Library Journal : Let's cut to the chase and say that all libraries should buy this book, if only because people will be asking for it. Gladwell, New Yorker staff writer, TEDTalks (Technology, Entertainment, Design) personality, and author of the best sellers The Tipping Point and Blink, has, well, reached a tipping point in the consciousness of observers of popular culture. Following a format similar to his previous books, Gladwell gloms onto an apparent phenomenon—in this case people who seem significantly different from other people, whether for good or for ill—and offers what we're all apparently supposed to believe are startlingly logical explanations for why they stand out. Gladwell's reasons have largely to do with things like where they come from and what month they were born in. It's all very readable, but not particularly surprising. No matter, libraries will need to acquire it. [See Prepub Alert, LJ 7/08.]—Ellen Gilbert, Princeton, NJ

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Publishers Weekly : SignatureReviewed by Leslie ChangIn Outliers, Gladwell (The Tipping Point) once again proves masterful in a genre he essentially pioneered—the book that illuminates secret patterns behind everyday phenomena. His gift for spotting an intriguing mystery, luring the reader in, then gradually revealing his lessons in lucid prose, is on vivid display. Outliers begins with a provocative look at why certain five-year-old boys enjoy an advantage in ice hockey, and how these advantages accumulate over time. We learn what Bill Gates, the Beatles and Mozart had in common: along with talent and ambition, each enjoyed an unusual opportunity to intensively cultivate a skill that allowed them to rise above their peers. A detailed investigation of the unique culture and skills of Eastern European Jewish immigrants persuasively explains their rise in 20th-century New York, first in the garment trade and then in the legal profession. Through case studies ranging from Canadian junior hockey champions to the robber barons of the Gilded Age, from Asian math whizzes to software entrepreneurs to the rise of his own family in Jamaica, Gladwell tears down the myth of individual merit to explore how culture, circumstance, timing, birth and luck account for success—and how historical legacies can hold others back despite ample individual gifts. Even as we know how many of these stories end, Gladwell restores the suspense and serendipity to these narratives that make them fresh and surprising.One hazard of this genre is glibness. In seeking to understand why Asian children score higher on math tests, Gladwell explores the persistence and painstaking labor required to cultivate rice as it has been done in East Asia for thousands of years; though fascinating in its details, the study does not prove that a rice-growing heritage explains math prowess, as Gladwell asserts. Another pitfall is the urge to state the obvious: No one, Gladwell concludes in a chapter comparing a high-IQ failure named Chris Langan with the brilliantly successful J. Robert Oppenheimer, not rock stars, not professional athletes, not software billionaires and not even geniuses—ever makes it alone. But who in this day and age believes that a high intelligence quotient in itself promises success? In structuring his book against that assumption, Gladwell has set up a decidedly flimsy straw man. In the end it is the seemingly airtight nature of Gladwell's arguments that works against him. His conclusions are built almost exclusively on the findings of others—sociologists, psychologists, economists, historians—yet he rarely delves into the methodology behind those studies. And he is free to cherry-pick those cases that best illustrate his points; one is always left wondering about the data he evaluated and rejected because it did not support his argument, or perhaps contradicted it altogether. Real life is seldom as neat as it appears in a Malcolm Gladwell book. (Nov.)Leslie T. Chang is the author of Factory Girls: From Village to City in a Changing China (Spiegel & Grau).

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Library Journal : Brown’s long-awaited blockbuster (after The Da Vinci Code) does not disappoint. Robert Langdon receives an invitation to give a lecture in Washington, DC, but discovers an empty chamber when he arrives at the venue. He quickly learns that he’s been summoned for his knowledge rather than his oratory skills and that his friend Peter Solomon has been abducted. To save his life, Langdon must follow a set of clues and uncover a treasure hidden somewhere in the nation’s capitol. Brown follows the template that worked in his earlier Langdon novels and proves he is the undisputable master of the genre. He even takes time to poke fun both at his popularity and the six-year gap between books. Verdict Not playing it safe, Brown crafts a compelling thriller with a rather odd yet intriguing nemesis; the final revelation is guaranteed to stir up more controversy and offshoots examining the themes explored. Buying this book is a no-brainer, but reading it will activate the brain cells in a way few suspense novels achieve. [See Prepub Alert, LJ 5/15/09.]—Jeff Ayers, Seattle P.L.

