Book list *Starred Review* Eliza's eponymous monsters are twofold: they are the stars of her viral webcomic, but they are also the anxiety and depression that keep her identity as the webcomic's creator shielded behind a wall of anonymity. As LadyConstellation, she has written and illustrated Monstrous Sea, inspiring a devoted online fandom worldwide. At school, however, she's just cripplingly shy Eliza Mirk: an average student who prefers a digital social life to a real one. She meets her match when Monstrous Sea fan-fiction writer Wallace transfers to her school and is too shy to even speak out loud. Through simple, tender notes passed back and forth, the two form a fast bond. But Eliza keeps her identity as LadyConstellation a secret even from Wallace, a decision that could cost her his trust forever. In her sophomore novel, Zappia (Made You Up, 2015) gracefully examines Eliza's complicated struggle with anxiety, depression, and even suicidal thoughts, as she recognizes, The thought is still there, but the seriousness of it comes and goes. In addition to a vibrant fictional fandom akin to the Simon Snow following in Rainbow Rowell's Fangirl (2013), this is peppered with detailed illustrations from Eliza's webcomic, drawn by Zappia herself. A fervent celebration of online fandom, sure to leave readers craving an actual Monstrous Sea comic.--Kling, Caitlin Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Eliza Mirk, 18, has a secret-one that only her immediate family knows: she is LadyConstellation, the creator of the hugely popular webcomic Monstrous Sea. Eliza's plan is to quietly finish high school (and the comic), then head off to college where she won't be known as the weird, friendless girl. Things don't go as planned after she meets Wallace, a diehard fan of Monstrous Sea and an equally broken fan fiction writer. Zappia (Made You Up) uses her own illustrated Monstrous Sea panels to punctuate elements of the narrative and to show how Eliza and Wallace find solace in fandom. LadyConstellation is eventually outed, painfully and publicly, causing Eliza to spiral into depression, self-harm, and thoughts of suicide. Zappia's lighter approach to these topics doesn't diminish the strength of this sensitive and compassionate story or the message mirrored in the themes of the webcomic: there are monsters in the world, both real and imaginary, and without support systems, those monsters can cause great harm. Ages 14-up. Agent: Louise Fury, Bent Agency. (May) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 9 Up-Eliza's parents have no understanding of her online life, from her friendships to the scope of the world she created. As a result, Eliza feels like an outsider, unless she's talking with her cyberfriends or working on her popular webcomic Monstrous Sea. Wallace, a new boy at school, has been the first person to bring her out of her shell in ages. As their friendship grows, he confides his chilling secret, but Eliza still can't bring herself to share her web identity with him. When the truth comes out, will this secret shatter their relationship? Told in a series of letters, instant messages, comics, and prose, this book focuses on relationships and identity. It tackles social anxiety and asks serious questions: What makes a relationship valid in this era of social media? Are online interactions as meaningful as those in real life? Zappia's work will resonate with teens who write, create art, and love fandoms. Introverted readers will connect with the protagonist. VERDICT A must-have for all YA collections, especially where geek culture is celebrated.-Jennifer Rummel, Cragin Library, Colchester, CT © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Aponte explores a young child's physical and emotional journey coping with his father's absence from his life and learning to love all that is around him. Carlitos lives with his mother, grandmother, and cat in Catano, a town just across the bay from Old San Juan, Puerto Rico. Now and then, in the streets or at the barbershop, Carlitos notices that there's something "different" about his family. From his mother, the young boy learns that his father lives "across the bay." ("Sometimes things don't work out.") Carlitos decides to hop onto the ferry and travel to Old San Juan with a photo of his dad and the hope of finding him. Through strikingly colorful and vibrant illustrations, Aponte captures the essence of Old San Juan: while Carlitos asks around for his father, readers can see such typical local images as a shaved-ice vendor, a group of cats, old men playing dominoes, the traditional San Sebastian street festival, and people flying kites at El Morro fort. This tale, in which a young boy walks around by himself without anyone knowing, asking, or wondering where his supervising adults are, is based on Aponte's childhood memories of a particular time and place. A lively and honest story about filling voids and exploring what defines a family--as well as a love letter to a childhood home. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal PreS-Gr 2—Missing a father in his life, a young boy goes searching for him. Carlitos lives in the town of Cataño in Puerto Rico, a town just across the bay from the capital city of San Juan. Carlitos leads a happy life with his mother, abuela, and cat, Coco. But he doesn't like going to the barbershop, where he feels left out when he sees all of the other boys accompanied by their dads. Knowing his father lives in San Juan, the boy finds an old photo of him, grabs some money, and tiptoes out of the house and to the ferry terminal. Predictably, he doesn't find his father but instead realizes how important the family he does have is to him. Aponte's color-filled illustrations capture the vibrancy and warmth of Carlitos's environment. As the boy walks the streets of San Juan, readers familiar with the city will easily recognize it. The text, however, is inconsistent. For example, the absence of a father is explained as, "most families in Carlitos's town looked the same. His family didn't look like the others." It is also somewhat jarring when the barber greets Carlitos's mother as "Doña Carmen" but she responds with a simple "Francisco." Is she asserting social privilege? VERDICT Though not without flaws, this book with a Puerto Rican setting may be considered as a secondary purchase.—Lucia Acosta, Children's Literature Specialist, Princeton, NJ

