Kirkus Seventeen-year-old Afro-Boricua Emoni Santiago hones her gift for cooking and makes important decisions about her future.Emoni's 'Buela says she's had a gift for cooking since she was small. Now Emoni has her own toddler, Emma ("The kind of name that doesn't tell you too much before you meet her, the way mine does"), nicknamed Babygirl. Emoni's first day of senior year at her Philadelphia high school is also Babygirl's first day of day care, leaving Emoni saddened about missing parts of her life. Emoni's a classic example of the school system's failure to harness many students' creativity and interests, but thankfully she discovers and enrolls in a new class called "Culinary Arts: Spain Immersion." Though the teacher, Chef Ayden, respects her, he's strict, and Emoni nearly drops the class, but eventually she gathers the ingredientsconnections and skillsshe'll need for success. A romance that doesn't fit the usual mold and a class trip to Spain round out this flavorful tale. Emoni occasionally breaks from first-person narration to address readers directly, and her voice and story feel fresh and contemporary. Diversity in representation is primarily racial and ethnic; however, Emoni's best friend Angelica is a lesbian. The short, precise prose chapters will draw in even reluctant readers, and the inclusion of several recipes adds to the appeal. Current pop-culture references and cultural relevance will attract both window and mirror readers. Sabroso. (Fiction. 14-adult) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book High school senior Emoni Santiago (an aspiring chef) and her two-year-old daughter live with Emoni's abuela. Emoni signs up for a culinary arts class that culminates in a trip to Spain--and she begins to see a path forward, if only she dares follow it. Acevedo creates beautifully realized characters with complex lives. A few recipes (such as "When Life Gives You Lemons, Make Lemon Verbena Tembleque") are interspersed. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 9 Up-The acclaimed author follows up her celebrated The Poet X with a love letter to food and a tribute to young, single mothers. Emoni Santiago is an Afro-Latinx high school senior in Philly who dreams up the most delectable concoctions, always mixing up tastes from her two cultures with a spice of her own. The news of a culinary arts course with a possible trip to Spain grabs her interest, but how will she juggle school, work, and taking care of her daughter? The young woman is barely balancing everything on her plate with the help of her talented best friend Angelica, 'Buela (her intractable grandmother), and occasional visits from her activist father (who moved to Puerto Rico after her mother's death). Acevedo populates her first prose novel with complex and unforgettable characters and turns the stereotype of "teen mom" on its head. Emoni has to deal with daycare drop-offs, custody issues, and making ends meet alongside college applications, budding romances, and the high school rumor mill. Realistic dialogue and vulnerable interior monologues about sex, loss, and insecurities will ring true with all adolescents. The author expertly weaves Spanglish, toddler mom worries, and culinary lingo and aptly evokes the Philly and Spain settings, immersing readers in Emoni's world. The novel's three parts are introduced by recipes created and perfected by the protagonist, and hints of Laura Esquivel's Like Water for Chocolate will leave teens hungry for more. VERDICT Acevedo's second serving offers a much-needed nuanced exploration of teen parenting that belongs on all shelves.-Shelley M. Diaz, BookOps: The New York Public Library and Brooklyn Public Library © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly In this stunning sophomore novel from National Book Award and Printz winner Acevedo (The Poet X), Afro-Puerto Rican and African-American Emoni Santiago, a high school senior, lives in Philadelphia with her two-year-old daughter, Emma-nicknamed Babygirl-and paternal grandmother, 'Buela. A talented cook, Emoni balances school, work at a local burger joint, and motherhood-including shared custody with her ex-boyfriend, Tyrone-with moments in the kitchen, where her "magical hands" create dishes that allow the eater to access deep, surprising memories. But she's not sure what to do with her passion, or after high school, until enrolling in a culinary arts elective helps her to hone her innate cooking skills in the classroom and during a hard-won weeklong apprenticeship in Spain. As she gains practice at leadership and fund-raising, she also cautiously develops a budding relationship with new student Malachi, a boy who respects Emoni's boundaries. Acevedo expertly develops Emoni's close female relationships, which are often conveyed through the sharing of food and recipes, and which shape and buoy Emoni's sense of her own direction and strength. With evocative, rhythmic prose and realistically rendered relationships and tensions, Acevedo's unvarnished depiction of young adulthood is at once universal and intensely specific. Ages 13-up. Agent: Ammi-Joan Paquette, Erin Murphy Literary Agency. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Acevedo has done it again: the multi-award-winning author of The Poet X (2018) here delivers perfection, from the cover art featuring a young Afro-Latina woman looking out, her curls picked up in a scarf, and kitchen staples framing her face, to Acevedo's keen, stirring prose that reads like poetry and demands to be read slowly. In a distinct, perceptive, and vulnerable first-person narrative, Emoni, a young single mom being raised by her grandmother while raising her own daughter, relates the story of her last year of high school in vignettes and short chapters, trading off between sharing bits of the story and her musings about her life and her future. Emoni has a gift for cooking, and her food, like magic, conjures emotions in people she shares it with. Her teachers, friends, and family are all ready to support her when the subject of culinary arts schooling comes up, but the one Emoni needs to learn to trust is herself. Acevedo compassionately challenges her readers with a wide variety of topics, including cultural and personal identity and the needs and desires of older women, something that is so often forgotten. Fittingly, for a book so deeply about food, she also includes Emoni's recipes. This sophomore novel is simply stunning. HIGH-DEMAND BACKSTORY: Acevedo's debut won a National Book Award and the Printz Award and her many fans will be salivating for this superb follow-up.