Book list Senior Mickey Catalan is a talented softball catcher with a bright collegiate future ahead. She's a little socially awkward, but she's beginning to navigate romantic relationships while relying on the easy camaraderie with her teammates and her best friend, star pitcher Carolina. Then Mickey and Carolina are both injured in a car accident, and Mickey's broken hip seriously jeopardizes her athletic future. Determined to play again, Mickey falls into the trap of opiate addiction in a rapid and wholly believable descent. McGinnis begins with a shocking scenario: Mickey wakes to find her fellow-addict friends dead after shooting bad drugs. The rest of the story unfolds in flashback. There's nothing subtle here from the double entendre title that sets the tone on but McGinnis creates fully dimensional characters. Even the drug dealers have complex and interesting back stories. There's also no romanticized happy ending, just the realistic portrayal of how easy it is to develop an opiate addiction and the very real consequences of addiction. A timely and important message for teens everywhere.--Debbie Carton Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 9 Up-All it takes is one prescription to kick-start a student athlete's frightening descent into opioid addiction. After surgery following a car accident, Ohio softball phenom Mickey Catalan is prescribed OxyContin for pain. When she starts to run out of the Oxy she relies on to get through her physical therapy, she gets pills from a dealer, through whom she meets other young addicts. Mickey rationalizes what she's doing and sees herself as a good girl who's not like others who use drugs (like new friend Josie, who uses because she's "bored"). Mickey loves how the pills make her feel, how they take her out of herself and relieve the pressures in her life. Soon she's stealing, lying, and moving on to heroin. Her divorced parents, including her recovering addict stepmother, suspect something is going on, but Mickey is skilled at hiding her addiction. A trigger warning rightfully cautions graphic depictions of drug use. In brutally raw detail, readers see Mickey and friends snort powders, shoot up, and go through withdrawal. Intense pacing propels the gripping story toward the inevitable conclusion already revealed in the prologue. An author's note and resources for addiction recovery are appended. This powerful, harrowing, and compassionate story humanizes addiction and will challenge readers to rethink what they may believe about addicts. VERDICT From the horrific first line to the hopeful yet devastating conclusion, McGinnis knocks it out of the park. A first purchase for all libraries serving teens.-Amanda MacGregor, Parkview Elementary School, Rosemount, MN © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Horn Book McGinnis's frank and frightening novel helps redefine the narrative of opioid addiction. Mickey is a star softball player, but when injuries from a car crash threaten to derail her season, she needs help to power through the pain. Her need for opioids escalates until she's using heroin. Frank depictions of drug use and an all-too-plausible trajectory combine for an intense and vital read. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus A compassionate, compelling, and terrifying story about a high school softball player's addiction to opioids.A promising life can be upended in a minute. One moment star catcher Mickey Catalan, who is assumed white, is living an ordinary life, talking about boys and anticipating a winning season with her best friend, pitcher Carolina Galarza. The next moment her car is upside down in a field, and their promising softball careers are in danger. Mickey's divorced parents and Carolina's tightknit Puerto Rican family are rooting for them to recover before the start of the season. After enduring surgeries, they are each given opioid painkillers, yet only Mickey spirals into addiction. From the novel's opening line, the reader awaits the tragic outcome. What matters are the detailsthe lying, the stealing, the fear about college scholarships, the pain confronted in the weight room, and the desperate desire to winbecause they force the reader to empathize with Mickey's escalating need. Realistic depictions of heroin abuse abound, and the author includes a trigger warning. The writing is visceral, and following Mickey as she rationalizes about her addiction is educative and frightening. Even more frightening are the descriptive passages that reveal how pleasant the drugs make her feel. By the end, readers understand how heroin can infiltrate even the most promising lives.A cautionary tale that exposes the danger of prescription medications by humanizing one victim of America's current epidemic. (author's note, resources) (Fiction. 14-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Do you dare to eat a peach? Certainly the endpapers of this book, which illustrate a variety of mouthwatering peaches, inspire one to do so. Two small, long-nosed insects contemplate the beauty of a particular peach (the very last one of the whole summer), which hangs on a tree above them. They decide they must eat it at once! But when a third green insect with top hat and cane arrives, he cries, Stop! You can't eat that peach! It's the last peach of the season. Hmm. Another tubby, winged character arrives, suggesting that the peach may be stinky and rotten on the inside. Ugh. Well, they could share the peach with all their friends . . . or one could keep it from the other and devour it. Suspense builds, and the magnificent peach remains hanging uneaten, to be admired for its beauty. Contrasting font colors make this a perfect read-aloud for more than one speaker. Collages of fragments of printed words in French, combined with artwork done in watercolor, crayon, and pencil, are surrounded by generous white space, which offsets the round, juicy, delectable peach and the somewhat wacky sartorial dress of the bug-eyed insects with humor and delight. The final surprise ending gives a subtle nod to the ephemeral nature of desire.--Lolly Gepson Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly This existential meditation by Gordon (Herman and Rosie) deals with some big questions. Two wide-eyed insects contemplate a red-orange globe that hangs suspended amid green leaves. "Oh my," one exclaims. "Now THAT is a fine peach!" They begin the discussion agreeably enough ("Let's eat it. At once!"), but as others weigh in ("You can't eat that peach!"), attitudes shift to anxiety ("We would probably... get big tummy aches"), then to fantasy ("What if we ate it and could suddenly do magical things?") before spiraling into frank conflict: "''That is MY peach!' 