School Library Journal Gr 9 Up-A trio of high-born, determined, and wildly charismatic teenagers get more than they bargained for in this rollicking 18th-century Grand Tour of the Continent gone awry. Endearing rake Lord Henry Montague (or Monty) and his biracial best friend (and unrequited love), the infinitely patient Percy, leave England to drop Monty's fiercely intelligent sister Felicity off at finishing school. The friends then spend a year traveling. After the Grand Tour, Monty will return home to help his demanding father run their estate and Percy will go to Holland to law school. If Monty's dad catches wind of him still "mucking around with boys," Monty will be cut off from the family. The trip is intended to be a cultural experience. However, no one could have predicted that one seemingly petty theft would set off an adventure involving highwaymen, stowaways, pirates, a sinking island, an alchemical heart, tomb-raiding, and a secret illness. From the start, readers will be drawn in by Monty's charm, and Felicity and Percy come alive as the narrative unfolds. The fast-paced plot is complicated, but Lee's masterly writing makes it all seem effortless. The journey forces Monty and friends to confront issues of racism, gender expectations, sexuality, disability, family, and independence, with Monty in particular learning to examine his many privileges. Their exploits bring to light the secret doubts, pains, and ambitions all three are hiding. This is a witty, romantic, and exceedingly smart look at discovering one's place in the world. VERDICT A stunning powerhouse of a story for every collection.-Amanda MacGregor, formerly at Great River Regional Library, Saint Cloud, MN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list *Starred Review* Henry Montague is the son of a lord, and as such, his behavior is entirely inappropriate. A lover of vice and hedonism, Monty prefers to spend his time drinking (acceptable) and trysting, both with girls and boys (decidedly not acceptable). Still, Monty is in high spirits as he prepares for his grand tour of the Continent. At his side is his best friend: polite, gentlemanly Percy is the orphaned product of an English lord and a woman from Barbados. Monty, of course, is hopelessly in love with him and plans to make the most of the tour, until his distinct flair for trouble gets in the way. Several miscommunications, one truly terrible party, and an act of petty thievery later, Monty and Percy find themselves on the run across Europe with Monty's sister Felicity in tow. Tongue-in-cheek, wildly entertaining, and anachronistic in only the most delightful ways, this is a gleeful romp through history. Monty is a hero worthy of Oscar Wilde (What's the use of temptations if we don't yield to them?), his sister Felicity is a practical, science-inclined wonder, and his relationship with Percy sings. Modern-minded as this may be, Lee has clearly done invaluable research on society, politics, and the reality of same-sex relationships in the eighteenth century. Add in a handful of pirates and a touch of alchemy for an adventure that's an undeniable joy.--Reagan, Maggie Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus An 18th-century Grand Tour goes exquisitely wrong. Eighteen-year-old white viscount Henry "Monty" Montague is as known for his dashing looks as his penchant for boozeand boys. Before his abusive father grooms him to run the estate, he and his mixed-race best friend, Percy, orphan son of a British colonist and a Barbadian woman, are sent on a yearlong Grand Tourafter which he and Percy will likely be separated forever. Adding insult, their Tour begins under the proviso that, after Monty's sister is delivered to school in Marseille, Monty will remain on the sober straight and narrow or else risk loss of title and fortune. Monty wastes no time in demolishing this agreement in Paris when he gets hammered, offends Percy, insults a duke, ends up naked at Versailles, and steals an objet from the palace in a fit of childish rage. The theft ignites an adventure that illuminates a side of life the trio wouldn't have otherwise seen. Issues of same-sex romance walk in stride with those of race as Monty and Percy find their footing amorously, sexually, and socially. Their realized attraction could mean imprisonment or death, and their relationship is often misconstrued as lord and valet due to Percy's brown skin. The book's exquisite, bygone meter and vernacular sit comfortably on a contemporary shelf. And the friction of racism, tyrannical entitled politicians, and misguided disapproval of homosexuality also have a relevance rooted in current culture's xeno- and homophobia. Austen, Wilde, and Indiana Jones converge in this deliciously anachronistic bonbon. (Historical fiction. 12-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Eighteen-year-old Monty, spoiled heir to a wealthy estate in eighteenth-century Britain, is determined to retrieve an alchemical panacea and cure his lifelong best friend Percy (with whom Monty is hopelessly in love) of his epilepsy. Mayhem, adventure, and a swoon-worthy emotional roller coaster of a romance ensue. A genre tribute, satire, and exemplar in one: trope-filled in the most gleeful way. (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly Eighteen-year-old Henry "Monty" Montague-scandal prone, acid tongued, and a bit too fond of boys, girls, and gin-is embarking on a grand tour of Europe, a last hurrah before taking up the mantle of lordship. The tour quickly veers off course for Monty, his longtime friend (and not-so-secret crush) Percy, and his headstrong sister Felicity when Monty and a young lady are caught in a compromising situation at Versailles, after which Monty absconds with a small trinket. Pursued by the Duke of Bourbon, Monty learns that the object may hold the key to unlocking powerful alchemical secrets. Without funds or connections, the three haphazardly make their way across the continent, crossing paths with secretive Spanish siblings, an inexperienced pirate crew, and others. It's a gloriously swashbuckling affair, but Lee (This Monstrous Thing) doesn't shy from addressing the era's overt racism, sexism, homophobia, and prejudice regarding illness. Percy, a biracial epileptic, and Felicity, a young woman dreaming of medical school, are well-rounded and fascinating supporting characters, and the romantic relationship that develops between Monty and Percy is sure to leave readers happily starry-eyed. Ages 13-up. Agent: Rebecca Podos, Rees Literary. (June) © Copyright PWxyz, LLC. All rights reserved.

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Book list When he was nine years old, Tyrus Wong became a Paper Son, using a false name and pretending to be another boy in order to immigrate with his father to the U.S., or Gold Mountain. After months alone on Angel Island being questioned by immigration authorities, Wong was finally reunited with his dad, taking up a tough life as the new kid in a place where he didn't know the language. He went on to art school while working nights as a janitor and eventually became the art director of Disney's Bambi, though he never received the credit he deserved. Leung's reverent, poetic prose captures the subject's lifelong love of art and his perseverance through adversity. Sasaki's lush renderings are reminiscent of the animator's iconic style, heavily influenced by his Chinese heritage. Young readers and aspiring artists will pore over the stunning digital art, which presents an ink-and-watercolor style. The entire collaboration highlights the many contributions immigrants have made to our country and its culture, making this a lovely work for all shelves, displays centering artists, units on immigration, or showcases during Asian American History Month. Notes from author and artist, in addition to photos of Wong and his family, add further context and value to this gorgeous picture-book biography about an unsung hero of animation and Chinese American history.--Shelley M. Diaz Copyright 2010 Booklist

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School Library Journal PreS-Gr 3—From humble origins as a nine-year-old Chinese immigrant with false papers, Tyrus Wong challenged adversity to become a professional artist. Celebrated as the man behind the design for Disney's Bambi, Wong worked for other film studios as well. Leung's smooth exposition emphasizes the difficulties facing young Wong Geng Yeo, who traveled in 1921 under the identity of Look Tai Yow, a merchant's son, in order to evade the restrictions of the Chinese Exclusion Act. Days of practice on the long voyage allowed him to pass his immigration interview and be released to join his father, but only after an extended detention on Angel Island. Wong finished high school and art school, but continued to face discrimination as a Disney employee. Sasaki's digital illustrations portray him as the single non-white man among a group of Disney animators drawing the repetitive "in between" frames of movies. The art often reflects the style of Chinese watercolor and ink paintings. One notable spread shows the artist working as a janitor, swirling his mop trails to paint a running horse on a tile floor. Other images are stylized but recognizable and appropriate to the mood and the period. The helpful back matter includes author and illustrator notes and photos from the Wong family albums, including his immigration card. The endpapers feature the kites Wong designed and flew on the beach near his California home. VERDICT A well-told story that spotlights the too-often unrecognized talent and contributions of America's immigrants.—Kathleen Isaacs, Children's Literature Specialist, Pasadena, MD

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Publishers Weekly In 1919, a boy and his father emigrate from China to the United States. There, the child is separated from his parent and “taken to a wooden house filled with strangers... Days turned to weeks. This new land was not what he had expected.” After he struggles to clear immigration with an assumed identity, the boy, eventually known as Tyrus Wong, makes his way as an artist, working his way through art school as a janitor before landing a job at Walt Disney Studios. His lush illustrations, influenced by the evocative spareness of Chinese art and calligraphy, became the signature look of Bambi, though Wong is credited “only as a background artist” for his contributions to the film. Sasaki’s appealing illustrations, which blend midcentury stylization with classical Chinese art, complement Leung’s sensitive and skillful telling of Wong’s chillingly timely story. An endnote offers additional details about Wong’s life and career. Ages 4–8. (Sept.)

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Kirkus As the boat sailed from China to America, Wong memorized the minutiae of another boy's life.In 1919, the Chinese Exclusion Act allowed only high-status immigrants into the U.S. So 9-year-old Wong became a "paper son," taking on the identity of a merchant's son. Luckily, Wong passed the grueling immigration interview. After art school, bored by the tedium of "in-betweener" work at Disney Studios, Wong saw his chance to prove himself when Walt Disney announced his next movie, Bambi. Drawing on Felix Salten's novel, his own personal experiences, and his training in both Eastern and Western artistic styles, Wong created lush, impressionistic landscapes inspiring the look of the entire movie. Unfortunately, Wong's work was largely unrecognized; however, he never stopped making art, exploring many media. Digital illustrations emphasize precise details and shape repetition, creating a geometric counterpoint to organic washes of color and loose, impressionistic backgrounds inspired by Wong's work on Bambi. The brief narrative moves swiftly, lingering on just two key moments: Wong's immigration and the making of Bambi. The author's note provides more information about the Chinese Exclusion Act, the proliferation of paper sons and daughters, and additional details about and photos of Wong. Unfortunately, neither text nor backmatter share contextual information about the reasons for immigration, benefits and sacrifices of immigration, or the racial prejudice Wong faced both personally and professionally.A visually engaging introduction to a little-known yet influential American artist (Picture book/biography. 7-12) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book This picture-book biography focuses on two pivotal experiences in Wong's life--his 1920 emigration from China to the U.S. at age nine (the well-paced text describes Wong's journey as a ‘paper son,’ a child carrying forged immigration papers) and his work as an animator at Disney Studios (his ideas inspire the scenic design for the 1942 film Bambi). Sasaki's digital illustrations are striking. Back matter includes photos, an author's note offering more detail about Wong's life (he died in 2016 at age 106!), and information about the Chinese Exclusion Act. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly English writer Hall serves up twist after twist in her canny U.S. debut, a story of grief, love, and murder set in the Dorset countryside. The year is 1968 and Beth Johnson, wife of gentle sheep farmer Frank, remains shattered by the death of her nine-year-old son, Bobby, in an accident two years earlier. Her first love, Gabriel, a bestselling novelist who grew up wealthy on a nearby estate, returns with his young son, Leo, after separating from his American wife. Beth reconnects with Gabriel, fantasizing about rewinding her life to a simpler time, and she forges a bond with Leo, who reminds her of Bobby. An unreliable narrator, Beth provides a blinkered view of the action, mentioning early on that a farmer has been murdered and someone close to her is on trial for the crime, but neglecting to reveal the identities of these two characters until more than halfway through the narrative. As a result, readers are kept guessing about the precise consequences of Gabriel’s return and the circumstances behind Bobby’s death. Hall makes Beth a fascinatingly complex lead who vacillates between restlessness and contentment, and the other characters’ motivations prove to be different than they seem at first glance. This sharp morality tale will stay with readers. Agent: Hattie Grunewald, Blair Partnership. (Mar.)

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Book list Hall’s American debut is a beautiful book set in the wilds of the English countryside. One day on the farm, Beth and Frank are working with their sheep when a dog comes out of nowhere, killing three ewes in minutes. Desperate to stop the carnage, Frank shoots the dog, and minutes later, a little boy named Leo arrives, horrified at the death of his pet. Beth is even more horrified, however, because the boy’s father is an old flame from her teenage years, and she never stopped loving him. Thus begins a terrifying chain of events that ends with Frank on trial for murder and the verdict impending. Broken Country is at its heart a novel about love and loss, about selfishness and selflessness, and about the consequences of decisions made for these reasons. Each decision is driven by the one before it, and Beth, especially, is stretched to her breaking point. Both aching and thrilling, Broken Country is a masterful book by an accomplished author.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus Unchecked passion gives rise to tragedy in a small English farming community in the late 1960s. In 1968, bookish Beth Johnson adores being a farmer’s wife. Though she is not a poet, as she once dreamed, her life laboring in commune with nature is one “where every single day is a different kind of education.” She feels satisfied, especially as she gets to share her moments of rest with her husband, Frank, a reliable and compassionate man, and their close-knit network of family and friends. And yet, there is a seeping wound in their busy life: the loss of their 9-year-old son, Bobby, who died in an accident two years before. When Beth’s first love, Gabriel, unexpectedly moves back to town with his son, Leo, a boy just a bit older than Bobby who is desperately seeking a mother figure, Beth and the reader are blown back to “before”: 1955, before Beth knew what it was to love or to grieve. In addition, Hall intersperses scenes set at a 1969 murder trial so that, though she intentionally obscures the identities of the victim and the suspect until the climax, death crouches over the entire novel. As we watch Beth and Gabriel fall toward one another in two timelines, we are painfully aware that heartbreak is imminent in each. One would think it would be hard to shake this feeling of doom, especially since Hall also makes it clear that Beth will break her commitment to Frank early on, but her prose is so transportive that it’s impossible not to hang on and hold out hope for Beth, Frank, Gabriel, and the people they love. There are several standout scenes, but an especially stunning one comes when Frank’s brother, Jimmy, helps Beth deliver Bobby on the kitchen floor during a violent storm. Indeed, every scene that includes Bobby is touching, especially those that highlight his connection with the land—the characteristic Beth most prizes in Frank and is proud to have found within herself. Crystallized in Beth’s memory as a “boy reaching back to his ancestors through these lumpy green fields, to the sounds and sights, the taste, the touch of a thousand years,” he is without time, like love and loss. An elegantly written historical novel with a compelling love triangle and a couple of clever twists. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: Debut writer and Washington, D.C., native, Clarke has written a novel as lyric and alternately beguiling and confounding as its title. It is the story of the drowning of a six-year-old child, and the tragedy's ramifications for her family and neighbors in the black area of Georgetown in 1925 D.C. Clarke's scene-building skills are the novel's strengths and occasionally its weaknesses, as each chapter is an intense set piece that sometimes provokes more questions than answers. The story is ultimately that of the effects of Clara Bynum's death on her 12-year-old sister, Johnnie Mae, who was babysitting Clara at the time she fell into the river. Johnnie Mae suffers guilt, fear and loss, endures dreams, imaginings and confusion as she sees visions of her sister everywhere: in a trauma-stung classmate who wears braids like Clara's, and the vapor from a boiling pot of green beans that resembles her sister's face. Against a felt, poignant and meticulously detailed panorama of the African-American (then called "colored") community of Georgetown, Johnnie Mae struggles to find her bearings, to cope with institutional and family expectations, and with puberty and race. Johnnie Mae ultimately derives strength from her element, the water, as she becomes a talented swimmer, but her parents Alice and Willie struggle with inextinguishable grief. From the first vivid description of the Potomac, liquid elements provide themes and narrative tension in this plangent coming-of-age story, granting the reader a necessary, if temporary, distancing from the blunt fact of a dead child. Indeed, Clarke's research about African-American Georgetown in the early 20th century revisits a time and place as intricate as any, but so remote from most memories that the historical details are fascinating footnotes to an era. While authorial asides are sometimes intrusive, this is a haunting story. Agent, Cynthia Cannell.

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