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ALA Best Books for Young Adults
Click to search this book in our catalog The crossover
by by Kwame Alexander

School Library Journal Gr 6-10-Twins Josh and Jordan are junior high basketball stars, thanks in large part to the coaching of their dad, a former professional baller who was forced to quit playing for health reasons, and the firm, but loving support of their assistant-principal mom. Josh, better known as Filthy McNasty, earned his nickname for his enviable skills on the court: ".when Filthy gets hot/He has a SLAMMERIFIC SHOT." In this novel in verse, the brothers begin moving apart from each other for the first time. Jordan starts dating the "pulchritudinous" Miss Sweet Tea, and Josh has a tough time keeping his jealousy and feelings of abandonment in control. Alexander's poems vary from the pulsing, aggressive beats of a basketball game ("My shot is F L O W I N G, Flying, fluttering.. ringaling and SWINGALING/Swish. Game/over") to the more introspective musings of a child struggling into adolescence ("Sit beside JB at dinner. He moves./Tell him a joke. He doesn't even smile..Say I'm sorry/but he won't listen"). Despite his immaturity, Josh is a likable, funny, and authentic character. Underscoring the sports and the fraternal tension is a portrait of a family that truly loves and supports one another. Alexander has crafted a story that vibrates with energy and heart and begs to be read aloud. A slam dunk.-Kiera Parrott, School Library Journal. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list The Bell twins are stars on the basketball court and comrades in life. While there are some differences Josh shaves his head and Jordan loves his locks both twins adhere to the Bell basketball rules: In this game of life, your family is the court, and the ball is your heart. With a former professional basketball player dad and an assistant principal mom, there is an intensely strong home front supporting sports and education in equal measures. When life intervenes in the form of a hot new girl, the balance shifts and growing apart proves painful. An accomplished author and poet, Alexander eloquently mashes up concrete poetry, hip-hop, a love of jazz, and a thriving family bond. The effect is poetry in motion. It is a rare verse novel that is fundamentally poetic rather than using this writing trend as a device. There is also a quirky vocabulary element that adds a fun intellectual note to the narrative. This may be just the right book for those hard-to-match youth who live for sports or music or both.--Bush, Gail Copyright 2014 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Josh Bell, known on and off the court by the nickname Filthy McNasty, doesn't lack self-confidence, but neither does he lack the skills to back up his own mental in-game commentary: "I rise like a Learjet-/ seventh-graders aren't supposed to dunk./ But guess what?/ I snatch the ball out of the air and/ SLAM!/ YAM! IN YOUR MUG!" Josh is sure that he and his twin brother, JB, are going pro, following in the footsteps of their father, who played professional ball in Europe. But Alexander (He Said, She Said) drops hints that Josh's trajectory may be headed back toward Earth: his relationship with JB is strained by a new girl at school, and the boys' father health is in increasingly shaky territory. The poems dodge and weave with the speed of a point guard driving for the basket, mixing basketball action with vocabulary-themed poems, newspaper clippings, and Josh's sincere first-person accounts that swing from moments of swagger-worthy triumph to profound pain. This verse novel delivers a real emotional punch before the final buzzer. Ages 9-12. Agent: East West Literary Agency. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

ALA Notable Books for Children
Click to search this book in our catalog Just Right: Searching for the Goldilocks Planet.
by Curtis Manley

Publishers Weekly Readers join a brown-skinned girl with a polka-dotted backpack as she asks questions about the stars and visits a space museum, where she watches exoplanets careen overhead in a planetarium. In sweeping, inky art, Lanan captures the child's dawning awareness of the vastness of the universe. Manley's writing swings gracefully between factual descriptions ("Earth orbits in our solar system's 'habitable zone''") and more lyrical observations: "All stars twinkle, but some stars also seem to wink at us... as if saying, 'I know a secret.''" Back home after the museum trip, the child considers the types of life-forms that might be out there. Richly informative prose and intimate yet expansive art show a child's contagious enthusiasm for the book's subject. Includes a timeline of astronomical discoveries and suggestions for further reading. Ages 5-9. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 2-5-Beginning with the insights of astronomers such as Lucretius and Giordano Bruno and continuing with the observations of a fictional young black girl from the present day, this illuminating book examines the possibility of life on other planets. Manley presents scientific certainties and theories alongside the child and her family's trip to a museum. One spread features text about Earth-like exoplanets paired with illustrations of the girl gazing off open-mouthed at the promising habitable planet surface that exists, for her, beyond the walls of the museum. On some pages, she muses, "If someday we do find evidence of beings like ourselves, what could we do? .We could send them art and poetry and music." The enthusiastic main character lightens what could be weighty scientific information, providing an entry point for newcomers. Lanan's pleasing, watercolorlike artwork moves between expansive visions of outer space and panels that highlight key concepts. VERDICT An ideal addition for libraries building or updating STEAM collections.-Elaine Fultz, Madison Jr. Sr. High School, Middletown, OH © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A young girl looks out her window, pondering the universe. A subsequent family trip to the planetarium gives her a lot to think about.Are we alone in the universe? Are there other "Goldilocks planets" out there capable of sustaining life, planets that are "not too hot and not too cold, not too big and not too small, not too soft and not too hard" but "just right"? Older adult readers might hear the voice of Carl Sagan in the narrative, an authoritative, planetarium-movie voice explaining the universe with a focus on "exoplanets," planets that orbit stars outside of our solar system. Kids may imagine Neal DeGrasse Tyson. Woven through the text are the twin narratives of the girl and her family's visit to the planetarium and its "Searching for Exoplanets" exhibition. The illustrations, suffused with glowing light, are dynamically varied, including a colorful double-page spread of the Milky Way galaxy, panels carrying information, fanciful visions of other worlds, and an all-black spread with just one stark sentence in white: "Or maybe it's like nothing we can even imagine." Lanan effectively balances the girl's visual narrative with the heavier scientific exposition of the text. The girl, who has exuberantly kinky hair, and her family present black; other planetarium guests are a diverse group. Thorough backmatter includes books, websites, astronomy clubs, and various websites for further exploration.An attractive and informative volume for young stargazers. (Informational picture book. 6-10) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Manley presents a smart, careful, and thorough discussion of exoplanets. Lanan's illustrations take the concepts to the next level; the choices of scale, color, and detail in her planetary landscapes make visible the text's content. The clever use of a parallel visual narrative, which features a (brown-skinned) girl and her family visiting a planetarium, situates the images of possible other life-supporting worlds in that character's imagination. Timeline, websites. Bib. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list This is an oversize nonfiction picture book about the search for life on exoplanets ­planets beyond our solar system. The text continually poses open-ended questions ( When you look toward the stars, do you ever wonder if anyone is looking back? ) and presents kid-friendly scenarios that help young readers grasp concepts. The text is woven around an African American girl and her family's visit to a space museum, and incorporates information about astronomy, giant telescopes, types of exoplanets, how to find them, and ongoing space research. Of course, if we do someday find a planet that's just right (meaning, it has all the ingredients necessary to sustain human life), that just opens up another batch of questions: Should we stay quiet and hide from them? If we do send a message, what should we say? The illustrations, which employ deep, night-sky backgrounds, complement the text, whether reinforcing content or advancing the action. This is the best kind of science writing a book that offers as many questions as answers. Aspiring astronomers will love it.--Kathleen McBroom Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Readers join a brown-skinned girl with a polka-dotted backpack as she asks questions about the stars and visits a space museum, where she watches exoplanets careen overhead in a planetarium. In sweeping, inky art, Lanan captures the child's dawning awareness of the vastness of the universe. Manley's writing swings gracefully between factual descriptions ("Earth orbits in our solar system's 'habitable zone''") and more lyrical observations: "All stars twinkle, but some stars also seem to wink at us... as if saying, 'I know a secret.''" Back home after the museum trip, the child considers the types of life-forms that might be out there. Richly informative prose and intimate yet expansive art show a child's contagious enthusiasm for the book's subject. Includes a timeline of astronomical discoveries and suggestions for further reading. Ages 5-9. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 2-5-Beginning with the insights of astronomers such as Lucretius and Giordano Bruno and continuing with the observations of a fictional young black girl from the present day, this illuminating book examines the possibility of life on other planets. Manley presents scientific certainties and theories alongside the child and her family's trip to a museum. One spread features text about Earth-like exoplanets paired with illustrations of the girl gazing off open-mouthed at the promising habitable planet surface that exists, for her, beyond the walls of the museum. On some pages, she muses, "If someday we do find evidence of beings like ourselves, what could we do? .We could send them art and poetry and music." The enthusiastic main character lightens what could be weighty scientific information, providing an entry point for newcomers. Lanan's pleasing, watercolorlike artwork moves between expansive visions of outer space and panels that highlight key concepts. VERDICT An ideal addition for libraries building or updating STEAM collections.-Elaine Fultz, Madison Jr. Sr. High School, Middletown, OH © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A young girl looks out her window, pondering the universe. A subsequent family trip to the planetarium gives her a lot to think about.Are we alone in the universe? Are there other "Goldilocks planets" out there capable of sustaining life, planets that are "not too hot and not too cold, not too big and not too small, not too soft and not too hard" but "just right"? Older adult readers might hear the voice of Carl Sagan in the narrative, an authoritative, planetarium-movie voice explaining the universe with a focus on "exoplanets," planets that orbit stars outside of our solar system. Kids may imagine Neal DeGrasse Tyson. Woven through the text are the twin narratives of the girl and her family's visit to the planetarium and its "Searching for Exoplanets" exhibition. The illustrations, suffused with glowing light, are dynamically varied, including a colorful double-page spread of the Milky Way galaxy, panels carrying information, fanciful visions of other worlds, and an all-black spread with just one stark sentence in white: "Or maybe it's like nothing we can even imagine." Lanan effectively balances the girl's visual narrative with the heavier scientific exposition of the text. The girl, who has exuberantly kinky hair, and her family present black; other planetarium guests are a diverse group. Thorough backmatter includes books, websites, astronomy clubs, and various websites for further exploration.An attractive and informative volume for young stargazers. (Informational picture book. 6-10) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Manley presents a smart, careful, and thorough discussion of exoplanets. Lanan's illustrations take the concepts to the next level; the choices of scale, color, and detail in her planetary landscapes make visible the text's content. The clever use of a parallel visual narrative, which features a (brown-skinned) girl and her family visiting a planetarium, situates the images of possible other life-supporting worlds in that character's imagination. Timeline, websites. Bib. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list This is an oversize nonfiction picture book about the search for life on exoplanets ­planets beyond our solar system. The text continually poses open-ended questions ( When you look toward the stars, do you ever wonder if anyone is looking back? ) and presents kid-friendly scenarios that help young readers grasp concepts. The text is woven around an African American girl and her family's visit to a space museum, and incorporates information about astronomy, giant telescopes, types of exoplanets, how to find them, and ongoing space research. Of course, if we do someday find a planet that's just right (meaning, it has all the ingredients necessary to sustain human life), that just opens up another batch of questions: Should we stay quiet and hide from them? If we do send a message, what should we say? The illustrations, which employ deep, night-sky backgrounds, complement the text, whether reinforcing content or advancing the action. This is the best kind of science writing a book that offers as many questions as answers. Aspiring astronomers will love it.--Kathleen McBroom Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

New York Times Bestsellers
Click to search this book in our catalog James
by Percival Everett

Publishers Weekly As in his classic novel Erasure, Everett portrays in this ingenious retelling of The Adventures of Huckleberry Finn a Black man who’s mastered the art of minstrelsy to get what he needs from gullible white people. Many of the same things happen as they do in Twain’s original: Jim escapes from enslavement on a Missouri farm and joins up with Huck, a white boy who’s faked his own death. Huck is fleeing from his abusive father, while Jim is hoping to find a way to free his wife and daughter. The main difference is in the telling. Jim narrates, not Huck, and in so doing he reveals how he employs “slave” talk (“correct incorrect grammar”) when white people can hear, to make them feel safe and superior. Everett also pares down the prose and adds humor in place of sentimentality. When Huck and Jim come upon a band of slave hunters, Huck claims Jim, who’s covered by a tarp, is a white man infected with smallpox (“We keep thinkin’ he gone die, then he just don’t”). Clever additions to the narrative include a tense episode in which Jim is fraudulently sold by a slaver to “Dixie” composer Daniel Decatur Emmett, who has Jim perform in blackface with his singing troupe. Jim’s wrenching odyssey concludes with remarkable revelations, violent showdowns, and insightful meditations on literature and philosophy. Everett has outdone himself. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember. This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense. One of the noblest characters in American literature gets a novel worthy of him. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Library Journal The rules of engagement for Black people encountering white people are brutally clear in 1830s Missouri, a state with enslavement. Don't ever make a white person think you know something he doesn't, or you'll pay. In this virtuoso reworking of Twain's Adventures of Huckleberry Finn, it's the enslaved Jim who tells the tale. Heard from Jim's perspective, events look different than they did to Huck, because Jim is living inside a mask: deliberately hiding who and what he is and whatever aspirations he may have. For example, with his wife and family, Jim speaks clearly, even as he teaches his children to only mumble around white people, in order to give them what they like, a moment of correction. As in Twain's original, the action is fast and furious. The characters grab readers' attention and, with Jim and Huck, their hearts too. A twist near the end of the tale changes the nature of Huck and Jim's relationship dramatically. VERDICT Everett (English, Univ. of Southern California), author of The Trees and Erasure, has written an even richer and penetrating Adventures than Twain's already rich masterpiece. It will fly off library shelves.—David Keymer

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list Huckleberry Finn, acclaimed by many as a great American novel, has also been sharply criticized for its racist portrayal of Jim, the childlike “Negro slave” Huck befriends on their riverboat journey. In an astounding riposte, the much-lauded Everett (Dr. No, 2022) rewrites the story as a liberation narrative, told from Jim (or rather James’) point of view. Erudite, a student of philosophy, and a calm strategic thinker, James is adept at code shifting from his normal dignified speech and behavior patterns to the shuffling, aw-shucks demeanor white folks expect, and even gives “speech translation" lessons to the plantation's enslaved children (disturbingly similar to “The Talk” modern Black parents give their children about police encounters). When he is accused of robbery and murder, James flees with an initially gleeful Huck, who only gradually understands the terrifying reality of being a Black man with a price on his head. As Huck comes to acknowledge the depth of his relationship with James, and the "slave's" profound gifts, the boy is forced to recognize the illogic of white supremacy and privilege. Meanwhile James, determined to return and rescue his wife and daughter, takes the story in a completely different direction than the original, exemplifying the relentless courage and moral clarity of an honorable man with nothing to lose. An absolutely essential read.

From Booklist, Copyright © American Library Association. Used with permission.

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