'No, it's MY peach!''" Gordon composes leafy collage-style spreads in paper accented with snippets of vintage French type. The insects bear more than a passing resemblance to the clowns in Beckett's Waiting for Godot; one has a hat and a curling proboscis, while the other sports antennae and a red schnozz. In the wistful ending, the two friends decide that the object of their desire is too beautiful to eat, denying themselves the pleasure they've been anticipating all along. And after they leave, another surprise awaits readers. Some desires, this sly fable suggests, may be founded on illusion. Ages 4-8. (May) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal PreS-Gr 2-In this picture book charmer, two insects spot a beautiful peach. They want to eat it, but a praying mantis announces that it is the last peach of the season. Another bug says it looks good, but it could be rotten inside. If they ate it, would they feel sick? The two main insects argue and debate, each one getting a different text font color to make the conversation parts clear. Is the peach magic? Should they share it with others? Perhaps write it an admiring poem? When they get into a physical fight over which one of them should claim it, they declare themselves unworthy, and then leave the peach alone. After they depart, the final image reveals a twist. The glowing orb they have been admiring is actually the sun, positioned so it appears to hang on a tree branch. The collage illustrations are made up of many different colors and types of paper that include words in French, while the end pages depict several varieties of peaches in a luscious photorealistic style. VERDICT Use with Du Iz Tak? and James and the Giant Peach to discuss conflict resolution or for a plant-themed storytime.-Lucinda Snyder Whitehurst, St. Christopher's School, -Richmond, VA © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus Two motley insects contemplate eating the last peach of the season.Gordon presents children with a timeless, rather adult dilemma: how to act in the face of irresistible temptation. Here, two thumb-shaped flylike creaturesone dressed in a Homburg hat and blue-and-white-striped body suit, the other in a red print shirtencounter a sumptuous peach, rosy and golden as the setting sun, still on the branch, and begin to discuss its merits. "It's the most beautiful peach I've seen ALL summer," says the bug dressed in blue. "Wouldn't you agree?" "I do agree," responds the red-shirted friend: "In fact, it's the most beautiful peach I've seen in ALL the summers." The two quickly decide they "must eat that peach at once," but with one page turn, a venerable praying mantis, clad in top hat and cane, stops them, warning: "You can't eat that peach! It's the last peach of the season." In delightfully clever double-page spreads, the two friends then go back and forth, hilariously debating whether to devour the peach together or alone, to share it with others or to leave it entirely. Gordon's witty, collagelike mixed-media illustrations and spare, dialogue-only text not only get at the gnarly pit of indecisionserving up provocative behavioral binaries such as impulsivity versus reflection, indulgence versus sacrifice, hoarding versus sharingbut offer a surprise ending as well.Luscious, light, and thought-provoking: decidedly not to be missed! (Picture book. 3-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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School Library Journal : Starred Review. PreS-Gr 1—Inspired by traditional cumulative poetry, Swanson weaves a soothing song that is as luminescent and soulful as the gorgeous illustrations that accompany her words. A journey both humble and epic begins with a key to a house. "Here is the key to the house./In the house burns a light./In that light rests a bed…." In the bedroom of the house, a girl reads a book in which a bird "breathes a song…all about the starry dark." Swanson's poem then takes readers on a flight across the night sky to the realm of the moon and sun, then back along the path to the key that marked the beginning of the journey. Krommes's folk-style black-and-white etchings with touches of yellow-orange make the world of the poem an enchanted place. Patches of light and shadow give shape to the darkness, while smiling celestial bodies populate the potentially lonely night with their friendly warmth. This picture book will make a strong impression on listeners making their first acquaintance with literature. It is a masterpiece that has all the hallmarks of a classic that will be loved for generations to come.—Jayne Damron, Farmington Community Library, MI

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Kirkus Of revolutions good and bad, born of intentions good and evil. In this wide-ranging historical survey, political commentator Zakaria, author of The Post-American World, considers the present era to be “revolutionary in the commonly used sense of the word,” involving fundamental changes marked not necessarily by advances but instead retreats into ideologies once overcome. Donald Trump, in this regard, is “part of a global trend,” the proponent of a politics of resentment against the other, whether nonwhite newcomers or members of the so-called urban elite. Some revolutions have had better angels at their hearts. The establishment of the Dutch Republic, for example, brought with it a “celebration of individual rights…[and] toleration of religious minorities,” along with an entrepreneurial spirit that made Holland the wealthiest nation on the planet. Similarly, the British government supported inventors and technological innovation after the Glorious Revolution, which introduced “parliamentary rule and market capitalism,” giving the nation a decided leg up on more hidebound neighbors. Throughout this intellectually stimulating book, Zakaria asks and answers large questions, such as why the U.S., alone among industrial nations, never developed a socialist movement. (One part of the answer is that the U.S. never experienced feudalism as such, and its ruling class “obscured the strict lines of class conflict that fed socialism.”) Absent socialism, the country instead developed a liberal democracy along the lines of the old Dutch Republic, for better and worse. Zakaria writes, “Liberalism’s great strength throughout history has been to free people from arbitrary constraints. Its great weakness has been the inability to fill the void when the old structures crumble.” That’s about where we are today, with old structures collapsing on every side and no fresh solutions in view—certainly, the author concludes, not from the right wing. A thought-provoking tour of recent history and its considerable discontents. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list A prominent journalist considers historical dramatic changes and twenty-first-century geopolitical trends in a search for perspective on our current “revolutionary age.” Concerned by Trumpism and the broader global trend away from liberal ideals (Enlightenment principles of personal liberty and laissez-faire economics, not left-of-center politics), Zakaria (Ten Lessons for a Post-Pandemic World, 2020) first turns to the past. Adopting new technologies and rejecting the prevailing Spanish model of top-down colonial governance in the 1600s, the Dutch destabilized and transformed Europe. Drawing on historian Eric Hobsbawm’s similarly titled 1962 work, The Age of Revolutions, Zakaria emphasizes the failure of the French Revolution relative to the transformative British Industrial Revolution. Returning to the present, Zakaria identifies economic globalization, information technology, and identity politics as intertwined factors driving today’s geopolitical turbulence. In part, this is a cautionary counterargument to those agitators who romanticize illiberal backlash and fan the flames of violent conflict. It’s also an earnest plea for a return to third-way political centrism informed by classical liberal values at a time when middle-ground stances are increasingly rejected by a polarized electorate.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus Two youngsters escaping slavery find refuge.Twelve-year-old Homer and his little sister, Ada, become separated from their mother as they attempt to flee enslavement on the Southerland plantation. They are rescued by Suleman, who takes them deep into the Great Dismal Swamp, where they join Freewater, a community of people who successfully fled from slavery and children who were born there. They work together to remain free, support one another, and remember the history of their founding. Suleman is one of the men who patrols the swamp, watching for any who would seek to reenslave them. He and others raid neighboring plantations for supplies. Freeborn Sanzi, 12, is determined to be a hero like Sulemaneven if it gets her into troubleand when her efforts go badly wrong, it places their settlement in danger. Meanwhile, back at Southerland, Homers mother has been caught and severely whipped. This does not keep Homers friend Anna from plotting her own escape while Homer seeks a way to rescue his mother. Set in a fictional community but based on real stories of those who fled slavery and lived secretly in Southern swamps, this is detailed and well-researched historical fiction. The characters are varied, complex, and fully realized. Descriptions of the setting are so vivid that it becomes a key aspect of the narrative. The page-turning action will engage readers as the story reaches a satisfying conclusion.An exceptional addition to the resistance stories of enslaved people. (author's note) (Historical fiction. 8-12) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Kirkus Two youngsters escaping slavery find refuge. Twelve-year-old Homer and his little sister, Ada, become separated from their mother as they attempt to flee enslavement on the Southerland plantation. They are rescued by Suleman, who takes them deep into the Great Dismal Swamp, where they join Freewater, a community of people who successfully fled from slavery and children who were born there. They work together to remain free, support one another, and remember the history of their founding. Suleman is one of the men who patrols the swamp, watching for any who would seek to reenslave them. He and others raid neighboring plantations for supplies. Freeborn Sanzi, 12, is determined to be a hero like Suleman—even if it gets her into trouble—and when her efforts go badly wrong, it places their settlement in danger. Meanwhile, back at Southerland, Homer’s mother has been caught and severely whipped. This does not keep Homer’s friend Anna from plotting her own escape while Homer seeks a way to rescue his mother. Set in a fictional community but based on real stories of those who fled slavery and lived secretly in Southern swamps, this is detailed and well-researched historical fiction. The characters are varied, complex, and fully realized. Descriptions of the setting are so vivid that it becomes a key aspect of the narrative. The page-turning action will engage readers as the story reaches a satisfying conclusion. An exceptional addition to the resistance stories of enslaved people. (author's note) (Historical fiction. 8-12) Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Fleeing enslavement at Southland Plantation, 12-year-old Homer and his little sister, Ada, get separated from their mother but keep moving until they arrive at a wild, unknown area. Struggling forward and fearing capture, they are helped by a man who literally swings to their rescue from the trees! Suleman helps them make their way to a hidden community of formerly enslaved people and their freeborn children. The newcomers are in awe of how this hidden enclave—Freewater—-exists, but they also fear for their new home and friends after overhearing the plantation overseer Stokes and his minions planning to set the swamp ablaze to flush them out. Back at the plantation, their recaptured mother and others want to join the Freewater community, and a perfect plan comes together. Debut author Luqman-Dawson brings to life a lesser-known piece of Black history: the role of swamplands as safe areas for those making their way to freedom. She has imagined how people not only would survive but thrive in such places. Skillfully drawing memorable characters and moving them toward an exciting, heartfelt resolution, Luqman-Dawson does not shy away from the realities of slavery. This lyrical story of hope, strength, and ingenuity will be gobbled up by young history buffs and adventure lovers. Direct your Christopher Paul Curtis and Avi fans this way.

