Kirkus
Copyright © Kirkus Reviews, used with permission.

A doughboy makes a curious discovery at the front in this inventive metaphysical horror tale. This novel by Kraus centers on Private Cyril Bagger, a U.S. soldier during World War I and the son of a bishop who died on theLusitania; he’s taken his father’s Bible with him into the Army as a remembrance. He’s also a confidence man and shirker relegated to burial duty in the French countryside, which is fine with him: The work is grotesque (Kraus depicts wartime deaths in visceral detail) but keeps him from becoming a corpse himself. Alas, his commander has hand-picked him and four other “disreputable” soldiers for a suicide mission to rescue what sounds like an incessantly shrieking soldier. Cyril finds the source of the shrieking, which turns out to be—well, that’s tricky. Cyril sees her as a vaguely familiar woman, clothed in red and blue, bathed in bright light, and capable of magically rescuing him from the worst of German gunfire; members of his cohort see a mother, a former lover, and other women. So for the purposes of Kraus’ novel, the shrieker is a metaphor for the ways war stands in contrast to our deepest needs for care and safety. It’s a sweet sentiment, albeit one that Kraus coats in a lot of ugliness, particularly the seemingly endless human carnage. Kraus structures the novel as an extended run-on sentence (with paragraph breaks), giving the story a relentless and intense rhythm. As a veteran horror writer, he’s gifted at depictions of blood and guts and knows how to keep a story moving, but in its latter stages the novel is a philosophical one as well, concerned with humanity’s seemingly inborn need to wage war and what might counter it. The identity of the woman Cyril calls an angel is vague, but Kraus has a clear grasp on our worst impulses. An impressive and surprising take on war-story tropes. Copyright © Kirkus Reviews, used with permission.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

Kraus’ follow-up to Whalefall (2023) explores the same deeply emotional themes, this time in WWI France. Private Bagger has used his wits to stay alive in the trenches as a latrine and grave digger. He and four other misfits are asked to stay behind in order to “take care” of a suffering soldier lying in the dangerous no-man's land between them and the Germans. However, it is not a soldier they find screaming—it is an angel, fallen from heaven and stuck in barbed wire. As the men travel to rejoin their unit, carrying the angel, each is mesmerized by her light and tempted by her power. She could save them all or lead to their deaths. The book unfolds like a chant, in short paragraphs each beginning with the word and, and readers will quickly fall under Bagger’s narrative spell as they see the visceral and gruesome toll war takes on the entire planet. Is Bagger going to survive through a miracle or by luck? A brilliant novel that will encourage its readers to live their best lives, despite the horrors that surround them. For fans of John Milas' The Militia House (2023) and thought-provoking tales that sow discomfort through story and narrative structure, such as Agustina Bazterrica's The Unworthy (2025).

Publishers Weekly
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Kraus (Whale Fall) delivers a vivid tale, composed of a single sentence, about an angel’s appearance on a French battlefield near the end of WWI. American infantryman and card sharp Cyril Bagger is ordered by ambitious Major General Reis to investigate the source of an unearthly shrieking that’s driving members of their company insane. Dispatched with Cyril are four other misfits—innocent, underage Arno; brutish Popkin; “squirmy, squirrelish” Goodspeed; and seriously shell-shocked Veck. The quintet finds an angel in the form of a Madonna figure, wrapped in barbed wire and emitting a “breathtaking” beacon of light. Determined not to turn the angel over to Reis, whom they assume will use her to advance his career, they desert, ducking artillery fire and bickering as they vie for the angel’s attention, believing she’s capable of granting their wishes. Kraus ramps up the tension with the relentless cadence of his prose, offering no breaks from the action but finding room for glorious lyrical flights (“and so Bagger sits up with vision aswirl and shoos away the filthy pelt of air, the pigeon-gray smoke and eyeball-white fog”). With this vigorous narrative, Kraus breathes new life into the war novel. Agent: Richard Abate, 3 Arts. (July)