--Kristina Pino Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal PreS-Gr 2-In this picture book charmer, two insects spot a beautiful peach. They want to eat it, but a praying mantis announces that it is the last peach of the season. Another bug says it looks good, but it could be rotten inside. If they ate it, would they feel sick? The two main insects argue and debate, each one getting a different text font color to make the conversation parts clear. Is the peach magic? Should they share it with others? Perhaps write it an admiring poem? When they get into a physical fight over which one of them should claim it, they declare themselves unworthy, and then leave the peach alone. After they depart, the final image reveals a twist. The glowing orb they have been admiring is actually the sun, positioned so it appears to hang on a tree branch. The collage illustrations are made up of many different colors and types of paper that include words in French, while the end pages depict several varieties of peaches in a luscious photorealistic style. VERDICT Use with Du Iz Tak? and James and the Giant Peach to discuss conflict resolution or for a plant-themed storytime.-Lucinda Snyder Whitehurst, St. Christopher's School, -Richmond, VA © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Two motley insects contemplate eating the last peach of the season.Gordon presents children with a timeless, rather adult dilemma: how to act in the face of irresistible temptation. Here, two thumb-shaped flylike creaturesone dressed in a Homburg hat and blue-and-white-striped body suit, the other in a red print shirtencounter a sumptuous peach, rosy and golden as the setting sun, still on the branch, and begin to discuss its merits. "It's the most beautiful peach I've seen ALL summer," says the bug dressed in blue. "Wouldn't you agree?" "I do agree," responds the red-shirted friend: "In fact, it's the most beautiful peach I've seen in ALL the summers." The two quickly decide they "must eat that peach at once," but with one page turn, a venerable praying mantis, clad in top hat and cane, stops them, warning: "You can't eat that peach! It's the last peach of the season." In delightfully clever double-page spreads, the two friends then go back and forth, hilariously debating whether to devour the peach together or alone, to share it with others or to leave it entirely. Gordon's witty, collagelike mixed-media illustrations and spare, dialogue-only text not only get at the gnarly pit of indecisionserving up provocative behavioral binaries such as impulsivity versus reflection, indulgence versus sacrifice, hoarding versus sharingbut offer a surprise ending as well.Luscious, light, and thought-provoking: decidedly not to be missed! (Picture book. 3-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly This existential meditation by Gordon (Herman and Rosie) deals with some big questions. Two wide-eyed insects contemplate a red-orange globe that hangs suspended amid green leaves. "Oh my," one exclaims. "Now THAT is a fine peach!" They begin the discussion agreeably enough ("Let's eat it. At once!"), but as others weigh in ("You can't eat that peach!"), attitudes shift to anxiety ("We would probably... get big tummy aches"), then to fantasy ("What if we ate it and could suddenly do magical things?") before spiraling into frank conflict: "''That is MY peach!' 'No, it's MY peach!''" Gordon composes leafy collage-style spreads in paper accented with snippets of vintage French type. The insects bear more than a passing resemblance to the clowns in Beckett's Waiting for Godot; one has a hat and a curling proboscis, while the other sports antennae and a red schnozz. In the wistful ending, the two friends decide that the object of their desire is too beautiful to eat, denying themselves the pleasure they've been anticipating all along. And after they leave, another surprise awaits readers. Some desires, this sly fable suggests, may be founded on illusion. Ages 4-8. (May) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Do you dare to eat a peach? Certainly the endpapers of this book, which illustrate a variety of mouthwatering peaches, inspire one to do so. Two small, long-nosed insects contemplate the beauty of a particular peach (the very last one of the whole summer), which hangs on a tree above them. They decide they must eat it at once! But when a third green insect with top hat and cane arrives, he cries, Stop! You can't eat that peach! It's the last peach of the season. Hmm. Another tubby, winged character arrives, suggesting that the peach may be stinky and rotten on the inside. Ugh. Well, they could share the peach with all their friends . . . or one could keep it from the other and devour it. Suspense builds, and the magnificent peach remains hanging uneaten, to be admired for its beauty. Contrasting font colors make this a perfect read-aloud for more than one speaker. Collages of fragments of printed words in French, combined with artwork done in watercolor, crayon, and pencil, are surrounded by generous white space, which offsets the round, juicy, delectable peach and the somewhat wacky sartorial dress of the bug-eyed insects with humor and delight. The final surprise ending gives a subtle nod to the ephemeral nature of desire.--Lolly Gepson Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: The shadowy and inexorable nemesis of past secrets to a reclaimed life, and the inability even of those who are intimates to really know one another, are poignant themes in Miller's resonant fifth novel. Narrator Jo Becker, now a veterinarian married to a minister in a small Massachusetts town, was once a runaway bride who assumed a false name and lived with other dissaffected '60s bohemians in a group house in Cambridge. Her special friend in the house was sweet-spirited and generous Dana Jablonski, whose shocking--and unsolved--murder broke up the group and left Jo with unresolved questions about her own identity. She manages to ignore the memories of that time until, almost three decades later, one of the former housemates, Eli Mayhew, moves to her town. Eli, now a distinguished research scientist, provides a revelation that acts as the catalyst provoking Jo to face her guilt about her past behavior--and to act impulsively once again. Her moral conundrum occasions a heartrending change in her heretofore strong marriage and undermines her relationship with her three grown daughters. As usual, Miller (The Good Mother; Family Pictures) renders the details of quotidian domesticity with bedrock veracity and a sensitivity to minute calibrations of family dynamics, especially the nuances of sibling rivalry. But while the pacing, tone and measured exposition are handled with masterly skill, the way in which Jo's decision to make amends for her past rebounds on her present life seems staged and convoluted, since her husband and children seem to think that retribution for a murder should take second place to their own emotional needs. That cavil aside, Miller's narrative is a beautifully textured picture of the psychological tug of war between finding integrity as an individual and satisfying the demands of spouse, children and community. 150,000 first printing; Random House audio; BOMC selection; author tour.

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