Book list *Starred Review* A smiling scar marks the inside of 16-year-old Aaron Soto's wrist, both a souvenir of the time he tried to follow in his father's footsteps by checking out of life early and a reminder not to be such a dumbass again. Though his mom has become overprotective and the suicide attempt shambles beside him like an elephant into every room, Aaron is making a comeback, in no small part due to his group of friends and awesome girlfriend, Genevieve. When Gen takes a three-week summer trip, however, Aaron meets Thomas, from the neighboring housing project, and things start to unravel. Sensitive, attractive, and looking for direction, Thomas is unlike any of Aaron's tough-as-nails friends, and the two connect on a deep level. Aaron grapples with burgeoning feelings of homosexuality, which, heartbreakingly, are not reciprocated by the straight Thomas and are bone-shatteringly rejected by his friends, who try to beat being gay out of him. Emotionally and physically broken, Aaron turns to the nearby Leteo Institute, which offers a procedure to erase painful memories. If he can just forget he's gay, everything will be OK, right? First-novelist Silvera puts a fresh spin on what begins as a fairly standard, if well executed, story of a teen experiencing firsts first love, first sex, first loss and struggling with his identity and sexuality. Aaron's first-person narration is charmingly candid as he navigates these milestones and insecurities, making him both relatable and endearing. The book is flush with personal details, and the reader inhabits Aaron's world with ease. A fantasy and comic-book geek to the core, he often filters his own life through a comic lens threatening to Hulk out if someone spoils the end of a movie and wondering what Batman would do in certain situations. Game of Thrones references mingle with veiled Harry Potter allusions (Scorpius Hawthorne and the Convict of Abbadon, anyone?), which many teens will relish. Though some scenes verge on twee and dialogue occasionally strays into precociously-witty-teen territory, it never stays there long, nor does it become self-indulgent. These tender and philosophical moments stand in counterpoint to life in the tough Bronx neighborhood Aaron calls home. There is a borderline gang mentality at work here, where fierce neighborhood loyalty mingles with groupthink to create friends who are as likely to defend as pummel each other, if the code of conduct is challenged. And being a dude-liker is an offense punishable by extreme violence. This prejudice is illustrated with gut-wrenching brutality, and its effects are scarring, but Silvera tempers it with the genuine love and acceptance Aaron receives from a few important friends and family members. Dividing his book into parts by degree of happiness (Happiness, A Different Happiness, Unhappiness, Less Happy Than Before, More Happy Than Not), Silvera examines this state of being from multiple angles to reveal its complexity and dependency on outside forces and internal motive. Is being happy for the wrong reasons real happiness? Can forgetting problems or trauma actually fix your life? The ingenious use of the Leteo procedure allows Silvera to write two versions of Aaron (gay and straight), which proves a fascinating means of drawing attention to the flaw in taking shortcuts past life's major roadblocks. The process of reinvention hinges on memory, on surviving and understanding the sometimes unbearable why of being and that's what Aaron initially misses. Timing is everything in this story, and Silvera structures his novel beautifully, utilizing careful revelations from Aaron's past and consciousness to create plot tension and twists that turn the narrative on its ear. It is not a story of happy endings, but this complexity allows it to move in new, brave directions that are immeasurably more satisfying. Resting somewhere between Ned Vizzini's A Kind of Funny Story (2006) and John Corey Whaley's Noggin (2014), More Happy Than Not will resonate with teens tackling life's big questions. Thought-provoking and imaginative, Silvera's voice is a welcome addition to the YA scene.--Smith, Julia Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 9 Up-Debut author Silvera pulls readers into the gritty, (near-future) Bronx world of 16-year-old Puerto Rican, Aaron Soto, with a milieu of tight-knit, sometimes dysfunctional relationships. Aaron struggles to find happiness despite the presence of his mother, older brother, and girlfriend, as well as a set of childhood buddies and a new, intriguing friend, Thomas. He is haunted by painful physical and emotional scars: the memory of his father's suicide in their home, his own similar failed attempt with its resulting smiley face scar, not to mention his family's poverty and his personal angst at an increasingly strong attraction for Thomas. This first-person narrative raises ethical, societal, and personal questions about happiness, the ability to choose to eradicate difficult memories (through a scientific procedure), and gender identity. The protagonist is as honest with readers as he is able to be, and it is only after Aaron is brutally beaten by friends attempting to set him "straight," that he remembers the entirety of his life story through shocking, snapshotlike revelations. More surprising is the knowledge that his family and girlfriend have known his backstory all along. VERDICT A gripping read-Silvera skillfully weaves together many divergent young adult themes within an engrossing, intense narrative.