this is not a mystery or puzzle book. Instead, Black and White challenges the reader to use text and pictures in unexpected ways. Although the novelty will wear off quickly for adults, no other writer for adults or children explores this unusual territory the way Macaulay does. All ages.

Copyright 1990 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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