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Book list Carlitos lives with his mother and his abuela in Cataño, Puerto Rico. Though he's happy in his cozy house, his family is different because his father is gone, living somewhere across the bay in San Juan. An idea forms: he'll bring a photo of his father and take the ferry to the capital. He shows the picture to strangers, and some offer suggestions. He wanders until the only place left to look is the El Morro castle. But there's no Papi, and his photo is lost. The kind words of a park ranger offer solace: no matter the dark clouds, the sun will eventually return. Aponte does a fine job of taking on a poignant problem without overwhelming the story with sadness. Much of the heavy lifting is done by the effusive art, done in the style of mid-century artwork, with thick lines around fancifully shaped characters, including hidden gems like the cats that follow Carlitos. The lushly colored art is suffused with an animation that reminds readers that life is always moving, a good lesson for any age group.--Ilene Cooper Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus Carlitos' yearning for his father takes him on a clandestine solo trip to Old San Juan, Puerto Rico, to find him. In the town of Catao, across the titular bay from the capital, Carlitos lives with his mother, his abuela, and their cat, Coco. Carlitos' "family didn't look like the others." The neighborhood children play basketball, learn to ride a bike, or do housework with their fathers while Carlitos goes to the barbershop with only his mother. When Carlitos asks about Papi's whereabouts, his mother reassures him that his father is across the baythat "sometimes things don't work out." Even though he is happy with his family, a desire for more sets Carlitos on a ferry with Papi's photo in hand. Vibrant illustrations with an inviting tropical palette draw readers in as Carlitos searches high and low for Papi. A refreshingly varied spectrum of brown shades of skin abounds in colorful city scenes. Wide-angle perspectives effectively emphasize emotional scale: the vastness of San Juan Bay, Carlitos' sense of his own smallness as he searches for his father in the "maze" of the old capital, and his despair at his journey's end. Aponte's decision to leave Carlitos' quest unresolved is an honest one, and readers will respond to this beautiful depiction of a young boy's physical and emotional journey within a deeply cultural setting.Shining with palpable pride for family and home. (Picture book. 3-7) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Aponte (A Season to Bee) unmistakably writes from the heart in this story rooted in his childhood in Puerto Rico. Located across the bay from Old San Juan, Carlitos’s hometown of Cataño, where he lives with his loving mother and abuela, is ablaze with flowers and fruit trees—vibrantly portrayed in fluid, expressive cartoons that capture the tranquility of his village and the vitality of the city beyond. The observation that Carlitos’s family “didn’t look like the others” is confirmed when he and his mother enter a barbershop where other boys wait their turn alongside their fathers, prompting Carlitos to ask, “Mami, where is Papi?” Her response—that he is “across the bay” and that “sometimes things don’t work out”—incites Carlitos to sneak out of the house and ride a ferry to the city, a photo of Papi in his pocket. After no one he asks recognizes the man in the picture, the comforting words of a park ranger and Carlitos’s longing to see his family “calling from across the bay” impel him to return home—contentedly. A reflective, poignant portrait of loss, resilience, and the protean nature of family. Ages 3–7. (Sept.)

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Kirkus A young Navarrian woman faces even greater challenges in her second year at dragon-riding school. Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school. Unrelenting, and not in a good way. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly In this exuberant illustrated novel by previous collaborators Eggers and Harris (What Can a Citizen Do?), high-spirited narrator Johannes is an “unkept and free” dog entrusted by the Keepers of the Equilibrium—three penned Bison who oversee the park where they all live—to be the park’s Eyes. Aided by a team of “comrades, allies” known as the Assistant Eyes (seagull Bertrand, squirrel Sonja, pelican Yolanda, and raccoon Angus), Johannes reports each day’s occurrences to the Bison, including anything that might upset the Equilibrium. When construction activity is detected, Johannes encounters “rectangles full of gorgeous commotion”—an art display that transfixes him, leading to his being leashed. After a dramatic cooperative rescue devised by the Assistant Eyes, Johannes realizes the “glory of liberation” and determines to free the Bison from their enclosure. Studded with strong opinions about the park’s residents (“The ducks know nothing”), a quick-moving first-person voice melds the dog’s background, beliefs, and observations. Eggers crafts a marvelous, fully fleshed protagonist in Johannes, who is at once an ebullient braggart, a faithful and intrepid operative, and a drolly humorous reporter whose compassionate narration delivers a rousing tale of community, joyful self-reliance, and the pleasures of running very, very fast. Aligning with themes of art and perspective, Harris contributes illustrations of Johannes as added to full-page reproductions of classical landscapes. Ages 8–12. (May)

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Kirkus A wild dog who serves as the Eyes for Bison living in a park enclosure devises a plan to free them. Exuberant, observant dog Johannes runs daily throughout the park, which is visited by humans, reporting to Freya, Meredith, and Samuel, three old Bison who are the Keepers of the Equilibrium. Johannes and other Assistant Eyes—a sea gull, a squirrel, a pelican, and a raccoon—describe an art museum being built in the park, a “building full of chaos-rectangles.” Johannes finds it captivating, leading to his capture by humans—and subsequent rescue by the other Eyes in a demonstration of interspecies cooperation. This gives him the idea to free the Bison. The appearance of goats, who have been brought in to eat weeds, provides a friend, a revelation, and a new plan and purpose: “to pull off the impossible.” Johannes’ first-person narration is an interesting mix of poetic language, sophisticated vocabulary, philosophy, humor, hyperbole, and both short declarative and run-on sentences; his estimations of time, size, and quantity are particularly exaggerated. Johannes’ loyalty, friendship, and commitment to a noble purpose, even as his sense of self shifts, the stakes are raised, and last-minute changes to the plan occur, make him an admirable character. The artwork consists of double-page spreads reproducing magnificent fine art landscapes into which Harris has seamlessly inserted Johannes, cleverly adapting to each painter’s style and color palette. One remarkable creature vividly shows readers that “there is so, so much to see.” (author’s note, sources) (Fiction. 9-14) Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Johannes has always lived his life as a free dog in a vast park by the sea. Three captive elderly bison are the Keepers of the Equilibrium and overseers of the land, and they’ve dubbed Johannes “the Eyes,” as his agility and observant gaze allow him to notice the park’s happenings and report back to the bison. An assortment of wild animals assists Johannes on his daily intel gatherings, and he’s content in his dear friendships and freedom. But change is afoot: an enormous building containing mesmerizing rectangles is being built, a herd of mysterious creatures has set up shop in a field, and a heroic act brings Johannes intense human scrutiny that impedes his duties as the Eyes. It will require all of Johannes’ ingenuity, kindness, and speed to navigate the new developments while maintaining his precious independence. The utterly delightful book is narrated by a distinctly canine voice similar to the narrator’s in Eggers’ short story “After I Was Thrown in the River and Before I Drowned,” and though Johannes is prone to matter-of-fact bragging and hilarious exaggeration, he’s also capable of profound introspection and appreciation of life’s wonders. Eggers touches on deep topics with a light hand, effortlessly building suspense and a wonderful sense of adventure. A merry reminder to face the truth about the world and ourselves with compassion, curiosity, and joy.

From Booklist, Copyright © American Library Association. Used with permission.

Judith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: The diagnosis of Tourette's Syndrome isn't mentioned until the last pages of Rubio's sensitive portrayal of a young girl with the disease. Instead, Rubio lets Icy Sparks tell her own story of growing up during the 1950s in a small Kentucky town where her uncontrollable outbursts make her an object of fright and scorn. "The Saturday after my [10th] birthday, the eye blinking and poppings began.... I could feel little invisible rubber bands fastened to my eyelids, pulled tight through my brain and attached to the back of my head," says Icy, who thinks of herself as the "frog child from Icy Creek." Orphaned and cared for by her loving grandparents, Icy weathers the taunts of a mean schoolteacher and, later, a crush on a boy that ends in disappointment. But she also finds real friendship with the enormously fat Miss Emily, who offers kindness and camaraderie. Rubio captures Icy's feelings of isolation and brings poignancy and drama to Icy's childhood experiences, to her temporary confinement in a mental institution and to her reluctant introduction--thanks to Miss Emily and Icy's grandmother--to the Pentecostal church through which she discovers her singing talent. If Rubio sometimes loses track of Icy's voice, indulges in unconvincing magical realism and takes unearned poetic license with the speech of her Appalachian grandparents ("`Your skin was as cold as fresh springwater, slippery and strangely soothing to touch'"), her first novel is remarkable for its often funny portrayal of a child's fears, loves and struggles with an affliction she doesn't know isn't her fault. Agent, Susan Golomb; editor, Jane von Mehren.

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