Book list *Starred Review* With this lushly designed and wonderfully rendered offering, Bardugo (Six of Crows, 2015) returns to her Grishaverse with a collection of six stories. In an ending note, Bardugo mentions that her intention was to craft stories her characters might have heard as children, and indeed, no knowledge of her previous works is necessary for enjoying this. The stories are framed as coming from four of her Grishaverse nations three from Ravka and one each from Kerch, Fjerda, and Novyi Zem and flavors and morals change from culture to fictional culture. At their heart, these are tales built from the eeriest elements of fairy tales we know. Though readers may recognize certain components a girl with a wolfskin cape, a house that smells like gingerbread, a mermaid with a silver voice the stories here are entirely, luminously new. Bardugo doesn't twist familiar tales so much as rip them open, and the magic of the collection is enhanced by Kipin's otherworldly artwork: borders that grow ominously longer and more detailed with each page, and culminate in a final double-page spread for each story. Bardugo may be best known for her exemplary world building, but here more than anything, it is her language, lovely and unsettling, that is on display, as well as the accompanying characters who, like the stories themselves, are never what they seem. HIGH-DEMAND BACKSTORY: Bardugo's already got two acclaimed, best-selling Grishaverse series under her belt, and this release in the same world isn't likely to slow the momentum.--Reagan, Maggie Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly The Japanese word tsundoku describes books that have piled up in a home without being read. Pizzoli's porcine protagonist certainly accumulates books-he's a relentless buyer and forager-and he adores each volume ("He loved the way they smelled, and the way the pages felt in his hooves. He especially liked the ones with pictures"). But reading procrastination is not his problem. Book Hog has a big secret: "He didn't know how to read. He had never learned." Then Book Hog discovers the library ("he smelled some books inside") and a whole community of book lovers, including a kind librarian whose attentiveness and story times inspire him-"over time, and with practice"-to become a reader. Pizzoli once again employs a candy-colored palette and an ebullient cast-the pink-and-green look, and even some of the characters, are reminiscent of his The Watermelon Seed. And, as always in a Pizzoli book, there are wonderful details: readers will note that the markings on spines of the books go from fuzzy lines to actual titles when the Book Hog learns to read, and that in one spread, he raptly stands right by the librarian's chair, clutching its arm as she reads aloud to the group. Who hasn't seen-or been-that kid? Ages 3-5. Agent: Steven Malk, Writers House. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book In this celebration of books and reading, the titular pig owns many books, which he loves for their smell, texture, and pictures. It's therefore surprising to learn that he's illiterate. His discovery of library storytimes and eventual acquisition of literacy, with help from the elephant librarian, resolve his dilemma. Pizzoli's concise sentences and humorous, ingeniously detailed cartoon illustrations have great read-aloud appeal. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A porcine hoarder of books learns to readand to share.The Book Hog's obsession is clear from the start. Short declarative sentences describe his enthusiasm ("The Book Hog loved books"), catalog the things he likes about the printed page, and eventually reveal his embarrassing secret ("He didn't know how to read"). While the text is straightforward, plenty of amusing visual details will entertain young listeners. A picture of the Book Hog thumbing through a book while seated on the toilet should induce some giggles. The allusive name of a local bookshop ("Wilbur's") as well as the covers of a variety of familiar and much-loved books (including some of the author's own) offer plenty to pore over. And the fact that the titles become legible only after our hero learns to read is a particularly nice touch. A combination of vignettes, single-page illustrations and double-page spreads that feature Pizzoli's characteristic styleheavy black outlines, a limited palette of mostly salmon and mint green, and simple shapesmove the plot along briskly. Librarians will appreciate the positive portrayal of Miss Olive, an elephant who welcomes the Book Hog warmly to storytime, though it's unlikely most will be able to match her superlative level of service.There's nothing especially new here, but the good-natured celebration of books, reading, and libraries will charm fellow bibliophiles, and the author's fans will enjoy making another anthropomorphic animal friend. (Picture book. 4-7) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list A beret-sporting pig adores books so much that he acquires them anywhere at yard sales and indie bookstores and savors them everywhere in a tent and on the toilet. Yet as much as he's drawn to their look, feel, and smell, he harbors a secret shame: he can't decode the words inside them. Or he can't, at least, until he catches a whiff of the public library and meets Miss Olive, a spectacle-sporting elephant-slash-librarian who offers him kindness and patience. With lots of practice, he becomes not just a book lover but also a book reader. The pro-library artwork is bold, with happily Pizzolian graphic lines and shapes; bright, with wonderfully audacious pinks and greens; and bookish, sneakily integrating a few familiar book covers (and even a maker space to boot). The characters' expressions are amusing, the straightforward sentences are well structured, and it all works together to truly create a book that readers will be eager to hog.--Andrew Medlar Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : K-Gr 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.-Wendy Lukehart, Washington DC Public Library

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Book list Basgiath War College trains healers, scribes, infantry, or dragon riders to protect Navarre from violent invasion attempts from the kingdom of Poromiel and their gryphon riders. Violet has trained her whole life to enter the Scribe Quadrant, just like her father did. Dedicating her life to recording the war history of Navarre, rather than participating in it, fits well with her intelligence, short stature, and overly flexible joints, which leave her prone to injury. But upon her father’s death, her mother, a decorated Navarrian officer, forces Violet to follow in her footsteps, and that of Violet’s siblings, and join the Riders Quadrant. Once bonded, riders channel powers through their dragons, greatly increasing the likelihood of success both in the college and at war. If that wasn’t challenging enough, Violet is being hunted by Xaden, a third-year cadet whose father was a rebellion leader executed at the hand of Violet’s mother. Hatred will draw him close to her, but will something more powerful and alluring make separating impossible? Suspenseful, sexy, and with incredibly entertaining storytelling, the first in Yarros' Empyrean series will delight fans of romantic, adventure-filled fantasy.

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal Violet Sorrengail wanted to be a scribe rather than join her siblings as dragon riders defending Navarre's borders, but her mother, a decorated general, had other ideas. She's forced Violet to enlist as a rider cadet in the Basgiath War College, even though Violet's hypermobility—a disorder that destabilizes her joints and leaves her easily injured—puts her at a disadvantage. To make matters worse, Violet has been assigned to the Fourth Wing, led by Xaden Riorson, the son of a rebel leader whom her mother executed. Surrounded by dangers in a school designed to weed out the weak, Violet must use her wits and skill to overcome brutal challenges and vicious opponents. The bonds Violet forms with her fellow cadets offset the college's constant violence, and her slowly developing enemies-to-lovers relationship with Xaden will appeal to fans of the trope. Violet's hypermobility gives her a unique way of moving through the world, and Yarros (The Things We Leave Unfinished) uses characters' reactions to thoughtfully explore the ways in which others respond to the lived realities of people with disabilities. VERDICT A good selection for fans of Naomi Novik's "Scholomance" series; will fly off the shelves.—Erin Niederberger

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Romance author Yarros (The Things We Leave Unfinished) blends the epic tale of a reluctant dragon rider’s coming-of-age with a sexy dark academia aesthetic in her astounding debut fantasy. Fearsome General Sorrengail demands that her children follow in her footsteps as dragon riders—even her youngest, Violet, who has trained her whole life to be a scribe like her late father. Forced to join a deadly war academy, Violet is unprepared to perform the fatal tasks all cadets must complete to become dragon riders. The odds are stacked against her due both to her delicate stature and to her mother’s reputation: it was Sorrengail who gave the order to execute all separatists in the last rebellion. The rebels’ orphaned children have all been conscripted to the academy, putting a target on Violet’s back. Worse, her own brooding but handsome wing leader, third-year student Xaden Riorson, is the son of the separatists’ leader. Meanwhile, the wards that protect the city are failing, but as danger draws nearer, clever Violet grows stronger, discovering that riding dragons may be her destiny after all. Yarros’s worldbuilding is intricate without being overbearing, setting the stage for Violet’s satisfying growth into a force to be reckoned with. Readers will be spellbound and eager for more. Agent: Louise Fury, Bent Agency. (May)

(c) Copyright PWxyz, LLC. All rights reserved

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms