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| Caldecott Medal Winners |  | | The Invention of Hugo Cabret by Brian Selznick
School Library Journal
: Gr 3–6—Brian Selznick's atmospheric story (Scholastic, 2007) is set in Paris in 1931. Hugo Cabret is an orphan; his father, a clockmaker, has recently died in a fire and the boy lives with his alcoholic Uncle Claude, working as his apprentice clock keeper in a bustling train station. When Hugo's uncle fails to return after a three-day absence, the boy decides it's his chance to escape the man's harsh treatment. But Hugo has nowhere to go and, after wandering the city, returns to his uncle's rooms determined to fix a mechanical figure—an automaton—that his father was restoring when he died. Hugo is convinced it will "save his life"—the figure holds a pen, and the boy believes that if he can get it working again, it will deliver a message from his father. This is just the bare outline of this multilayered story, inspired by and with references to early (French) cinema and filmmaker George Méliès, magic and magicians, and mechanical objects. Jeff Woodman's reading of the descriptive passages effectively sets the story's suspenseful tone. The book's many pages of pictorial narrative translate in the audio version into sound sequences that successfully employ the techniques of old radio plays (train whistles, footsteps reverberating through station passages, etc.). The accompanying DVD, hosted by Selznick and packed with information and images from the book, will enrich the listening experience.— Daryl Grabarek, School Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Newbery Medal Winners |  | | The Graveyard Book by Neil Gaiman
Publishers Weekly
: Starred Review. A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: There was a hand in the darkness, and it held a knife. Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Oprah's Book Club |  | | Daughter of Fortune by Isabel Allende
Publishers Weekly: Allende expands her geographical boundaries in this sprawling, engrossing historical novel flavored by four cultures--English, Chilean, Chinese and American--and set during the 1849 California Gold Rush. The alluring tale begins in Valpara so, Chile, with young Eliza Sommers, who was left as a baby on the doorstep of wealthy British importers Miss Rose Sommers and her prim brother, Jeremy. Now a 16-year-old, and newly pregnant, Eliza decides to follow her lover, fiery clerk Joaqu n Andieta, when he leaves for California to make his fortune in the gold rush. Enlisting the unlikely aid of Tao Chi'en, a Chinese shipboard cook, she stows away on a ship bound for San Francisco. Tao Chi'en's own story--richly textured and expansively told--begins when he is born into a peasant family and sold into slavery, where it is his good fortune to be trained as a master of acupuncture. Years later, while tending to a sailor in colonial Hong Kong, he is shanghaied and forced into service at sea. During the voyage with Eliza, Tao nurses her through a miscarriage. When they disembark, Eliza is disguised as a boy, and she spends the next four years in male attire so she may travel freely and safely. Eliza's search for Joaqu n (rumored to have become an outlaw) is disappointing, but through an eye-opening stint as a pianist in a traveling brothel and through her charged friendship with Tao, now a sought-after healer and champion of enslaved Chinese prostitutes, Eliza finds freedom, fulfillment and maturity. Effortlessly weaving in historical background, Allende (House of the Spirits; Paula) evokes in pungent prose the great melting pot of early California and the colorful societies of Valpara so and Canton. A gallery of secondary characters, developed early on, prove pivotal to the plot. In a book of this scope, the narrative is inevitably top-heavy in spots, and the plot wears thin toward the end, but this is storytelling at its most seductive, a brash historical adventure. Major ad/promo; BOMC dual main selection; 11-city author tour. (Oct.) FYI: This book will also be released in a HarperLibros Spanish edition, Hija del la Fortuna (ISBN 0-06-019492-8). Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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