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Based on the real-life Great Dismal Swamp, where enslaved people sought refuge from plantation life, Luqman-Dawson’s engrossing historical fiction novel follows enslaved Black siblings 12-year-old Homer and seven-year-old Ada after their escape from Southerland Plantation and its white overseer. An encounter with plantation raider Suleman results in the children being taken to swamp haven Freewater, a lush forest peopled with individuals who escaped slavery and who keep watch for possible invaders. Making her children’s debut, Luqman-Dawson populates the town with richly rendered characters, including Freewater-born Juna, who has never seen a white person, and her sister Sanzi, a tough but unseasoned fighter who looks up to Suleman and wants to do her part to help the people of Freewater. When the town’s inhabitants undertake a liberation effort, the characters must build courage and overcome their fears in this vividly written, wholly accessible novel of enslavement and resistance. Back matter includes an author’s note describing the true history behind Freewater. Ages 8–12. Agent: Emily Van Beek, Folio Jr. (Feb.)

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Horn Book Many accounts of the Underground Railroad mention that enslaved Blacks would stick close to swamps as they made their way North, as the topography proved problematic for slave catchers. A lesser-known fact is that from the 1700s through the Civil War, hundreds of African Americans remained in the swamp and established thriving communities. One such area, the Great Dismal Swamp, serves as the inspiration for Luqman-Dawson's engrossing, multi -- perspective debut novel. Twelve-year-old Homer is on the run with his seven-year-old sister, their mother having turned back to save his friend, Anna. Homer has no idea how to survive in the swamp; the answer arrives in Suleman, a Black man with knowledge of both the swamp and the surrounding plantations. Suleman leads them to Freewater, an established community with a whole generation of children who have only known freedom. Homer makes the hard choice to go back to his old plantation (accompanied by his new friends) to free his mother, but she and Anna have their own plans for freedom, supported by an unexpected source: Nora, the youngest daughter of the plantation owner. When they all converge on the night of a wedding, sacrifices from each of them bring the story to an explosive and cathartic conclusion. Every chapter begins with a character's name and records their journey, successfully developing a multidimensional cast. The author's note contains a brief history of these communities formed by both Indigenous and self-emancipated Black people. (c) Copyright 2023. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Adult/High School-Frey's high school and college years are a blur of alcohol and drugs, culminating in a full-fledged crack addiction at age 23. As the book begins, his fed-up friends have convinced an airline to let him on the plane and shipped him off to his parents, who promptly put him in Hazelden, the rehabilitation clinic with the greatest success rate, 20 percent. Frey doesn't shy away from the gory details of addiction and recovery; all of the bodily fluids make major appearances here. What really separates this title from other rehab memoirs, apart from the author's young age, is his literary prowess. He doesn't rely on traditional indentation, punctuation, or capitalization, which adds to the nearly poetic, impressionistic detail of parts of the story. Readers cannot help but feel his sickness, pain, and anger, which is evident through his language. Ken Kesey's One Flew over the Cuckoo's Nest (Viking, 1962) seems an apt comparison for this work-Frey maintains his principles and does not respect authority at all if it doesn't follow his beliefs. And fellow addicts are as much, if not more, help to him than the clinicians who are trying to preach the 12 steps, which he does not intend to follow in his path to sobriety. This book is highly recommended for teens interested in the darker side of human existence.-Jamie Watson, Enoch Pratt Free Library, Baltimore

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