-Ruth Quiroa, National Louis University, IL © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus In a Bronx neighborhood of the near future, it's no secret that at least one person has taken advantage of the Leteo Institute's new medical procedure that promises "cutting-edge memory-relief." Reeling from his discovery of his father in a blood-filled bathtub, there are lots of things that Aaron Soto would like to forgetthe smile-shaped scar on his own wrist attests to that. Puerto Rican Aaron meets a boy named Thomas from a neighboring (and sometimes rival) project who shares his love of comic books and fantasy fiction. The two develop a friendship that makes Aaron wonder if he's a "dude-liker," leading to a breakup with his girlfriend. When Thomas doesn't reciprocate, Aaron considers the Leteo procedure for himself. This novel places a straightforward conceptwhat if you could erase unwanted memories?squarely within an honest depiction of the pains of navigating the teen years and upends all expectations for a plot resolution. Debut author Silvera has an ear for dialogue and authentic voices. He scatters references to his characters' various ethnicities in an unforced mannerof a midnight showing of a movie based on their favorite fantasy series, Thomas says "I was the only brown Scorpius Hawthorne." Thomas is the foil to Aaron's conviction that there's an easy way out in a multifaceted look at some of the more unsettling aspects of human relationships. A brilliantly conceived page-turner. (Speculative fiction. 13-17) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Aaron Soto would love to forget many things: his father's suicide, his burgeoning but unrequited feelings for new friend Thomas, the casual violence he faces on a regular basis. With cutting-edge Leteo technology, he can. Speculative twists to an otherwise realistic coming-out story add allegorical undertones and narrative unreliability to this meditation on identity, memory, class, and consequences. (c) Copyright 2015. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Aaron Soto, 16, lives in the projects in a Bronx similar to the real one except for the existence of the Leteo Institute, a neighborhood facility where patients can have painful memories erased (the most fantastical element of this procedure perhaps being that it is covered by Aaron's insurance). If anyone deserves to have his past wiped clean, it's Aaron, who has experienced poverty, his father's suicide, and the violent death of friends in his short life. But what Aaron wants most to forget is that he's gay, especially because the boy he loves is no longer able to be with him, and because his own inability to fly under the radar has made him a target. Silvera's debut is vividly written and intricately plotted: a well-executed twist will cause readers to reassess what they thought they knew about Aaron's life. It's also beyond gritty-parts of it are actually hard to read. Silvera pulls no punches in this portrait of a boy struggling with who he is in the face of immense cultural and societal pressure to be somebody else. Ages 14-up. Agent: Brooks Sherman, Bent Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

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Book list It's hard to believe that the flock of pigeons in the park is comprised of dinosaur descendants, but that's the delightful truth. Nolan explores how those little birds evolved from their fearsome and often feathered forefathers, through splendid rhyming text that examines both the dinosaurs of old as well as their current incarnations as common birds. He touches on both general animal behavior and specific names of dinosaurs and birds with incredibly helpful pronunciation guides along the way. The poetic form lends itself to some wonderful tongue-twisting pairings who would have thought that you could find a satisfying rhyme for Archaeopteryx? The clever writing is accompanied by truly stunning illustrations; the dinosaurs, so often portrayed in dull earth tones, almost burst off these pages in a glorious array of colors rendered in exquisitely detailed paintings, and their avian descendants are given the same spectacular treatment. If readers crave more information after the jaunty poetry, back matter includes more basic details about each dinosaur and bird (covering a whopping total of 96 genera), along with a brief but beautiful introduction to the concept of evolution in the natural world. Parents may find themselves with both a budding paleontologist and ornithologist by the time this book is put down.--Emily Graham Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book Nolan beautifully pairs a clever rhyming text with luminous watercolors to express, for very young readers, the evolutionary link between several-million-year-old dinosaurs and modern-day birds. The poem's second half celebrates the varied bird species that evolved from their reptilian ancestors. Back matter includes a thumbnail index for featured dinosaurs and birds (including name, pronunciation, Latin translation, size, geographical location, time period), a illustration depicting four billion years of life on Earth, and a helpful description of the dinosaurs' evolution from reptiles to birds. Reading list, timeline. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Viewers get ringside seats as dinosaurs march past in an evolutionary parade, giving way to their modern avian representatives.Nolan crafts a rhymed cadence that is itself an achievement"Ceratosaurus / Allosaurus / Archaeopteryx / Mamenchisaurus / Kentrosaurus / And Caudipteryx"but pales next to the brightly patterned, hyper-realistically detailed, and, increasingly often, gloriously feathered dinos marching by the dozens in close company across spacious pages. Just over halfway through, a flaming asteroid descending in the background signals a sudden change to an equally magnificent, more-contemporary cast whose feathers likewise "grew, and grew, and grew. / Flamingos, Owls, / Guineafowls, / And the Marabou." The portraits are all full-body, rendered (at least roughly) to scale, and with a low or level angle of view that sets them off to fine effect. Dino names throughout are matched to phonetic spellings, and a visual index at the back offers additional quick facts for every marcher. Following the image of a sinuous tree of life being studied by a racially diverse group of human offspring, a final rank of sprightly sauropod hatchlings fondly supervised by a humongous parent finishes off the parade on a homey note.A prehistoric progress that takes flight in more ways than one. (recommended books and museums) (Informational picture book. 5-10) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Starred Review. PreS-Gr 1—Inspired by traditional cumulative poetry, Swanson weaves a soothing song that is as luminescent and soulful as the gorgeous illustrations that accompany her words. A journey both humble and epic begins with a key to a house. "Here is the key to the house./In the house burns a light./In that light rests a bed…." In the bedroom of the house, a girl reads a book in which a bird "breathes a song…all about the starry dark." Swanson's poem then takes readers on a flight across the night sky to the realm of the moon and sun, then back along the path to the key that marked the beginning of the journey. Krommes's folk-style black-and-white etchings with touches of yellow-orange make the world of the poem an enchanted place. Patches of light and shadow give shape to the darkness, while smiling celestial bodies populate the potentially lonely night with their friendly warmth. This picture book will make a strong impression on listeners making their first acquaintance with literature. It is a masterpiece that has all the hallmarks of a classic that will be loved for generations to come.—Jayne Damron, Farmington Community Library, MI

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Kirkus Nine women—four mothers and five daughters—experience tragedy, joy, and hope in two book club meetings held three years apart. Three college friends, Mariella Marciano (now an opera singer), Grace Townsend (a minister), and Elin Mackenzie (a corporate lawyer) are joined by a fourth, Jamie Price, one-time nanny for Elin’s daughter. The women have been close for decades, texting regularly and meeting periodically for weekend book retreats. But during one weekend in Lake Geneva, Wisconsin, when they’ve been joined by their daughters, there’s a tragic accident. After a day of drinking, Jamie’s twins, Kathleen and Meg, head out for ice cream on a rainy night and their jeep flips and crashes into a tree. Fast forward three years, and the women come together again for a book club weekend, this time in Mariella’s vacation home—a villa in Lake Como. The twins no longer speak to each other, and the other women are on tenterhooks worrying about what might happen during the trip. But what follows are long days of food, love, and personal growth as the friends talk books, hopes, dreams, and the future. Still, each keeps part of herself hidden, while contemplating sharing their secrets with the others on the final night of the trip. This is a book seemingly made for the screen, with lots of bickering, wine, and dishy revelations. With such a seemingly overfull cast, the authors do well to make each character memorable and distinct—but none of them has much depth. And rather than focusing on mother-daughter relationships, as might have been expected, it’s romantic love—both old and new—and the marriages of two of the women that drive the story forward. An entertaining book, adeptly written and easily read. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Elin, Mariella, and Grace met in college, and Jamie later joined their tight-knit friend group that now includes the four women's five now-adult daughters. Three years after their last Mother-Daughter Book Club, which ended in disaster, the crew is meeting at Mariella's house on Lake Como for a weekend planned to the hilt that will include wine, yoga, boat rides, and a little bit of talking about books. As pastor Grace (still a virgin at 60) finds romance, Elin's daugther, neurologist Brigid, is conspiring with Jamie to hide a secret. This is written by James Patterson with his wife, Susan, with whom he collaborated on Things I Wish I Told My Mother (2023), so despite its relationship-fiction trappings, there's lots of plot that keeps the pages turning, especially the big reveal at the end. Chapters alternate among the nine women—helpfully labeled with the name of the narrator—giving a full picture of a weekend away, bolstered by delicious descriptions of meals and scenery. Fans of Elin Hilderbrand's The Five-Star Weekend (2023) will enjoy this girls' trip to Italy.

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Like still waters, de la Peña (A Nation's Hope) and Robinson's (Gaston) story runs deep. It finds beauty in unexpected places, explores the difference between what's fleeting and what lasts, acknowledges inequality, and testifies to the love shared by an African-American boy and his grandmother. On Sunday, CJ and Nana don't go home after church like everybody else. Instead, they wait for the Market Street bus. "How come we don't got a car?" CJ complains. Like many children his age, CJ is caught up in noticing what other people have and don't have; de la Peña handles these conversations with grace. "Boy, what do we need a car for?" she responds. "We got a bus that breathes fire, and old Mr. Dennis, who always has a trick for you." (The driver obliges by pulling a coin out of CJ's ear.) When CJ wishes for a fancy mobile music device like the one that two boys at the back of the bus share, Nana points out a passenger with a guitar. "You got the real live thing sitting across from you." The man begins to play, and CJ closes his eyes. "He was lost in the sound and the sound gave him the feeling of magic." When the song's over, the whole bus applauds, "even the boys in the back." Nana, readers begin to sense, brings people together wherever she goes. Robinson's paintings contribute to the story's embrace of simplicity. His folk-style figures come in a rainbow of shapes and sizes, his urban landscape accented with flying pigeons and the tracery of security gates and fire escapes. At last, CJ and Nana reach their destination-the neighborhood soup kitchen. Nana's ability to find "beautiful where he never even thought to look" begins to work on CJ as the two spot people they've come to know. "I'm glad we came," he tells her. Earlier, Nana says that life in the deteriorated neighborhood makes people "a better witness for what's beautiful." This story has the same effect. Ages 3-5. Agent: Steven Malk, Writers House. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list CJ and his nana depart church and make it to the bus stop just in time to avoid an oncoming rain shower. They board the bus, and while CJ is full of questions and complaints (why don't they have a car? why must they make this trip every week? and so forth), Nana's resolute responses articulate the glories of their rich, vibrant life in the city, as presented by the bus' passengers and passages. A tattooed man checks his cell phone. An older woman keeps butterflies in a jar. A musician tunes and plays his guitar. At last the pair arrive at the titular destination and proceed to the soup kitchen where, upon recognizing friendly faces, CJ is glad they came to help. Robinson's bright, simple, multicultural figures, with their rounded heads, boxy bodies, and friendly expressions, contrast nicely with de la Peña's lyrical language, establishing a unique tone that reflects both CJ's wonder and his nana's wisdom. The celebratory warmth is irresistible, offering a picture of community that resonates with harmony and diversity.--Barthelmess, Thom Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal K-Gr 2-After church on Sundays, CJ and his nana wait for the bus. It's a familiar routine, but this week CJ is feeling dissatisfied. As they travel to their destination, the boy asks a series of questions: "How come we gotta wait for the bus in all this wet?" "Nana, how come we don't got a car?" "How come we always gotta go here after church?" CJ is envious of kids with cars, iPods, and more freedom than he has. With each question, Nana points out something for CJ to appreciate about his life: "Boy, what do we need a car for? We got a bus that breathes fire." These gentle admonishments are phrased as questions or observations rather than direct answers so that CJ is able to take ownership of his feelings. After they exit the bus, CJ wonders why this part of town is so run-down, prompting Nana to reply, "Sometimes when you're surrounded by dirt, CJ, you're a better witness for what's beautiful." The urban setting is truly reflective, showing people with different skin colors, body types, abilities, ages, and classes in a natural and authentic manner. Robinson's flat, blocky illustrations are simple and well composed, seemingly spare but peppered with tiny, interesting details. Ultimately, their destination is a soup kitchen, and CJ is glad to be there. This is an excellent book that highlights less popular topics such as urban life, volunteerism, and thankfulness, with people of color as the main characters. A lovely title.-Anna Haase Krueger, Ramsey County Library, MN (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.