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Publishers Weekly : Starred Review. After scores of Da Vinci Code knockoffs, spinoffs, copies and caricatures, Brown has had the stroke of brilliance to set his breakneck new thriller not in some far-off exotic locale, but right here in our own backyard. Everyone off the bus, and welcome to a Washington, D.C., they never told you about on your school trip when you were a kid, a place steeped in Masonic history that, once revealed, points to a dark, ancient conspiracy that threatens not only America but the world itself. Returning hero Robert Langdon comes to Washington to give a lecture at the behest of his old mentor, Peter Solomon. When he arrives at the U.S. Capitol for his lecture, he finds, instead of an audience, Peter's severed hand mounted on a wooden base, fingers pointing skyward to the Rotunda ceiling fresco of George Washington dressed in white robes, ascending to heaven. Langdon teases out a plethora of clues from the tattooed hand that point toward a secret portal through which an intrepid seeker will find the wisdom known as the Ancient Mysteries, or the lost wisdom of the ages. A villain known as Mal'akh, a steroid-swollen, fantastically tattooed, muscle-bodied madman, wants to locate the wisdom so he can rule the world. Mal'akh has captured Peter and promises to kill him if Langdon doesn't agree to help find the portal. Joining Langdon in his search is Peter's younger sister, Kathleen, who has been conducting experiments in a secret museum. This is just the kickoff for a deadly chase that careens back and forth, across, above and below the nation's capital, darting from revelation to revelation, pausing only to explain some piece of wondrous, historical esoterica. Jealous thriller writers will despair, doubters and nay-sayers will be proved wrong, and readers will rejoice: Dan Brown has done it again.

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Library Journal: Author of the ``most satisfying'' The Republic of Love ( LJ 1/92), Canadian novelist Shields here details the hard life of Daisy Stone Goodwill from her 1905 birth in Manitoba through old age.

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Publishers Weekly: Canadian writer Shields's novels and short stories ( Swann ; The Republic of Love , etc.) are intensely imagined, humanely generous, beautifully sustained and impeccably detailed. Despite rave reviews on both sides of the Atlantic, she has yet to achieve an audience here; one hopes this latest effort, shortlisted for the Booker Prize, will be her breakthrough. It is at once a playful sendup of the art of biography and a serious exploration of the essential mystery of human lives; the gist of this many-faceted story is that all biographies are only versions of the facts. Shields follows her heroine, Daisy Goodwill Hoad Flett, from her birth--and her mother's death--on the kitchen floor of a stonemason's cottage in a small quarry town in Manitoba through childhood in Winnipeg, adolescence and young womanhood in Bloomington, Ind. (another quarry town), two marriages, motherhood, widowhood, a brief, exhilarating career in Ottawa--and eventually to old age and death in Florida. Stone is the unifying image here: it affects the geography of Daisy's life, and ultimately her vision of herself. Wittily, ironically, touchingly, Shields gives us Daisy's version of her life and contrasting interpretations of events from her friends, children and extended family. (She even provides ostensible photographs of Daisy's family and friends.) Shields's prose is succint, clear and graceful, and she is wizardly with description, summarizing appearance, disposition and inner lives with elegant imagery. Secondary characters are equally compelling, especially Daisy's obese, phlegmatic mother; her meek, obsessive father, who transforms himself into an overbearing executive; her adoptive mother, her stubborn father-in-law. Readers who discover Shields with this book can also pick up a simultaneously published paperback version of an early first novel, Happenstance . Author tour.

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School Library Journal : Gr 9 Up—Todd Hewitt lives in a world in which all women are dead, and the thoughts of men and animals are constantly audible as Noise. Graphically represented by a set of scratchy fonts and sentence fragments that run into and over each other, Noise is an oppressive chaos of words, images, and sounds that makes human company exhausting and no thought truly private. The history of these peculiar circumstances unfolds over the course of the novel, but Ness's basic world-building is so immediately successful that readers, too, will be shocked when Todd and his dog, Manchee, first notice a silence in the Noise. Realizing that he must keep the silence secret from the town leaders, he runs away, and his terrified flight with an army in pursuit makes up the backbone of the plot. The emotional, physical, and intellectual drama is well crafted and relentless. Todd, who narrates in a vulnerable and stylized voice, is a sympathetic character who nevertheless makes a few wrenching mistakes. Manchee and Aaron, a zealot preacher, function both as characters and as symbols. Tension, suspense, and the regular bombardment of Noise are palpable throughout, mitigated by occasional moments of welcome humor. The cliff-hanger ending is unexpected and unsatisfying, but the book is still a pleasure for sophisticated readers comfortable with the length and the bleak, literary tone.—Megan Honig, New York Public Library

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