Publishers Weekly : As in his Caldecott Honor book, There Was an Old Lady Who Swallowed a Fly, Taback's inventive use of die-cut pages shows off his signature artwork, here newly created for his 1977 adaptation of a Yiddish folk song. This diverting, sequential story unravels as swiftly as the threads of Joseph's well-loved, patch-covered plaid coat. A flip of the page allows children to peek through to subsequent spreads as Joseph's tailoring produces items of decreasing size. The author puts a droll spin on his narrative when Joseph loses the last remnant of the coat--a button--and decides to make a book about it. "Which shows... you can always make something out of nothing," writes Taback, who wryly slips himself into his story by depicting Joseph creating a dummy for the book that readers are holding. Still, it's the bustling mixed-media artwork, highlighted by the strategically placed die-cuts, that steals the show. Taback works into his folk art a menagerie of wide-eyed animals witnessing the overcoat's transformation, miniature photographs superimposed on paintings and some clever asides reproduced in small print (a wall hanging declares, "Better to have an ugly patch than a beautiful hole"; a newspaper headline announces, "Fiddler on Roof Falls off Roof"). With its effective repetition and an abundance of visual humor, this is tailor-made for reading aloud. All ages. (Oct.)

Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Pre-Gr 3-A book bursting at the seams with ingenuity and creative spirit. When Joseph's overcoat becomes "old and worn," he snips off the patches and turns it into a jacket. When his jacket is beyond repair, he makes a vest. Joseph recycles his garments until he has nothing left. But by trading in his scissors for a pen and paintbrush he creates a story, showing "you can always make something out of nothing." Clever die-cut holes provide clues as to what Joseph will make next: windowpanes in one scene become a scarf upon turning the page. Striking gouache, watercolor, and collage illustrations are chock-full of witty details-letters to read, proverbs on the walls, even a fiddler on the roof. Taback adapted this tale from a Yiddish folk song and the music and English lyrics are appended. The rhythm and repetition make it a perfect storytime read-aloud.-Linda Ludke, London Public Library, Ontario, Canada

Copyright 2000 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly : Though sobering front-page headlines worry a young paperboy, the comics--especially a strip called Falconman--lift him up. Quite literally, in fact. After Henry peruses a Falconman strip in which a magical falcon converts a police trooper into a superman by lending him the power to fly, the boy's bike collides with a similarly gifted sparrow. Suddenly airborne, the boy delivers his newspapers in flight while saving innocent neighbors from a menacing bully and his growling pooch. For the course of Henry's transformation, the book adopts a comic-strip format, accenting the boxed, action-filled pictures with brief, punchy text and a chorus of sound effects like "CHIRP!", "WHOOSH!" and "THONK!" In a final, satisfying coup, Henry comes to the rescue of the benevolent sparrow, vulnerable because it has temporarily relinquished its powers of flight to Henry, a development that readers will delight in discovering before the boy does. The plot unravels chiefly through Pinkney's (Max Found Two Sticks; see I Smell Honey, reviewed above) airy, motion-filled art, expertly rendered in scratchboard, transparent dyes and gouaches in creamy colors never before seen in a comic book. Clever quips and asides add humor and playful melodrama. Pinkney clearly had a blast creating this soaring story, and his high spirits are transferable to the reader--ZAP! Ages 4-9.

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : PreS-Gr 1--Fretting over headlines in the newspapers he's delivering, Henry almost runs over a sparrow on the sidewalk. There's a flash of light, and suddenly, like his comic-strip hero Falconman, the boy is swooping through the skies fighting evil--or, at least, collaring a scary dog, rescuing a cat from a bully's clutches, and repeatedly snatching the temporarily flightless sparrow out of danger in the nick of time. Like newspaper comics, Pinkney's full-color scratchboard scenes are done in page-sized panels, with a minimum of text but maximum action, dramatized by swirling lines, wide gestures, and "THONK!" "ZAP!" sound effects. Henry's heroics will win readers over instantly; he may not save the world, but before he returns to Earth, he does make his suburban neighborhood "just a little better." That's a plausible goal for any actual or would-be superhero.

John Peters, New York Public Library Distributed by Syndetic Solutions Inc. Terms