Book list When eighth-grader Sparrow wakes up in the hospital, she can't convince the doctors or her mother that she wasn't attempting suicide on the roof of her school. Once she starts seeing her therapist, she reveals that when she experiences anxiety, she becomes a real sparrow and flies with other birds. Moon's debut novel deftly normalizes therapy and prioritizing one's mental health. In lyrical, minimalist prose that resounds with authenticity, Moon tracks Sparrow's relatable experience with trauma and anxiety. The recurring therapy sessions never come across as manufactured or heavy-handed, nor do they present a singular, correct way to cope with anxiety. After opening up to her therapist, Sparrow takes a brave step and enrolls in a month-long music camp. There she finds unexpected validation and a community of women who build her up. An elegantly told and important novel about learning to cope, live, and be happy with depression and anxiety.--Kling, Caitlin Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 7 Up-Fourteen-year-old Sparrow Cooke is believed to have nearly taken her own life on her school's roof. She begins to see a therapist. The teen refuses to open up during her initial sessions with Dr. Katz, but the therapist slowly gets through to Sparrow by introducing her to rock music. However, Sparrow wants to fly away from dealing with issues, such as the death of her favorite school librarian Mrs. Wexler, the loss of her kindergarten best friend Chocolate, popular mean girls like Monique, nearly flunking the eighth grade, her inability to socialize with other kids, and her distance from her mom. Their relationship becomes more strained after a parent-teacher conference with Sparrow's teachers. With Dr. Katz's help, the girl's world is opened up and she gets the opportunity to attend the Gertrude Nix Rock Camp for Girls for the summer. She reluctantly leaves her comfort zone and befriends three unlikely dorm mates. Readers will quickly identify with this protagonist; Sparrow speaks to those who may have difficulty dealing with loss, making friends, and feeling alienated. Librarians will appreciate the nod to the Brooklyn Public Library and the significant role Mrs. Wexler played in Sparrow's life. Moon brilliantly weaves the intersections of race, class, sexual orientation, body image and women's contributions to rock and pop music histories into the narrative. Rock music fans will love the homage to the diverse artists, musicians, and bands within the genre. VERDICT This novel will inspire readers to find their own voices through literary and musical expression. A good choice for most YA collections.-Donald Peebles, Brooklyn Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus In a world where everyone else seems to know how to get along, Sparrow Cooke, an eighth-grade black girl in Brooklyn, finds solace in flying like a bird whenever she's uncomfortable, until the day comes when that's no longer an option.When Sparrow is found on a rooftop, everyone assumes it's a suicide attempt, and she's suddenly thrust into the experience of hospitals, therapy, and a mom who doesn't understand. But Sparrow wasn't trying to kill herself. She was escaping her feelings of awkwardness by imagining she was high in the sky, soaring with a flock of birds. This is her main coping mechanism for dealing with her friendlessness and the death of one of her trusted adults, the librarian Mrs. Wexler. Can she learn how to stay on Earth and deal with the things that scare her? An extremely diverse cast of characters, including people of different races, gender, and sexual orientation, drives the strong, delicate narrative of Moon's debut novel. Sparrow deals with different emotional issues against a backdrop of lyrical language and touching images, with a healthy dose of musical connections that beg to be added to a playlist and a bibliography of favorite books that is as consciously diverse as the cast. Sparrow is a character to learn from. Both inspiring and useful for anyone who's ever felt like they don't belong. (Fiction. 12-14) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book African American eighth grader Sparrow suffers from crippling shyness and anxiety made worse by the tragic loss of her beloved school librarian. Sparrow copes by imagining herself flying with the birds; she's put in therapy (which includes attending rock-band camp) after she's found on the school rooftop. Despite an uneven plot, likable Sparrow elevates this sensitive depiction of mental illness and the transformative power of music. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2002 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : PreS-Gr 1--Fretting over headlines in the newspapers he's delivering, Henry almost runs over a sparrow on the sidewalk. There's a flash of light, and suddenly, like his comic-strip hero Falconman, the boy is swooping through the skies fighting evil--or, at least, collaring a scary dog, rescuing a cat from a bully's clutches, and repeatedly snatching the temporarily flightless sparrow out of danger in the nick of time. Like newspaper comics, Pinkney's full-color scratchboard scenes are done in page-sized panels, with a minimum of text but maximum action, dramatized by swirling lines, wide gestures, and "THONK!" "ZAP!" sound effects. Henry's heroics will win readers over instantly; he may not save the world, but before he returns to Earth, he does make his suburban neighborhood "just a little better." That's a plausible goal for any actual or would-be superhero.

John Peters, New York Public Library Distributed by Syndetic Solutions Inc. Terms

Library Journal Entertainment journalist Alice Scott thinks that she might be finally getting her big break. She has managed to track down Margaret Ives, the notorious and reclusive media heiress who hasn't been seen in decades, and snag an invite to Margaret's home on a tiny island in Georgia, where she hopes to secure permission to write Margaret's biography. The catch is that Margaret has also invited Pulitzer-winning journalist Hayden Anderson and wants to give both Alice and Hayden one month to make their respective pitches for her book. Neither Alice nor Hayden is thrilled with this arrangement, especially once they realize that Margaret is telling each of them a completely different tale. The ever-present attraction between the two of them doesn't help matters either, as they compete for the chance to write Margaret's story—and wonder if their own can end happily. Readers will love Alice and Hayden's grumpy/sunshine dynamic, and Margaret's life is equally riveting. VERDICT Both longtime Henry (Funny Story) fans and new romance readers will devour this rivals-to-lovers slow burn, one of Henry's best to date. Also good for fans of The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid.—Whitney Kramer

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list Journalist Alice Scott has the career-making opportunity of her life: Margaret Ives wants to tell her life story. For the last 30 years, Margaret, heir to an infamously scandalous, tabloid-hounded family, has been a recluse, but through some inspired digging, Alice has tracked Margaret down to Little Crescent Island. However, upon arriving at Margaret’s home, Alice discovers she has some competition, Pulitzer Prize–winning biographer Hayden Anderson. Margaret decides to give both Alice and Hayden one month to meet with and interview her, after which she will decide who will get to share her story with the public. It is a competition Alice needs to win, and she will do whatever it takes to best Hayden, even if the grumpy writer is turning out to be much nicer—and hotter—than she expected. Henry (Funny Story, 2024) continues to burnish her reputation for fashioning sublimely satisfying love stories with another perfectly calibrated, delectably witty tale featuring endearingly quirky, thoughtfully nuanced characters, including the redoubtable Margaret, whose family’s history is deftly relayed in snippets stitched into the story line.HIGH-DEMAND BACKSTORY: With lots of media buzz, readers are primed for the latest from best-selling Henry.

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly What begins as a charming if standard rom-com evolves into a hauntingly beautiful meditation on what makes a life well lived in the latest showstopper from Henry (Funny Story). Thirty-something entertainment journalist Alice Scott jumps at the chance to interview an octogenarian claiming to be the infamous Margaret Ives, descendant of American media royalty and a “Tabloid Princess” of yore. Alice heads to Little Crescent Island, a small coastal Georgia town, with dreams of Margaret’s biography being her big break. She’s not the only one vying for the job, though: Pulitzer winner Hayden Anderson is also in the running. They have a month to each separately interview Margaret then pitch their proposals. But Margaret’s stories don’t quite add up, leading Hayden and Alice toward each other as they search for answers. Flashbacks to Margaret’s glamorous past are threaded throughout the contemporary narrative, offering a candid glimpse into loves and lives lost and serving as a poignant counterpoint to the romance between Hayden and Alice. There’s also plenty of Henry’s trademark wit and even a hint of mystery as the sparring hearts probe the veracity of Margaret’s tales. This is a stunner. Agent: Taylor Haggerty, Root Literary. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus Two journalists compete for the chance to write the biography of an aging heiress. Alice Scott works for a pop-culture website, but she hopes writing a biography of Margaret Ives, a reclusive heiress known as the Tabloid Princess, will boost her career to the next level. One problem: Margaret Ives is incredibly hard to track down. Make that two problems: When Alice finally finds her on a small island off the coast of Georgia, another journalist is there, too—Hayden Anderson. They both want this job, and Margaret wants to be sure she can trust the person telling her story, so she proposes an unusual deal. Both Alice and Hayden will stay on the island and work with Margaret for a one-month trial period, after which she’ll decide who gets to write her book. Hayden couldn’t be more different from Alice—while she’s optimistic and friendly, he’s cynical and standoffish. She’s desperately seeking her family’s approval and thinks she can get it by writing a book, and he’s a Pulitzer Prize–winning biographer. The two of them sign ironclad NDAs, but it’s a small island and they can’t help running into each other—and then, against all odds, they even start to like each other. Alice and Hayden’s unlikely attraction is only one of the book’s timelines, however. Although Henry is known as the queen of contemporary romance, here she explores the world of historical fiction as Alice interviews Margaret and learns about her family’s history—going back to the gold rush and the early days of Hollywood—and finally the tragic love story that led her to retreat from the public eye. Alice also begins to unravel her own family history and learns that the stories she’s been telling herself may not have been true after all. Alice and Hayden’s romance is a delightful slow burn and Henry, as always, shines when exploring family drama, but the emphasis here is on Margaret’s past and how it ties into everyone’s future. Both a steamy romance and a moving look at the sacrifices people make for love. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms