Kirkus A scarifying, play-by-play exercise in gaming an apocalyptic war. When the Cold War ended, military tacticians pronounced nuclear warfare a thing of the past. Instead, writes Jacobsen, author of The Pentagon’s Brain, Area 51, and Operation Paperclip, the threat of nuclear holocaust is ever with us. Her scenario—based, she notes, on facts that will lead readers “to the razor’s edge of what can legally be known”—begins with a single thermonuclear missile landing on the Pentagon, atomizing millions of Washingtonians far out into the distant suburbs. That scenario hinges on the gamed-out supposition that it will be a rogue North Korea that fires a single offending missile, one hard to detect given that the existing technology can track the heat signature of a “hot” missile and perhaps shoot it down if given a time frame of five minutes, after which, as one technician says, “they cannot see the rocket after the rocket motor stops.” Still worse is to come, for in a counterlaunch that would surely vaporize North Korea with overwhelming force, Russia, fearing that some of those American rockets are heading its way, might launch a retaliatory strike that would unleash every available resource in the arsenal of both nations—collectively capable of destroying humankind hundreds of times over. Updating Orville Schell’s groundbreaking (and better written) 1982 book The Fate of the Earth, Jacobsen then outlines the very rapid collapse of civilization and the erasure of all our technologies—no more electricity grid, no more industrially farmed food, certainly no more internet—all leading to a world in which “only the ruthless survive” and in which “everyone loses. Everyone.” It’s a cheerless prognosis; however, by Jacobsen’s account, it’s altogether plausible. An urgent warning guaranteed to cause nightmares—and frustrating, since we’re all powerless in the face of nuclear weapons. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list A mystifying puzzle involving the execution of an innocent man is interwoven into this monumental story of medieval intrigue and ingenuity.

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal A radical departure from Follett's novels of international suspense and intrigue, this chronicles the vicissitudes of a prior, his master builder, and their community as they struggle to build a cathedral and protect themselves during the tumultuous 12th century, when the empress Maud and Stephen are fighting for the crown of England after the death of Henry I. The plot is less tightly controlled than those in Follett's contemporary works, and despite the wealth of historical detail, especially concerning architecture and construction, much of the language as well as the psychology of the characters and their relationships remains firmly rooted in the 20th century. This will appeal more to lovers of exciting adventure stories than true devotees of historical fiction. Literary Guild dual main selection.-- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.

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Publishers Weekly With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. 400,000 first printing; $400,000 ad/promo; Literary Guild main dual selection; author tour. (Sept.)

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