Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

This detailed and devastating account of the House Un-American Activities Committee and "The Hollywood Ten" explores the HUAC's attack on First Amendment rights. This proved to be a precursor to the rise of McCarthyism in the 1950s, which destroyed the lives of many innocent Americans. Brimner effectively utilizes transcripts from the hearings, archival photos, and secondary sources to document the events. An author's note makes the connection between "then and now." Websites. Bib., ind. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus
Copyright © Kirkus Reviews, used with permission.

Brimner brings to life a shameful episode in American history when citizens working in the film industry were accused of disloyalty and subversion and persecuted for defending their First Amendment rights. In 1947, tensions between the Soviet Union and the United States were at an all-time high. The House Committee on Un-American Activities, which included members with ties to the KKK, called Hollywood actors, directors, producers, and screenwriters to answer accusations that they were Communists. Ten who appeared refused to answer questions, citing their Constitutional rights to freedom of speech and assembly. The "Hollywood Ten" were afterward denied work by all Hollywood studios. Brimner vividly chronicles the hearings and their fallout, braiding stories of individuals into the overall narrative. Screenwriter Dalton Trumbo worked under pseudonyms; director Edward Dmytryk, unable to work covertly, later cooperated with the committee and named names. Drawing heavily on hearings transcripts, Brimner also includes a great deal of historical background to put the story in context. He notes that the origins of HUAC were rooted in America's first "Red Scare" following the Russian Revolution, and he challenges readers to consider if things are all that different today, citing contemporary examples. The many archival photographs included are testament to the overwhelming whiteness of both Hollywood and Congress.A chilling look at a time when the government waged war on civil liberties, with the public a complicit ally. (bibliography, source notes, index) (Nonfiction. 12-18) Copyright Kirkus Reviews, used with permission.